Laghukoshasamgraha 3.231

3.231

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karmaṇyā tu vidhā bhṛtyā bhāravāhastu bhārikaḥ |
vārtāharo vaivadhiko hārayaṣṭarvibhāṅgikā ||
3-230
śikyaṃ villambi kācaśca pātheyaṃ śambalo'striyām |
kāravaḥ śilpinaḥ sarve kulikāste kulottamāḥ ||

3-229
Karmaṇyā, vidhā, and bhṛtyā [denote wages]; a porter is bhāravāha and bhārika;
a messenger is vārtāhara, vaivadhika, and hārayaṣṭi is vibhāṅgikā;
3-230
śikya, villambi, and kāca [mean a loop/sling for carrying burdens]; pātheya and śambala (not feminine) [mean provisions for a journey];
artisans are all called kāru and śilpin; the foremost among their guilds are kulika.

3.231.p1

saucikastunnavāyaḥ syātsūciḥ sūcā ca sīvanī |

A tailor is saucika and tunnavāya; a needle is sūci, sūcā, and sīvanī;

3.231.p2

sūcisūtraṃ pippalakamotaṃ protamubhe triṣu ||

needle-thread is pippalaka; ota and prota [mean sewn through], both in three genders.

3.231.p3

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3.231.p4

sīvanaṃ sevanaṃ sūtī raṅgājīvastu citrakṛt |

Sīvana, sevana, and sūtī [mean sewing]; a painter is raṅgājīva and citrakṛt;

3.231.p5

likhitaṃ citramālekhyaṃ pustaṃ lekhyādikarmaṇi ||

likhita, citra, and ālekhya [mean a painting]; pusta is used for the work of modeling or drawing.

3.231.p6

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3.231.p7

dhātulepyamayī nārī sā syādañjalikārikā |

A female figure made of metal or plaster is añjalikārikā;

3.231.p8

pāñcālikādi vastrādiputrikā śālabhañjyapi ||

a doll of cloth and the like is pāñcālikā, putrikā, and also śālabhañjī.

3.231.p9

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3.231.p10

āryā vṛddhā tu sā devī yā syādgomayaputrikā |

Āryā and vṛddhā [mean] the goddess who is represented as a figurine of cow dung;

3.231.p11

palagaṅgo lepakāraḥ kalpāṇiḥ samalekhanī ||

palagaṅga is a plasterer (lepakāra); kalpāṇi is a trowel (samalekhanī).

3.231.p12

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3.231.p13

sudhā vilepā ghaṭikā vālukā ghaṭikārasaḥ |

Sudhā and vilepā [mean plaster/white wash]; ghaṭikā, vālukā, and ghaṭikārasa [relate to the water-clock/sand];

3.231.p14

saṃvāhako'ṅgamardaḥ syādatha dehasya rakṣake ||

saṃvāhaka and aṅgamarda [mean a masseur]; now, for a protector of the body,

3.231.p15

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3.231.p16

ārakṣakaḥ kaṅkaṭī ca śastramārjo'sidhāvakaḥ |

ārakṣaka and kaṅkaṭin [are terms]; a weapon-polisher is śastramārja and asidhāvaka;

3.231.p17

maṇikāro vaighaṭikaḥ śaulbikastāmrakuṭṭakaḥ ||

a jeweler is maṇikāra and vaighaṭika; a coppersmith is śaulbika and tāmrakuṭṭaka.

3.231.p18

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3.231.p19

nāḍiṃdhamaḥ svarṇakāraḥ kalādo doṣṭhikaḥ samaḥ |

A goldsmith is nāḍiṃdhama, svarṇakāra, kalāda, and doṣṭhika are synonyms;

3.231.p20

karmakaḥ syādayaskāro vokāro lohakārakaḥ ||

karmaka, ayaskāra, vokāra, and lohakāraka denote a blacksmith.

3.231.p21

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3.231.p22

śāṅkhikaḥ syātkāmbiviko bhasrā carmaprasevikaḥ |

A conch-worker is a śāṅkhika or kāmbivika; a bellows is bhasrā or carmaprasevikā;

3.231.p23

dhṛtiḥ śrutiścopadhmāntaḥ prasevo --danāyudhaḥ ||

dhṛti, śruti, and upadhmānta; a leather bag is praseva […];

3.231.p24

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3.231.p25

saṃdaṃśaḥ syātkandamukhaḥ kāṇā mūṣā bukā striyām |

tongs are saṃdaṃśa or kandamukha; a crucible in the feminine is kāṇā, mūṣā, or bukā;

3.231.p26

vidhyate yena maṇyādirāvidho'sau nidho'pi ca ||

that by which gems and the like are drilled is an āvidha or a nidha;

3.231.p27

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3.231.p28

āsphoṭanī vedhanikā bhramā kuṇḍalayantrakam |

āsphoṭanī, vedhanikā, bhramā, and kuṇḍalayantraka [are a drill]; / a barber is caṇḍila, kṣuramardī, nāpita, or antāvasāyin;

3.231.p29

caṇḍilaḥ kṣuramardī syānnāpito'ntavasāyyapi ||

Caṇḍila, kṣuramardin, nāpita, and antāvasāyin [mean a barber];

3.231.p30

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3.231.p31

kṣuro'sya vapanaṃ śastraṃ kartikā kartanītyapi |

his razor is kṣura, vapanaśastra, kartikā, or kartanī;

3.231.p32

śalyaskandinī dhāryā tvakṣṇākṣūrnakhakṛntanam |.

a nail-cutter is śalyaskandinī, dhāryā, tvakṣṇā, akṣūḥ, or nakhakṛntana;

3.231.p33

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3.231.p34

kumbhakāraḥ kulālaḥ syāccakrī bhārgava ityapi |

a potter is kumbhakāra, kulāla, cakrin, or bhārgava;

3.231.p35

āpākaḥ puṭapāṇaḥ syātpacanaṃ pākamaṇḍalam ||

a potter's kiln is āpāka, puṭapāṇa, pacana, or pākamaṇḍala;

3.231.p36

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3.231.p37

dhūsaraścākrikastailī piṇyākastilakastilī |

an oilman is dhūsara, cākrika, tailī, piṇyāka, tilaka, or tilī; / a cowherd is ābhīra, mahāśūdra, gopā, gosaṃkhya, goduh,

3.231.p38

ābhīrastu mahāśūdro gopā gosaṃkhyagoduhau ||

An ābhīra is a mahāśūdra; gopā, gosaṃkhya, and goduh [mean a cowherd];

3.231.p39

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3.231.p40

gopālo vallavaścātha vatsīyastriṣu tatsthite |

gopāla, or vallava; then, for one who stays among them, vatsīya is used in three genders; / a goatherd is jāpāla, ajājīva, lambana, or kṣapālaka;

3.231.p41

jāpālaḥ syādajājīvo lambanastu kṣapālakaḥ ||

A jāpāla is one living by goats; a lambana is a night watchman;

3.231.p42

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3.231.p43

atha syāddaṇḍiko daṇḍaḥ kāṇo'pi lakuṭolakuḥ |

now, a stick is daṇḍika, daṇḍa, kāṇa, lakuṭa, or laku; / a halter or rope is sandāna, dāmanī, dāmā, rajju, valinī,

3.231.p44

sandānaṃ dāmanī dāmā rajjuḥ syādvalinīti ca ||

Sandāna, dāmanī, dāman, rajju, and valinī [mean a rope or tether];

3.231.p45

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3.231.p46

guṇo varāṭo rajjuḥ strī nanā śulbā vaṭī trayam |

guṇa, or varāṭa; rope in the feminine is nanā, śulbā, and vaṭī—these three; / a knot is granthi or bandha; a cattle pen is vraja, goṣṭha, or goṣṭhīna, while purāvraja [is an ancient fold];

3.231.p47

granthirbandho vrajo goṣṭhaṃ goṣṭhīnaṃ tu purāvrajaḥ ||

Granthi and bandha [mean a knot/binding]; vraja and goṣṭha [mean a cowpen]; goṣṭhīna denotes a former cowpen;

3.231.p48

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3.231.p49

manthānaṃ manthanaṃ manthā manthyā manthanikāpi ca |

a churning-stick is manthāna, manthana, manthā, manthyā, manthanikā,

3.231.p50

vaiśākho'pyasya daṇḍe tu vaiśākhakaviśākhakau ||

and vaiśākha; for its staff, however, [the terms are] vaiśākhaka and viśākhaka;

3.231.p51

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3.231.p52

kuṭhāro madaviṣkambho manthapātraṃ tu gargarī |

kuṭhāra, madaviṣkambha; and a churning vessel is gargarī, / kalaśa, kalaśī, pārikumbhī, and kumbhikā;

3.231.p53

kalaśaḥ kalaśī cāpi pārikumbhī ca kumbhikā ||

Kalaśa, kalaśī, pārikumbhī, and kumbhikā [mean a water jar];

3.231.p54

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3.231.p55

ghoṣa ābhīrapallī syātpakkaṇo'ruyantajātayaḥ |

a settlement of cowherds is ghoṣa, ābhīrapallī; a settlement of outcasts is pakkaṇa; / a florist is mālākāra, mālyajīvin, mālika, or pratihārika;

3.231.p56

mālākāro mālyajīvī mālikaḥ pratihārikaḥ ||

Mālākāra, mālyajīvin, mālika, and pratihārika [mean a garland-maker / florist];

3.231.p57

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3.231.p58

jāyājīvastu śailaṣaḥ śailālī bharato naṭaḥ |

one who lives by his wife [an actor] is śailaṣa, śailālī, bharata, or naṭa; / one who dances on poles, ropes, and swords is a pūraka;

3.231.p59

yo yaṣṭirajjukhaḍgeṣu pranṛtyati sa pūrakaḥ ||

One who dances upon poles, ropes, or swords is a pūraka;

3.231.p60

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3.231.p61

karāṃstu tālaṃ kṛtvā ye nṛttaṃ gānaṃ ca kurvate |

those who dance and sing by clapping their hands as rhythm / are called tālavacanas by those learned in the scriptural treatises.

3.231.p62

te tālavacanāḥ proktā iti śāstraviśāradaiḥ ||

They are said to denote rhythmic performers (tālavacana) by those learned in scriptural treatises.

3.231.p63

iti nāmamālikāyāmahirājenaiva saṃgṛhītāyāṃ

Thus in the Nāmamālikā compiled by Ahirāja,

3.231.p64

bhūmyādināmadheyaprakaraṇamidamakhilasukavimatam |

this chapter on names of earth and the like, approved by all good poets, [is complete].

3.231.p65

bhojanighaṇṭuśca samāptaḥ

And the Bhojanighaṇṭu is concluded.