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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s3: Bibliographical Note

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s3

Language
English

Bibliographical Note

c9.s3.1

Cunningham, Sir A.—*Bhilsa Topes* (1854); *The Stūpa of Bharhut* (1877); *Mahābodhi* (1892); *Archaeol. S. Rep.* (1862–84): Fergusson, J.—*Tree and Serpent Worship*, 2nd ed. (1873); *Hist. of Ind. and E. Architecture*, 2nd ed. (1910): Fergusson and Burgess.—*The Cave Temples of India* (1880): Foucher, A.—*La Porte orientale du Stûpa de Sânchi* (Paris, Leroux, 1910): Grünwedel and Burgess.—*Buddhist Art in India* (1901): Maisey.—*Sānchī and its Remains* (1892): Mitra, Rājendralāla.—*Buddha Gaya* (1878): Smith, Vincent A.—*General Index to Cunningham's A. S. Reports* (1887); *The Jain Stūpa and other Antiquities of Mathurā* (1901). There are 27 autotype photographs of Sānchī in Griffin, Sir Lepel, *Famous Monuments of Central India* (1886). Numerous photographs in Burgess, *Ancient Monuments, &c., of India, Part I* (1897). For other references see footnotes and works on Indian archaeology too numerous to mention.