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# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c4.1

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c4.1

- **Language:** English

### [c4.1](https://indike.org/pramana/ins.art.smith-1911.c4.1)

| CHAP. | | PAGE |  
| I. | INTRODUCTION . . . . .  | I |  
| | Bibliographical Note . . . . .  | 12 |  
| II. | THE HINDU STYLES OF ARCHITECTURE . . . . . . . . | 13 |  
| III. | SCULPTURE OF THE EARLY PERIOD . . . . . . . . . . | 57 |  
| | Section 1. The Age of Asoka . . . . . . . . . . | 57 |  
| | Section 2. Post-Asokan Sculpture . . . . . . . . . . | 65 |  
| | Bibliographical Note . . . . .  | 96 |  
| IV. | THE HELLENISTIC SCULPTURE OF GANDHĀRA . . . . . . . | 97 |  
| | Section 1. Introductory Observations . . . . . . . . . | 97 |  
| | Section 2. Description of the Sculptures . . . . . . . . | 106 |  
| | Section 3. Criticism . . . . .  | 125 |  
| | Bibliographical Note . . . . .  | 131 |  
| V. | SCULPTURE OF THE KUSHĀN PERIOD, OTHER THAN THE GANDHĀRA SCHOOL | 132 |  
| | Section 1. General Observations . . . . . . . . . . | 132 |  
| | Section 2. Mathurā and Sārnāth . . . . . . . . . . | 134 |  
| | Section 3. Amarāvatī . . . . .  | 148 |  
| | Section 4. Dānavulapād (Jain) . . . . . . . . . . . | 156 |  
| | Bibliographical Note . . . . .  | 157 |  
| VI. | SCULPTURE OF THE GUPTA PERIOD . . . . . . . . . . | 158 |  
| | Section 1. General Observations . . . . . . . . . . | 158 |  
| | Section 2. Northern India . . . . .  | 159 |  
| | Section 3. Western and Southern India . . . . . . . . | 176 |  
| VII. | MEDIAEVAL AND MODERN SCULPTURE . . . . . . . . . | 181 |  
| | Section 1. General Observations . . . . . . . . . . | 181 |  
| | Section 2. North-Eastern India . . . . . . . . . . . | 183 |  
| | Section 3. Tibet and Nepāl . . . . .  | 198 |  
| | Section 4. North-Western India and Rājputāna . . . . . . | 200 |  
| | Section 5. Western India . . . . .  | 208 |  
| | Section 6. Southern India . . . . .  | 218 |  
| | A. Stone . . . . .  | 218 |  
| | B. Bronzes and Brasses . . . . . . . . . . . | 236 |  
| | Section 7. Ceylon . . . . .  | 241 |  
| | A. Stone . . . . .  | 241 |  
| | B. Bronzes . . . . .  | 248 |  
| | Section 8. Java . . . . .  | 259 |  
| | Bibliographical Note . . . . .  | 267 |  
| | Section 9. Jain (all India) . . . . .  | 267 |  
| VIII. | THE EARLY SCHOOLS OF HINDU PAINTING . . . . . . . . | 272 |  
| | Section 1. General Observations . . . . . . . . . . | 272 |  
| | Section 2. Rāmgarh Hill, Orissa . . . . . . . . . . | 273 |  
| | Section 3. Ajantā . . . . .  | 274 |

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