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# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.21

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.21

- **Language:** English

### [c8.21](https://indike.org/pramana/ins.art.smith-1911.c8.21)

Curved roofs, as Fergusson observed, while very rare in the rest of the world, are common in India. We have not only the dome of the \*stūpa\*, but the barrel roof of the ‘chaitya-hall’ or church, the Bengal cornice, and the curvilinear steeple of the ‘Indo-Aryan’ or Āryāvarta style of temple. Every form of curved roof used in India can, I venture to think, be explained by assuming its derivation from a prototype constructed with elastic bamboos. The late Mr. William Simpson, who successfully applied this explanation to the Bengal cornice, the barrel roof of the ‘chaitya-hall’, and the ‘Indo-Aryan’ steeple, truly remarked that the claims of bamboo to supply a theory of origins for Indian architecture had been insufficiently considered, but did not proceed to apply his theory to the case of the \*stūpa\*.¹ Fergusson's belief in the sepulchral descent of the domed \*stūpa\* alone prevented him from definitely recognizing the true origin of the external form. ‘If one can fancy,’ he wrote, ‘a circular chamber with a domical roof—not in stone, of course—as the original receptacle of the relic, we may imagine that the form was derived from this’; and he proceeds to cite from the Bharhut sculptures an instance of ‘just such a domical roof’.² In the Sāñchī reliefs (\*post\* Chap. III) we actually find a shrine with a domical roof represented on one pillar along with a \*stūpa\* of the same form.

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## Linked texts (2)

- [Sāñcī](https://indike.org/pramana/inp.site.sanchi)
- [Bharhut](https://indike.org/pramana/inp.site.bharhut)

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Source: [https://indike.org/pramana/ins.art.smith-1911.c8.21](https://indike.org/pramana/ins.art.smith-1911.c8.21) · Pramāṇa
