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# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.90

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.90

- **Language:** English

### [c8.90](https://indike.org/pramana/ins.art.smith-1911.c8.90)

The next stage in the development of the style is marked by the structural temples at Conjeeveram (Kānchī), the Pallava capital, which became known only a few years ago, and have been recently described in detail by Mr. A. Rea. Six temples of the Pallava period exist in or close to the town.¹ Inscriptions prove that the two principal edifices, the Kailāsanātha and the Vaikuntha-Perumāl, were erected by the sons of King Rājasimha, great-grandson of Narasimha-varman. The Muktesvara temple of about the same date, say A. D. 700 to A. D. 750, with a domical roof, is a typical example. Mr. Rea is mistaken in believing the structural temples to antedate the rock-cut examples.²

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## Linked texts (2)

- [Mukteswara Temple](https://indike.org/pramana/inp.monument.mukteswara-temple)
- [Kailasanatha Temple](https://indike.org/pramana/inp.monument.kailasanatha-temple)

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Source: [https://indike.org/pramana/ins.art.smith-1911.c8.90](https://indike.org/pramana/ins.art.smith-1911.c8.90) · Pramāṇa
