[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day](https://indike.org/pramana/ins.art.smith-1911) › c9.s2.89 # A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.89 A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.89 - **Language:** English ### [c9.s2.89](https://indike.org/pramana/ins.art.smith-1911.c9.s2.89) The sculpture in the most ancient cave-temples of Western India, at Bhājā and Bedsā (Poona District), Pītalkhorā (Khāndesh District), and Kondānē (Kolābā District) offers little of aesthetic interest. The small five-celled hermitage at Bhājā, \[Figure: PLATE XIX. Portion of frieze in Rānī Gumphā Cave, Udayagiri, Orissa, ? 2nd cent. B. C. - [Previous: c9.s2.88](https://indike.org/pramana/ins.art.smith-1911.c9.s2.88) - [Next: c9.s2.90](https://indike.org/pramana/ins.art.smith-1911.c9.s2.90) - [Up: c9.s2](https://indike.org/pramana/ins.art.smith-1911.c9.s2) --- Source: [https://indike.org/pramana/ins.art.smith-1911.c9.s2.89](https://indike.org/pramana/ins.art.smith-1911.c9.s2.89) · Pramāṇa