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The Bodhisattva Doctrine in Buddhist Sanskrit Literature c4: List of Abbreviations

The Bodhisattva Doctrine in Buddhist Sanskrit Literature c4

Language
English

Contents

List of Abbreviations

c4.1

*Ava.-ça.*—*Avadāna-çataka*, edited by J. S. Speyer (St. Petersburg 1906, 1909). 2 vols. Bibliotheca Buddhica.

c4.2

*Aṅguttara.*—*Aṅguttara-Nikāya*, edited by R. Morris and E. Hardy (London 1885-1910).

c4.3

*Aṅguttara* trsln.—“Die Reden des Buddha,” übers. von Nyāṇatiloka (München 1922-4).

c4.4

*Abhidharma-koça.*—*L’Abhidharma-koça*, traduit par L. de la Vallée Poussin (Paris 1924-6).

c4.5

*Atharva-veda*, edited by R. Roth and W. D. Whitney (2nd edition, Berlin 1924).

c4.6

*Attha-sālinī*, edited by E. Müller (London 1897).

c4.7

“*Album Kern*.”—(Leyden 1903).

c4.8

ARISTOTLE (“Ethics”).—“The Nicomachean Ethics,” translated by R. W. Browne (London 1914).

c4.9

ARISTOTLE (“Politics”).—“The Politics and Economics of Aristotle,” translated by E. Walford (London 1881).

c4.10

BEFEO.—“Bulletin de l’école française d’éxtrême Orient” (Hanoi).

c4.11

*Bo. Bhū.*—*Bodhisattva-bhūmi* (Sanskrit Manuscript Add. 1702, Cambridge University Library).

c4.12

*B.C. Ava.*—*Çāntideva’s Bodhi-āvatāra*, edited by I. P. Minayeff (Zapiski, vol. iv, 1889, pp. 155-225).

c4.13

*B.C. Ava. Pka.*—*Bodhicaryāvatāra-pañjikā*, edited by L. de la Vallée Poussin (Calcutta 1901-14). Bibliotheca Indica.

c4.14

*B. Ct.*—*Açvaghoṣa’s Buddha-carita*, edited by E. B. Cowell (Oxford 1893).

c4.15

*Buddhavamsa*, edited by R. Morris (London 1882).

c4.16

R. G. BHANDARKAR (“Sects”).—“Vaiṣṇavism, Śaivism and Minor Religious Systems” (Strassburg 1913).

c4.17

H. BECKH (“Buddhismus”).—“Der Buddhismus” (Berlin 1916, 1919). 2 Bde.

c4.18

S. BEAL (“Abstract”).—“Abstract of Four Lectures on Buddhist Literature in China” (London 1882).

c4.19

S. BEAL (“Catena”).—“A Catena of Buddhist Scriptures from the Chinese” (London 1871).

c4.20

E. BURNOUF (“Int.”).—“Introduction a l’histoire du Bouddhisme indien” (Paris 1876).

c4.21

E. BURNOUF (“Lotus”).—“Le Lotus de la bonne loi” (Paris 1925).

c4.22

L. D. BARNETT (“Antiquities”).—“Antiquities of India” (London 1913). “Barlaam and Ioasaph,” translated by G. R. Woodward (Loeb Classical Library, London 1914). L. D. BARNETT (“Path”).—“The Path of Light” (London 1909). A. BARTH (“Religions”).—“The Religions of India” (London 1906).

c4.23

Çikṣā.—Çāntideva’s Çikṣā-samuccaya, edited by C. Bendall (St. Petersburg 1897–1902). Çiṣya-lekha.—Candragomin’s Çiṣya-lekha-dharma-kāvya, edited by I. P. Minayeff (Zapiski, vol. iv, 1889, pp. 44–52). Çikṣā tr.—Çikṣā-samuccaya, translated by C. Bendall and W. H. D. Rouse (London 1922). Cariyā-piṭaka, edited by R. Morris (London 1882). CSOMA.—Alexander Csoma de Kőrös, Mahā-vyutpatti, edited by E. D. Ross and S. C. Vidyābhūṣaṇa (Calcutta 1910). Part I. J. E. CARPENTER (“Theism”).—“Theism in Medieval India” (London 1921). J. E. CARPENTER (“Buddhism”).—“Buddhism and Christianity” (London 1923). CHALMERS (Majjh. tr.).—“Further Dialogues of the Buddha,” translated by Lord Chalmers (London 1926-7). 2 vols. H. T. COLEBROOKE (“Essays”).—“Miscellaneous Essays” (London 1873). 2 vols. R. S. COPLESTONE (“Buddhism”).—“Buddhism, Primitive and Present” (London 1908). “Compendium”—“Compendium of Philosophy,” by S. Z. Aung and C. A. F. Rhys Davids (London 1910). “Camb. Ind.”—“Cambridge History of India,” vol. i (Cambridge 1922).

c4.24

Divy.—Divy-avadāna, edited by E. B. Cowell and R. A. Neil (Cambridge 1886). Dh. S.—Dharma-saṅgraha, edited by F. Max Müller, H. Wenzel, and K. Kassawara (Oxford, 1885). Da. Bhū.—Daça-bhūmika-sūtra, publié par J. Rahder (Paris 1926). Dīgha-Nikāya, edited by T. W. Rhys Davids and J. E. Carpenter (London 1890–1911). 3 vols. Dhammapada.—Pāli Text Society’s edition (London 1906–15). Dhamma-saṅgaṇi, edited by E. Müller (London 1885). Translation by C. A. F. Rhys Davids (London 1923). Dīpavaṃsa, edited by H. Oldenberg (London 1879). “Dialogues.”—“Dialogues of the Buddha,” translated by T. W. Rhys Davids (London 1899–1921). 3 vols.

c4.25

T. W. RHYS DAVIDS ("Buddhism").—"Buddhism: Its History and Literature" (New York 1896).

c4.26

C. A. F. RHYS DAVIDS ("Psychology").—"Buddhist Psychology" (London 1924).

c4.27

C. A. F. RHYS DAVIDS ("Gotama").—"Gotama the Man" (London 1928). "Sakya, or Buddhist Origins" (1931).

c4.28

DIOGENES LAERTIUS.—"Lives of Eminent Philosophers," translated by R. D. Hicks (London 1925). 2 vols.

c4.29

S. N. DASGUPTA ("Mysticism").—"Hindu Mysticism" (Chicago 1927).

c4.30

P. D RILER ("Anfange").—"Die Anfänge der Heiligenverehrung" (München 1913).

c4.31

S. N. DASGUPTA ("Yoga").—"Yoga as Philosophy and Religion" (New York 1924).

c4.32

S. N. DASGUPTA ("History").—"A History of Indian Philosophy" (Cambridge 1922).

c4.33

G. A. VAN DEN B. VAN EYSINGA.—"Indische Einflüsse auf evangelische Erzählungen" (Göttingen 1904).

c4.34

E. J. EITEL.—"Handbook of Chinese Buddhism" (Hongkong 1888).

c4.35

A. J. EDMUNDS ("Gospels").—"Buddhist and Christian Gospels" (Tokyo 1905).

c4.36

C. ELIOT.—"Hinduism and Buddhism" (London 1921). 3 vols.

c4.37

J. A. EKLUND ("Nirvāṇa").—"Nirvāṇa: en religionshistorisk undersökning" (Upsala 1899).

c4.38

EUSEBIUS ("History").—"The Ecclesiastical History," translated by C. F. Cruse (London 1851).

c4.39

ERE ("Encyclopædia of Religion and Ethics"), edited by J. Hastings (1908-26).

c4.40

"The Expositor," by Maung Tin and C. A. F. Rhys Davids (London 1920-21). 2 vols.

c4.41

P. E. FOUCAUX (Lal. V. tr.).—"Le Lalita-vistara, traduit du sanskrit en français," par Ph. Ed. Foucaux (Paris 1884).

c4.42

J. N. FARQUHAR ("Outline").—"An Outline of the Religious Literature of India" (Oxford 1920).

c4.43

A. FOUCHER ("Art").—"L'art gréco-bouddhique du Gandhāra" (Paris 1905-8). 2 vols.

c4.44

R. O. FRANKE ("Digha").—Digha-Nikāya in Auswahl übersetzt von R. O. Franke (Göttingen 1913).

c4.45

A. GRÜNWEDEL ("Art").—"Buddhist Art in India" (London 1901).

c4.46

A. GRÜNWEDEL ("Mythologie").—"Mythologie des Buddhismus" (Leipzig 1900).

c4.47

M. and W. GEIGER (Dhamma).—Pāli Dhamma (München 1921).

c4.48

H. S. GOUR (“Spirit”).—“The Spirit of Buddhism” (London 1929). R. GARBE (“Sāṅkhya”).—“Sāṅkhya und Yoga” (Strassburg 1896). R. GARBE (“Christenthum”).—“Indien und das Christenthum” (Tübingen 1914). A. GAWRONSKI (“Studies”).—“Studies about the Sanskrit Buddhist Literature” (Crakowie 1919).

c4.49

LADY HERRINGHAM (“Ajanta”).—“Ajanta Frescoes” (Oxford 1915). H. HACKMANN (“Buddhism”).—“Buddhism as a Religion” (London 1910). M. HORTEN (“Islam”).—“Die religiöse Gedankenwelt des Volkes im heutigen Islam” (Leipzig 1917-18). S. HARDY (“Manual”).—“Manual of Buddhism” (London 1881). E. W. HOPKINS (“India”).—“India, Old and New” (New York, 1901). F. HEILER (“Versenkung”).—“Die buddhistische Versenkung” (München 1922). B. HODGSON (“Lit.”).—“Essay on the Literature of Nepal” (London 1874).

c4.50

I-TSING.—“A Record of the Buddhist Religion,” translated by J. Takakusu (Oxford 1896). “Ind. Ant.”—“Indian Antiquary” (Bombay). “IHQ.”—“Indian Historical Quarterly” (Calcutta).

c4.51

Jā. Mā.—Ārya-śūra’s Jātaka-Mālā, edited by H. Kern (Boston 1891) Jātaka.—“The Jātaka, together with its commentary,” edited by V. Fausböll (London 1877-97). 6 vols. J. JAINI (“Outlines”).—“Outlines of Jainism” (Cambridge 1916). JRAS.—“Journal of the Royal Asiatic Society” (London). JA.—“Journal Asiatique” (Paris). JBTS.—“Journal of the Buddhist Text Society” (Calcutta). JBAS.—“Journal of the Asiatic Society of Bengal” (Calcutta). JPTS.—“Journal of the Pāli Text Society” (London).

c4.52

Kar. Pu.—Karuṇā-puṇḍarīka, edited by S. C. Das and S. C. Ṣāstri (Calcutta 1898). (Buddhist Text Society.) KSS.—Kathā-sarit-sāgara, edited by P. D. Prasād and K. P. Parab (Bombay 1915). Kṣemendra.—Bodhisattva-avadāna-kalpalatā, edited by S. C. Das and H. M. Vidyābhūṣaṇa (Calcutta 1888). 2 vols. Bibliotheca Indica. Kā. Vy.—Kāraṇḍa-vyūha, edited by S. B. Samasrami (Calcutta 1873). Kathā-vatthu, edited by A. C. Taylor (London 1894).

c4.53

A. B. KEITH (“Philosophy”).—“Buddhist Philosophy in India and Ceylon” (Oxford 1923). C. F. KOEPPEN (“Buddha”).—“Die Religion des Buddha und ihre Entstehung” (Berlin 1906). J. H. C. KERN (“Histoire”).—“Histoire du Bouddhisme dans l’Inde” (Paris 1901–3). 2 vols. J. H. C. KERN (“Manual”).—“Manual of Indian Buddhism” (Strassburg 1896). W. KIRFEL (“Kosmographie”).—“Die Kosmographie der Inder” (Bonn and Leipzig 1920). R. KIMURA (“Study”).—“A Historical Study of the terms Hīnayāna and Mahāyāna (Calcutta 1927). A. B. KEITH (“Lit.”).—“A History of Sanskrit Literature” (Oxford 1928).

c4.54

*Lal. V.*—*Lalita-vistara*, edited by S. Lefmann (Halle a. S. 1902–8). *Lka.*—*Laṅkāvatāra-sūtra*, edited by B. Nanjio (Kyoto 1923). *Lal. V. Tib.*—*Rgya tch’er-rol-pa*, edited by P. Foucaux, vol. i (Paris 1847). “Lesebuch.”—“Religionsgeschichtliches Lesebuch,” herausgegeben von A. Bertholet (Tubingen 1908). “Lehrbuch.”—“Lehrbuch der Religionsgeschichte,” herausg. P. D. Chantepie de la Saussaye (Berlin 1925). A. LILLIE (“Buddhism”).—“Buddhism in Christendom” (London 1887). F. LORINSER (Gītā).—*Bhagavad-gītā*, übers. von F. Lorinser (Breslau 1867).

c4.55

*Mtu.*—*Le Mahā-vastu*, texte sanscrit publié par E. Senart (Paris 1882–97). 3 vols. *M. Vy.*—*Mahā-vyutpatti*, edited by Sakaki (Kyoto 1928). *Milinda.*—*Milinda-pañha*, edited by V. Trenckner (London 1928). *Mdh.*—*Mūla-madhyamaka-kārikās* (*Mādhyamika-sūtras*) de Nāgārjuna, publié par L. de la Vallée Poussin (St. Petersburg 1903). *M. S. Al.* and *M. S. Al. tr.*—*Mahāyāna-sūtrālaṅkāra*, édité et traduit par S. Lévi (Paris 1907, 1911). *Majjhima-Nikāya*, edited by V. Trenckner and R. Chalmers (London 1888–99). 3 vols. J. W. MCCRINDLE (“India”).—“Ancient India” (London 1877). J. H. MOULTON (“Zoroastrianism”).—“Early Zoroastrianism” (London 1913). I. P. MINAYEFF (Minaev) (“Recherches”).—“Recherches sur le bouddhisme,” traduit du rusee par R. H. Assier de Pompignan (Paris 1894).

c4.56

J. MASUDA ("Idealismus").—"Der individualistische Idealismus der Yogācāra-schule" (Heidelberg 1926).

c4.57

P. MASSON-OURSEL ("Esquisse").—"Esquisse d'une histoire de la philosophie indienne (Paris 1923).

c4.58

A. A. MACDONELL ("Lit.").—"A History of Sanskrit Literature" (London 1900,.

c4.59

A. E. MEDLYCOTT ("Thomas").—"India and the Apostle Thomas" (London 1905).

c4.60

W. M. MCGOVERN ("Introduction").—"An Introduction to Mahāyāna Buddhism" (London 1922).

c4.61

W. M. MCGOVERN ("Manual").—"A Manual of Buddhist Philosophy," vol. i (London 1923).

c4.62

Manu-smṛti, edited by J. Jolly (London 1887).

c4.63

MONTALEMBERT ("Moines").—"Les Moines d'Occident," vol. i (Paris 1892).

c4.64

Ngd.—Harṣa's Nāgānanda, edited by G. B. Brahme and D. M. Paranjape (Poona 1893).

c4.65

Netti-pakaraṇa, edited by E. Hardy (London 1902).

c4.66

K. E. NEUMANN (Majjh. tr.).—"Die Reden Gotamo Buddhos aus der mittleren Sammlung," 3 Bde. (Munchen 1921).

c4.67

R. A. NICHOLSON ("Studies").—"Studies in Islamic Mysticism" (Cambridge 1921).

c4.68

B. NANJIO.—"A Catalogue of the Chinese Translation of the Buddhist Tripiṭaka" (Oxford 1883).

c4.69

G. K. NARIMAN ("Lit.").—"Literary History of Sanskrit Buddhism" (Bombay 1920).

c4.70

H. OLDENBERG ("Buddha").—"Buddha: sein Leben, seine Lehre, seine Gemeinde" (Berlin 1897).

c4.71

H. OLDENBERG ("Indien").—"Aus dem alten Indien" (Berlin 1910).

c4.72

P. OLTRAMARE ("Bouddhique").—"La théosophie bouddhique" (Paris 1923).

c4.73

Pr. Pā. Aṣṭa.—Aṣṭa-sāhasrikā Prajñā-pāramitā, edited by R. Mitra (Calcutta 1888). Bibliotheca Indica.

c4.74

Pr. Pā. Çata.—Çata-sāhasrikā Prajñā-pāramitā (chapters i-xii), edited by P. Ghosa (Calcutta 1902-13). Bibliotheca Indica.

c4.75

Puggala-paññatti, edited by R. Morris (London 1883).

c4.76

J. PRZYLUSKI ("Açoka").—"La Légende de l'empereur Açoka" (Paris 1923).

c4.77

Pali Dicy.—T. W. Rhys Davids and W. Stede: Pali Dictionary (Chipstead 1925).

c4.78

R. PISCHEL ("Buddha").—"Leben und Lehre des Buddha" (Berlin 1917).

c4.79

L. DE LA VALLÉE POUSSIN ("Etudes").—"Bouddhisme, Etudes et Materiaux" (London 1898). L. DE LA VALLÉE POUSSIN ("Morale").—"La morale bouddhique" (Paris 1927). L. DE LA VALLÉE POUSSIN ("Opinions").—"Bouddhisme : Opinions sur l'histoire de la Dogmatique" (Paris 1909). L. DE LA VALLÉE POUSSIN (*Nirvāṇa*).—"The Way to *Nirvāṇa*" (Cambridge 1917). RPP.—*Rāṣṭrapāla-paripṛcchā*, publié par L. Finot (Bibliotheca Buddhica). (St. Pétersbourg 1901).

c4.80

*Rāmāyaṇa*.—The *Rāmāyaṇa*, edited by T. R. Krishnacarya (Bombay 1905). *Ṛgveda*.—*Ṛgveda Sanhita*, edited by F. Max Müller (Oxford 1849-74). 6 vols. RHR.—"Revue de l'Histoire des Religions" (Paris). M. RATNACANDRAJI.—*Ardha-māgadhī* Dictionary (Ajmer 1923-7). 2 vols. O. C. J. ROSENBERG ("Probleme").—"Die Probleme der buddhistischen Philosophie" (Heidelberg 1924). 2 Bde. H. RAYCHAUDHURI ("Materials").—"Materials for the early History of the Vaishnava sect" (Calcutta 1920). H. G. RAWLINSON ("Intercourse").—"Intercourse between India and the Western World" (Cambridge 1916). J. RAHDER ("Glossary").—"Glossary of the Sanskrit, Tibetan, Mongol and Chinese versions of the *Daça-bhūmika-sūtra*" (Paris 1926).

c4.81

*Sāṅkhya-kārikā*, edited by H. H. Wilson (Oxford 1837). *Sam. Rā.*—*Samādhi-rāja-sūtra*. (Sanskrit Manuscript No. 4, Hodgson Collection, Royal Asiatic Society, London). *Su. Pr.*—*Suvarṇa-prabhāsa*. (Manuscript No. 8, Hodgson Collection, Royal Asiatic Society, London). *Sad. Pu.*—*Saddharma-puṇḍarīka*, edited by H. Kern and B. Nanjio (St. Petersburg, 1912). *Su. Vy.*—*Sukhāvatī-vyūha*, edited by F. Max Müller and B. Nanjio (Oxford 1883). *Saund. Kā.*—*Açvaghoṣa's Saundarānand-kāvya*, edited by E. H. Johnston (London 1928). *Samyutta-Nikāya*, edited by M. L. Feer (London 1884-1904). 6 vols. *Sutta-nipāta*, edited by D. Andersen and H. Smith (London 1913). SBE.—"Sacred Books of the East" (Oxford 1879-1910). E. SENART ("Légende").—"Essai sur la Légende du Bouddha" (Paris 1882). E. SENART ("Origines").—"Origines Bouddhiques" (Paris 1907).

c4.82

Skt. Dicy. Pbg.—O. Böhtlingk and R. Roth, “Sanskrit-Wörterbuch” (St. Petersburg 1855-75). Skt. Dicy. M.W.—Monier Williams, “A Sanskrit-English Dictionary” (Oxford 1872). V. A. SMITH (“Asoka”).—“Asoka” (Oxford 1901). D. T. SUZUKI (“Outlines”).—“Outlines of Mahāyāna Buddhism” (London 1907). D. T. SUZUKI (“Zen Essays”).—“Essays in Zen Buddhism” (London 1927). D. T. SUZUKI (“Studies”).—“Studies in the Laṅkāvatāra-sūtra” (London 1930). K. J. SAUNDERS (“Epochs”).—“Epochs in Buddhist History” (Chicago 1924). TH. STCHERBATSKY (“Conception”).—“The Central Conception of Buddhism” (London 1923). TH. STCHERBATSKY (Nirvāṇa).—“The Conception of Buddhist Nirvāṇa” Leningrad 1927). R. SEYDEL (“Legend”).—“Die Buddha-Legende und das Leben Jesu” (Weimar 1897). SĪLĀCĀRA (Majjh. tr.).—The Majjhima-Nikāya (München-Neubiberg 1924). V. A. SMITH (“Art”).—“A History of Fine Art in India and Ceylon” (Oxford 1911).

c4.83

T’oung-Pao (Leyden). Thera-gāthā, edited by H. Oldenberg and R. Pischel (London 1883). Translation by C. A. F. Rhys Davids. “Psalms of the Brethren” (London 1913). Triglotte.—Buddhistische Triglotte, edited by A. Schiefner (St. Petersburg 1859). S. TACHIBANA (“Ethics”).—“The Ethics of Buddhism” (London 1926). E. J. THOMAS (“Buddha”).—“The Life of Buddha as Legend and History” (London 1927). A Tibetan-English Dictionary.—By S. C. Das (Calcutta 1902). A Tibetan-English Dictionary.—By H. A. Jaschke (London 1881). Tāranātha—“Geschichte des Buddhismus in Indien,” übers. von A. Schiefner (St. Petersburg 1869). The Upaniṣads.—Ānandāçrama Series, Poona. Uttarādhyayana-sūtra, edited by J. Charpentier (Upsala 1922).

c4.84

Vajra.—Vajra-cchedikā Prajñā-pāramitā, edited by F. Max Müller (Oxford 1881). Vinaya.—The Vinaya-Piṭakam, edited by H. Oldenberg (London 1879-83). 5 vols.

c4.85

*The Vibhanga*, edited by C. A. F. Rhys Davids (London 1904). M. V. VASSILIEF.—"Le Bouddisme," traduit du russe (Paris 1865).

c4.86

F. WELLER.—"Das Leben des Buddha," Tibetisch und Deutsch (Leipzig 1926–8). U. WOGIHARA (*Bo. Bhū.*).—*Asaṅga's Bodhisattva-bhūmi* (Leipzig 1908). L. A. WADDELL ("Buddhism").—"The Buddhism of Tibet" (London 1895). M. WALLESER (*Pr. Pā.* tr.).—"*Prajñā-pāramitā*: die Vollkommenheit der Erkenntnis" (Göttingen 1914). J. H. WOODS ("Yoga").—"The Yoga System of Patañjali," translated by J. H. Woods (Cambridge, Mass., 1914). M. WINTERNITZ ("Problems").—"Some Problems of Indian Literature" (Calcutta 1925). M. WINTERNITZ ("Lit.").—"Geschichte der indischen Litteratur" (Leipzig 1909–20). 3 Bde. E. WINDISCH ("Geburt").—"Buddha's Geburt" (Leipsiz 1909). E. WINDISCH ("Māra").—"Mara und Buddha" (Leipzig 1895). H. C. WARREN ("Buddhism").—"Buddhism in Translations" (Cambridge, Mass., 1915).

c4.87

*Yo. Sū.*—*Patañjala-yoga-sūtrāṇi*, edited by K. Ṣ. Agāṣe (Poona, 1904). Ānandāṣrama Series. S. YAMAKAMI ("Systems").—"Systems of Buddhistic Thought" (Calcutta 1912).

c4.88

ZII.—"Zeitschrift fur Indologie und Iranistik" (Leipzig). Z.Bs.—"Zeitschrift für Buddhismus" (Leipzig). E. ZELLER ("Stoics").—"The Stoics, Epicureans and Sceptics" (London 1870). ZDMG.—"Zeitschrift der deutschen morgenländischen Gesellschaft."

c4.89

N.B.—The abbreviations p. and pp. have generally been omitted after the titles of Sanskrit and Pāli works.

c4.90.1

the *Robinson Crusoe* of the eighteenth century, and the *Ulysses* of the twentieth. But the *Tristram Shandy* of the eighteenth century is a very different thing from the *Ulysses* of the twentieth. The difference is not merely one of degree, but of kind. The *Tristram Shandy* of the eighteenth century is a work of art, a work of fiction, a work of the imagination. The *Ulysses* of the twentieth century is a work of art, a work of fiction, a work of the imagination. But the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism.

c4.90.2

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science.

c4.90.3

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion.

c4.90.4

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics.

c4.90.5

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics.

c4.90.6

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic.

c4.90.7

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic. The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology.

c4.90.8

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics.

c4.90.9

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology.

c4.90.10

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography.

c4.90.11

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics.

c4.90.12

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law.

c4.90.13

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine.

c4.90.14

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education.

c4.90.15

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art.

c4.90.16

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life. The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life.

c4.90.17

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death.

c4.90.18

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death.

c4.90.19

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time.

c4.90.20

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time.

c4.90.21

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space.

c4.90.22

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space.

c4.90.23

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity.

c4.90.24

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity.

c4.90.25

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity, *and* a work of infinity.

c4.90.26

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity, *and* a work of infinity.

c4.90.27

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity, *and* a work of infinity, *and* a work of nothingness.

c4.90.28

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity, *and* a work of infinity, *and* a work of nothingness.

c4.90.29

The difference is that the *Tristram Shandy* of the eighteenth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity, *and* a work of infinity, *and* a work of nothingness, *and* a work of everything.

c4.90.30

The *Ulysses* of the twentieth century is a work of art which is also a work of history, a work of sociology, a work of philosophy, *and* a work of literature, *and* a work of criticism, *and* a work of autobiography, *and* a work of theology, *and* a work of science, *and* a work of politics, *and* a work of religion, *and* a work of ethics, *and* a work of aesthetics, *and* a work of metaphysics, *and* a work of epistemology, *and* a work of logic, *and* a work of psychology, *and* a work of linguistics, *and* a work of anthropology, *and* a work of geography, *and* a work of economics, *and* a work of law, *and* a work of medicine, *and* a work of education, *and* a work of art, *and* a work of life, *and* a work of death, *and* a work of time, *and* a work of space, *and* a work of eternity, *and* a work of infinity, *and* a work of nothingness, *and* a work of everything.