Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v3.c43.t1.586

Language: English

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The first lateral cut of ascent is in a line due north, and before another angle you pass through three separate gates; between the last of which, distinctively called the Phuta Dwara, or ‘ broken door,’ and the fourth, the Hanuman pol (porte), is a spot for ever sacred in the history of Chitor, where its immortal defenders, Jaimall and Patta, met their death. There is a small cenotaph to the memory of the former, while a sacrificial Jujhar, on which is sculptured the effigy of a warrior on horseback, lance in hand, reminds the Sesodia where fell the stripling chief of Amet. Near these is another cenotaph, a simple dome supported by light elegant columns, and covering an altar to the manes of the martyr Raghudeva, the deified putra of Mewar (see Vol. I. p. 325). After passing three more barriers, we reach the Rampol, which crowns the whole, and leads into a noble Dari-khana, or ‘hall of assembly,’ where the princes of Chitor met on grand occasions; and it was in this hall that the genius of Chitor is said to have revealed to Rana Arsi that his glory was departing. On a compartment of the Rampol we found an interdict inscribed by the rebel Bhim of [759] Salumbar, who appears to have been determined to place upon his own head the mor¹ of Chitor, so nobly renounced by his ancestor Chonda many centuries before.

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This was, however, set up when he was yet loyal, and in his sovereign's name as well as his own, “abolishing forced labour from the townspeople, and likewise dand, or contribution”; concluding with a grant of land to a patriotic carpenter of Gosunda, who had, at his own expense, furnished the Rampol with a new gate; the cow and hog are attesting witnesses to the deed. The next building I came to, as I skirted the western face in a southerly direction, was a small antique temple to Tulja Bhavani,² the divinity of the scribes, adjoining the Top-khana Chaori, a square for the park, where a few old cannon, the relics of the plunder of Chitor, still remain. The habitation of the Purohits, or chief priests of the Ranas, a plain, commodious, and substantial edifice, was the next; and close by was that of the Masani,³ or master of the horse, with several others of the chief household officers. But the first imposing edifice is that termed Naulakha Bhandar. This is a small citadel in itself, with massive, lofty walls, and towers built entirely of ancient ruins. Its name would import that it was a receptacle (bhandar) for treasure, though it is said to have been the residence of the usurper Banbir. At the north-eastern corner, it has a little temple, richly sculptured, called the Singar Chaori.⁴ From this we pass on to the palace of the Ranas, which, though attributed to Rana Raemall, is of the same character as those of a much higher antiquity.

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It is plain, capacious, and in excellent taste, the only ornament being its crenated battlements, and gives a good idea of the domestic architecture of the Rajputs, long anterior to the intrusion of the Islamite amongst them. The vaulted chamber, the projecting gaukh or balcony, and the gentle exterior slope or talus of the walls, lend a character of originality to all the ancient structures of Chitor. The industrious Ghasi made sketches for me of all their domestic dwellings, from the ancient abode of Chitrang Mori, down to the mahalls of Jaimall and Patta. A courtyard surrounds the palace, in which there is a small temple to Deoji, through whose interposition Rana Sanga effected all his conquests. This unknown divinity I find is styled one of the eleven kalas, or Mahavidyas, incarnate in the person of a celebrated warrior, named Bhoj, whose father was a Chauhan, and his mother of the Gujar tribe, which originated a new class, called the Bagrawat.¹ The story of this Deo will add another to the many tales of superstition which are listened to with reverence, and I imagine generally with belief. The incarnate Bagrawat, while on his way to revenge an ancient feud with the Parihars of Ranbinai [760], approached Chitor, and Rana Sanga, aware of his sanctity, paid him all the dues of hospitality; in return for this, the Deoji bestowed a charm upon Sanga, by means of which, so long as he followed the prescribed injunctions, victory was always to attend his steps.

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It was placed in a small bag, and to be worn round the neck; but he was warned against allowing it to turn towards the back. The Deo had the power of raising the dead, and in order to show the Rana the value of the gift, he put into his hand a peacock’s feather, with which having touched all who were then lying dead in Chitor, they were restored to life! With this new proof of Deoji’s power, Rana Sanga went forth to pursue his conquests, which had extended to the fortress of Bayana, when one day, while bathing in the Pila Khal,² the charm slipped round, and straight a voice was heard, saying, his “mortal foe was at hand!” So impressed are the Sesodias with the truth of this tale, that Deoji has obtained a distinguished niche in their Pantheon; nor in all their poverty has oil been wanting for the lamp which is constantly burning before the Bagrawat chieftain, whose effigy, on a horse painted blue and lance in hand, still attracts their homage. To buy golden opinions, I placed three pieces of silver on the altar of the saint, in the name of the brave Sanga, the worthy antagonist of Babur, the “immortal foe,” who at the Pila Khal at Bayana destroyed the charm of the Deoji.