A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c4: Contents
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c4
- Language
- English
Contents
c4.1
| CHAP. | | PAGE |
| I. | INTRODUCTION . . . . . | I |
| | Bibliographical Note . . . . . | 12 |
| II. | THE HINDU STYLES OF ARCHITECTURE . . . . . . . . | 13 |
| III. | SCULPTURE OF THE EARLY PERIOD . . . . . . . . . . | 57 |
| | Section 1. The Age of Asoka . . . . . . . . . . | 57 |
| | Section 2. Post-Asokan Sculpture . . . . . . . . . . | 65 |
| | Bibliographical Note . . . . . | 96 |
| IV. | THE HELLENISTIC SCULPTURE OF GANDHĀRA . . . . . . . | 97 |
| | Section 1. Introductory Observations . . . . . . . . . | 97 |
| | Section 2. Description of the Sculptures . . . . . . . . | 106 |
| | Section 3. Criticism . . . . . | 125 |
| | Bibliographical Note . . . . . | 131 |
| V. | SCULPTURE OF THE KUSHĀN PERIOD, OTHER THAN THE GANDHĀRA SCHOOL | 132 |
| | Section 1. General Observations . . . . . . . . . . | 132 |
| | Section 2. Mathurā and Sārnāth . . . . . . . . . . | 134 |
| | Section 3. Amarāvatī . . . . . | 148 |
| | Section 4. Dānavulapād (Jain) . . . . . . . . . . . | 156 |
| | Bibliographical Note . . . . . | 157 |
| VI. | SCULPTURE OF THE GUPTA PERIOD . . . . . . . . . . | 158 |
| | Section 1. General Observations . . . . . . . . . . | 158 |
| | Section 2. Northern India . . . . . | 159 |
| | Section 3. Western and Southern India . . . . . . . . | 176 |
| VII. | MEDIAEVAL AND MODERN SCULPTURE . . . . . . . . . | 181 |
| | Section 1. General Observations . . . . . . . . . . | 181 |
| | Section 2. North-Eastern India . . . . . . . . . . . | 183 |
| | Section 3. Tibet and Nepāl . . . . . | 198 |
| | Section 4. North-Western India and Rājputāna . . . . . . | 200 |
| | Section 5. Western India . . . . . | 208 |
| | Section 6. Southern India . . . . . | 218 |
| | A. Stone . . . . . | 218 |
| | B. Bronzes and Brasses . . . . . . . . . . . | 236 |
| | Section 7. Ceylon . . . . . | 241 |
| | A. Stone . . . . . | 241 |
| | B. Bronzes . . . . . | 248 |
| | Section 8. Java . . . . . | 259 |
| | Bibliographical Note . . . . . | 267 |
| | Section 9. Jain (all India) . . . . . | 267 |
| VIII. | THE EARLY SCHOOLS OF HINDU PAINTING . . . . . . . . | 272 |
| | Section 1. General Observations . . . . . . . . . . | 272 |
| | Section 2. Rāmgarh Hill, Orissa . . . . . . . . . . | 273 |
| | Section 3. Ajantā . . . . . | 274 |
c4.3
| CHAP. | | PAGE |
| | Section 4. Bāgh . . . . . . . . . | 294 |
| | Section 5. Ceylon . . . . . . . . | 295 |
| | Bibliographical Note . . . . . . . | 302 |
| IX. | HINDU PAINTING, MEDIAEVAL AND MODERN . . . . | 303 |
| | Section 1. General Observations . . . . . | 303 |
| | Section 2. Chinese Turkistan . . . . . . | 307 |
| | Bibliographical Note . . . . . . . | 314 |
| | Section 3. Tibet and Nepāl . . . . . . | 314 |
| | Bibliographical Note . . . . . . . | 325 |
| | Section 4. Kāngrā . . . . . . . . | 325 |
| | Section 5. Eighteenth-Century Painting, chiefly Mythological | 328 |
| | Section 6. Southern India . . . . . . | 344 |
| | Section 7. Ceylon . . . . . . . . | 345 |
| | Section 8. Modern Schools . . . . . . | 346 |
| | I. Pictures in European Style . . . . | 346 |
| | II. The Bengālī Nationalist School . . . | 348 |
| X. | HINDU MINOR ARTS . . . . . . . . | 351 |
| | Section 1. Coinage . . . . . . . . | 351 |
| | Section 2. Gems, Seals, and Jade . . . . . | 352 |
| | Section 3. Jewellery . . . . . . . | 354 |
| | Section 4. Reliquaries and Gold Images . . . . | 355 |
| | Section 5. Silver Paterae and Bowls . . . . | 360 |
| | Section 6. Copper Vessels . . . . . . | 364 |
| | Section 7. Wood-carving . . . . . . | 364 |
| | Section 8. Ivories . . . . . . . . | 370 |
| | Section 9. Terra-cottas and Clay Figures . . . | 372 |
| XI. | THE FOREIGN INFLUENCES ON HINDU ART . . . . | 377 |
| XII. | THE INDO-MUHAMMADAN STYLES OF ARCHITECTURE . . | 391 |
| | Bibliographical Note . . . . . . . | 420 |
| XIII. | INDO-MUHAMMADAN DECORATIVE AND MINOR ARTS . . | 421 |
| | Section 1. General Observations . . . . . | 421 |
| | Section 2. Coins, Gems, and Seals . . . . . | 422 |
| | Section 3. Figure Sculpture . . . . . . | 424 |
| | Section 4. Calligraphy and Decorative Reliefs . . . | 428 |
| | Section 5. Lattices . . . . . . . . | 432 |
| | Section 6. Inlay and Mosaic . . . . . . | 437 |
| | Section 7. Enamelled Tiles . . . . . . | 441 |
| | Bibliographical Note . . . . . . . | 448 |
| XIV. | INDO-PERSIAN OR MUGHAL PAINTING . . . . . | 450 |
| | Section 1. Origin, History, and Technique . . . | 450 |
| | Section 2. The Artists and their Works . . . . | 469 |
| | Section 3. Criticism . . . . . . . | 492 |
| | Bibliographical Note . . . . . . . | 497 |
| | Appendix . . . . . . . . . | 498 |
| ADDENDA . . . . . . . . . . . | 500 |
| GENERAL INDEX . . . . . . . . . . | 502 |