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# History of Technology in India, Vol. I: From Antiquity to c. 1200 A.D. v1.c23.s3.2

History of Technology in India, Vol. I: From Antiquity to c. 1200 A.D. v1.c23.s3.2

- **Language:** English

### [v1.c23.s3.2](https://indike.org/pramana/ins.science.bag-1997.v1.c23.s3.2)

Techniques of patterning achieved through variation in colour are associated with the practice of \*ikat\*, \*plāngī\*, painting or block printing. Batik as practiced in Indonesia involving usage of cold dyes is alien to the Indian tradition. However, in Mundhra, Kutch, there is a tradition of resist dyeing in which the resist paste, \*minia\*, is made of a mixture of top soil of goats pens which includes goats droppings, \*gugul\* local incense resin, olibanum, Fuller's earth and gum made into paste consistency which withstands hot dyeing. The colour palette comprised red, white and black. (Oral information: Shri Khodidas Parmar, Bhavnagar.) The earliest methods of dye patterning were accomplished by resisting through knotting of either the yarn as in \*ikat\*, or the finished product, as in \*plāngī/bandhanī\*, prior to processes of colouration. Fabrics could also be dye-patterned either by means of painting, or by stamping of mordant and resist with wooden blocks, the end product was called \*Kalamkari\* or Cit²⁵. Tie & dye may be practiced on wool, silk and cotton. In India painting and stamping has tended to predominate on cotton.

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Source: [https://indike.org/pramana/ins.science.bag-1997.v1.c23.s3.2](https://indike.org/pramana/ins.science.bag-1997.v1.c23.s3.2) · Pramāṇa
