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# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.17

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.17

- **Language:** English

### [c8.17](https://indike.org/pramana/ins.art.smith-1911.c8.17)

¹ i.e. the Jetawana as ordinarily understood. Mr. Parker shows good reason for believing that the so-called Jetawana is really the Abhayagiri, which stood to the north of Anurādhapura, and that the true Jetawana is the building to the east of the Sela chaitya (\*Ancient Ceylon\*, p. 300). between the domed \*stūpa\* and somewhat similar Phoenician tombs, as at Amrith (Perrot and Chipiez, \*Hist. de l'Art, Phénicie\*, fig. 94, 95; \*Ancient Ceylon\*, p. 261). The late Dr. Bloch, who opened some of the tumuli near Nandangarh in the Champāran District, believed them to be royal tombs of the seventh or eighth century B.C. (\*Ann. Rep. A. S., Eastern Circle\*, 1908-9, p. 3).

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Source: [https://indike.org/pramana/ins.art.smith-1911.c8.17](https://indike.org/pramana/ins.art.smith-1911.c8.17) · Pramāṇa
