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# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c4.3

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c4.3

- **Language:** English

### [c4.3](https://indike.org/pramana/ins.art.smith-1911.c4.3)

| CHAP. | | PAGE |  
| | Section 4. Bāgh . . . . . . . . . | 294 |  
| | Section 5. Ceylon . . . . . . . . | 295 |  
| | Bibliographical Note . . . . . . . | 302 |  
| IX. | HINDU PAINTING, MEDIAEVAL AND MODERN . . . . | 303 |  
| | Section 1. General Observations . . . . . | 303 |  
| | Section 2. Chinese Turkistan . . . . . . | 307 |  
| | Bibliographical Note . . . . . . . | 314 |  
| | Section 3. Tibet and Nepāl . . . . . . | 314 |  
| | Bibliographical Note . . . . . . . | 325 |  
| | Section 4. Kāngrā . . . . . . . . | 325 |  
| | Section 5. Eighteenth-Century Painting, chiefly Mythological | 328 |  
| | Section 6. Southern India . . . . . . | 344 |  
| | Section 7. Ceylon . . . . . . . . | 345 |  
| | Section 8. Modern Schools . . . . . . | 346 |  
| | I. Pictures in European Style . . . . | 346 |  
| | II. The Bengālī Nationalist School . . . | 348 |  
| X. | HINDU MINOR ARTS . . . . . . . . | 351 |  
| | Section 1. Coinage . . . . . . . . | 351 |  
| | Section 2. Gems, Seals, and Jade . . . . . | 352 |  
| | Section 3. Jewellery . . . . . . . | 354 |  
| | Section 4. Reliquaries and Gold Images . . . . | 355 |  
| | Section 5. Silver Paterae and Bowls . . . . | 360 |  
| | Section 6. Copper Vessels . . . . . . | 364 |  
| | Section 7. Wood-carving . . . . . . | 364 |  
| | Section 8. Ivories . . . . . . . . | 370 |  
| | Section 9. Terra-cottas and Clay Figures . . . | 372 |  
| XI. | THE FOREIGN INFLUENCES ON HINDU ART . . . . | 377 |  
| XII. | THE INDO-MUHAMMADAN STYLES OF ARCHITECTURE . . | 391 |  
| | Bibliographical Note . . . . . . . | 420 |  
| XIII. | INDO-MUHAMMADAN DECORATIVE AND MINOR ARTS . . | 421 |  
| | Section 1. General Observations . . . . . | 421 |  
| | Section 2. Coins, Gems, and Seals . . . . . | 422 |  
| | Section 3. Figure Sculpture . . . . . . | 424 |  
| | Section 4. Calligraphy and Decorative Reliefs . . . | 428 |  
| | Section 5. Lattices . . . . . . . . | 432 |  
| | Section 6. Inlay and Mosaic . . . . . . | 437 |  
| | Section 7. Enamelled Tiles . . . . . . | 441 |  
| | Bibliographical Note . . . . . . . | 448 |  
| XIV. | INDO-PERSIAN OR MUGHAL PAINTING . . . . . | 450 |  
| | Section 1. Origin, History, and Technique . . . | 450 |  
| | Section 2. The Artists and their Works . . . . | 469 |  
| | Section 3. Criticism . . . . . . . | 492 |  
| | Bibliographical Note . . . . . . . | 497 |  
| | Appendix . . . . . . . . . | 498 |  
| ADDENDA . . . . . . . . . . . | 500 |  
| GENERAL INDEX . . . . . . . . . . | 502 |

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Source: [https://indike.org/pramana/ins.art.smith-1911.c4.3](https://indike.org/pramana/ins.art.smith-1911.c4.3) · Pramāṇa
