<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/ins.art.smith-1911.c9.s2.86 -->

[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c9.s2.86

# A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.86

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.86

- **Language:** English

### [c9.s2.86](https://indike.org/pramana/ins.art.smith-1911.c9.s2.86)

¹ 66 caves, viz. 44 on Udayagiri, 19 on Khandagiri, and 3 on Nīlagiri. The inscription of King Khāravela in the Hāthī Gumphā, or Elephant Cave, is of the second century B. C., but not precisely dated, as formerly supposed (Fleet, \*J. R. A. S.\*, 1910, p. 242). See \*Imp. Gaz.\* (1908), \*s. v.\* Khandagiri; \*Ann. Rep. A. S., India\*, 1902–3, pp. 40–2. The best account of the caves is that by Bābū Monmohan Chakravarti in \*Gaz. Purī District\* (1908). See also Fergusson, \*Hist. of Indian and Eastern Architecture\*, 2nd ed. (1910), vol. ii, pp. 9–18.

- [Previous: c9.s2.85](https://indike.org/pramana/ins.art.smith-1911.c9.s2.85)
- [Next: c9.s2.87](https://indike.org/pramana/ins.art.smith-1911.c9.s2.87)
- [Up: c9.s2](https://indike.org/pramana/ins.art.smith-1911.c9.s2)

---
Source: [https://indike.org/pramana/ins.art.smith-1911.c9.s2.86](https://indike.org/pramana/ins.art.smith-1911.c9.s2.86) · Pramāṇa
