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# Vada in Theory and Practice: Studies in Debates, Dialogues and Discussions in Indian Intellectual Discourses c10.s2.2

Vāda in Theory and Practice: Studies in Debates, Dialogues and Discussions in Indian Intellectual Discourses c10.s2.2

- **Language:** English

### [c10.s2.2](https://indike.org/pramana/ins.science.tripathi-2021.c10.s2.2)

\*Vāda\* and its categories are conspicuously employed in the theory of \*vācika abhinaya\* involving speech for performance. A content of a dramatic piece is structured in dialogues. The presentation of these dialogues with \*abhinaya\* creates theatre. The verbal content of a play in this way may have exchange of views, discussions involving repartees and rejoinders. In chap. XXII of \*Nāṭyaśāstra\*, Bharata has discussed twelve types of \*vākyābhinaya\*, some of the categories of which are imbued with skills of debate. These twelve types are: \*ālāpa\* (addressing), \*pralāpa\* (gibberish talk), \*vilāpa\* (lamentation), \*anulāpa\* (repetition), \*saṃlāpa\* (exchange of words, verbal dual), \*apalāpa\* (refutation of what has been said earlier), \*sandeśa\* (message), \*atideśa\* (agreement), \*nirdeśa\* (instruction), \*vyapadeśa\* (concealed speech), \*upadeśa\* (advice) and \*apadeśa\* (suggestion).⁵

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## Linked texts (1)

- [Nāṭyaśāstra](https://indike.org/pramana/in.art.natya.natyasastra) — Bharata, Sanskrit

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Source: [https://indike.org/pramana/ins.science.tripathi-2021.c10.s2.2](https://indike.org/pramana/ins.science.tripathi-2021.c10.s2.2) · Pramāṇa
