[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c9.s2.124 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.124 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.124 - **Language:** English ### [c9.s2.124](https://indike.org/pramana/ins.art.smith-1911.c9.s2.124) One of the best Buddhas of early age is the now well-known image from the Toluvila ruins, Anurādhapura, represented \*in situ\* in Fig. 54, with a native seated beside it in exactly the same attitude. The photograph helps the European reader to realize the facts on which the forms of the canonical images are based. - [Previous: c9.s2.123](https://indike.org/pramana/ins.art.smith-1911.c9.s2.123) - [Next: c9.s2.125](https://indike.org/pramana/ins.art.smith-1911.c9.s2.125) - [Up: c9.s2](https://indike.org/pramana/ins.art.smith-1911.c9.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c9.s2.124](https://indike.org/pramana/ins.art.smith-1911.c9.s2.124) · Pramāṇa