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# India as Known to Panini: A Study of the Cultural Material in the Ashtadhyayi c8.s8.22

India as Known to Pāṇini: A Study of the Cultural Material in the Ashṭādhyāyī c8.s8.22

- **Language:** English

### [c8.s8.22](https://indike.org/pramana/ins.general.agrawala-1953.c8.s8.22)

Of ornaments (\*alaṅkāras\*) Pāṇini refers to \*aṅgulīya\*, finger-rings (IV.3.62), \*karṇikā\*, ear-ring¹ (IV.3.65), \*lalāṭikā\*, ornaments of the forehead (IV.3.65) and \*graiveyaka\*, torque round the neck (IV.2.96). If we look to the earliest known examples of Indian art we find these three ornaments conspicuously depicted there. The \*karṇikā\* is represented as the heavy ear-rings worn in cloven ears of men and women; the \*graiveyaka\*² as the torque, worn in addition to the flat triangular necklace on such statues as the Parkham Yaksha; and the \*lalāṭikā\* as the round pendant found on the forehead of the earliest female figures as the Yakshī from Dīdārganj, Patna (Bachhoffer, \*Early Indian Sculpture\*, Pl.9) and Sudarśanā (Pl.19), Chulakokā (Pl.20) and Sirimā \*devatās\* (Pl.21) from Bharhut. These works of art are no doubt removed in time from Pāṇini, but they represent the earliest specimens of classical Indian art and show an older tradition. The \*Jātakas\* also mention ear-rings, frontlet pieces and torques round the neck (\*giveyya, Jāt.\* VI.590).

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## Cites (2)

- [Jātakatthavaṇṇanā](https://indike.org/pramana/in.bauddha.theravada.sp.khuddaka.jataka!jatakatthavannana*cst.23.5.2412_3) — Pāli
- [Aṣṭādhyāyī](https://indike.org/pramana/in.vedanga.vyakarana.astadhyayi-school.astadhyayi.4.3.62) — Pāṇini, Sanskrit

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Source: [https://indike.org/pramana/ins.general.agrawala-1953.c8.s8.22](https://indike.org/pramana/ins.general.agrawala-1953.c8.s8.22) · Pramāṇa
