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# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.153

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.153

- **Language:** English

### [c8.153](https://indike.org/pramana/ins.art.smith-1911.c8.153)

Broadly, the monastery consisted of a raised quadrangle, 288 feet north and south by 268 feet east and west, walled, with entrances at the cardinal points, enclosing a \*dāgaba\* \[\*stūpa\*\] and three \*vihārēs\* \[temples\], and having an open hall attached to the north. Outside this \*temenos\* was first a walk, then twelve annexes, evenly grouped, surrounded by a moat, with the chief \*pansala\* \[monks’ residences\], a bathing-house, and a few other buildings on the south and west; the whole covering an area of 12½ acres, bounded by a quadrangular wall of stone, 200 yards by 300 yards, traces of which may still be seen. From the lodge (\*mura-gē\*) a broad street led straight to the inner quadrangle.'¹

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Source: [https://indike.org/pramana/ins.art.smith-1911.c8.153](https://indike.org/pramana/ins.art.smith-1911.c8.153) · Pramāṇa
