Narapatijayacarya 3.1.56
Narapatijayacaryā 3.1.56
- Language
- Sanskrit
3.1.56
sarvaṃ palīkṛtya svasvabhogena dvādaśabhāgena vibhakte bhāge hṛte yallavyaṃ tatsaṃkhyāgatāvasthā jñeyā śeṣaṃ varttamānāvasthā | śeṣe tu gatagamyakaraṇāt gate ṣaṣṭyuddhate gatasamayaḥ | bamye ṣaṣṭyuddhṛte gamyasamayaḥ iti | anyodāharaṇam---yathā caitraśuklapratipadi bhuktaghaṭikāḥ 33 | tithau dvādaśāvasthā pramāṇaṃ pañca ghaṭyaḥ pañcahāreṇa bhakte prāptāḥ ṣaḍavasthā bhuktāḥ 6 śeṣaghaṭyaḥ 3 | saptamyavasthā vidyate | sadānandasya dinacaryāyāṃ varṇasvaro ekārastadvaśena sadānandasya pratipat bālāvasthā | tadvalāt rājyadā avasthā bhavatīti anenodāharaṇena sarveṣāmavasthāphalaṃ nirṇevyam | mūkā ca bāleti avasthā nāmāni likhyante sugamam ca ||
Having converted everything into palas, when divided—apportioned—by its own duration, [which is] a twelfth part, whatever quotient is obtained, that number is to be known as the elapsed states; the remainder is the present state. As for the remainder, by calculating the past and the to-be-traversed: when the past is multiplied by sixty, it is the elapsed time; when the to-be-traversed is multiplied by sixty, it is the remaining time. Another example: as on the first day of the waxing fortnight of Caitra, the elapsed ghaṭikās are 33. On a tithi, the measure of the twelve states is five ghaṭīs. When divided by five as the divisor, six traversed states are obtained: 6; the remaining ghaṭīs are 3. The seventh state is [currently] present. In Sadānanda’s daily routine, the phoneme-sound is the vowel 'e'; under its influence, the first tithi is an infant state for Sadānanda. By that power, it becomes the kingdom-giving state. Through this example, the result of the states for all [persons] is to be determined. "Mute and child, etc.": the names of the states are written, and it is easy [to understand].
3.1.56.p1
atha yuddhādiṣu diksvaramāha---
Now he speaks of the directional sound in battles and the like:
3.1.3.57
pūrvasminanasvaraḥ svāmī ikāro dakṣiṇe tathā ||
ukāro paścime jñeyaṃ e saumṛye madhya osvaraḥ ||
The vowel 'a' is the lord in the east; likewise, the vowel 'i' is in the south;
the vowel 'u' is to be known in the west; 'e' is in the north; the sound 'o' is in the center.
3.1.3.58
yasyāṃ diśyudayaṃ yāti svarastatpañcamī diśam ||
varjayet sarvakāryeṣu yātrākāle viśeṣataḥ ||
In whichever direction the sound rises, its fifth direction
one should avoid in all undertakings, especially at the time of a military march.
3.1.3.59
pṛcdate pṛcchakaḥ sthāsnuḥ svarastamitāṃ diśam ||
hānirmṛtyurbhayaṃ bhaṅgo jāyate nātra saṃśayaḥ ||
If the stationary querent asks towards the direction in which the sound has set,
loss, death, fear, and defeat occur; of this there is no doubt.
3.1.3.59.p1
pūrveti spaṣṭap | yasyāmiti | yasasmiṃstithau yaḥ svaraḥ yasyāṃ pūrvādi diśi udayaṃ yāti tatpañcamī diśaṃ sarvakāryeṣu varjayet | viśeṣato yātrākāle tāṃ na gacdet | pañcamī diśaṃ varjayedityatra mātrādyā aṣṭasvaraḥ teṣāṃ kasya balena pañcamī mṛtākhyaṃ varjayet kimapi noktam | atraivaṃ jñāyate kaverabhiprāyaḥ varṇasvarādeva | arthāt yasya yo varṇasvarastasya sādik | tatpañcamīṃ varjayet | iti jayalacmīṭīkākaurvyākhyātam | tatratṛyodāraṇamiti | yathā devadakṣsya paṃcamī diguttarā ataḥ devadattaḥ uttarāṃ yātrāyuddheka vivāde ca sarvadā varjayet | saṃmagrāme senāmadhye tāṃ diśaṃ na samāśrayet | nararistu yathā ikārasvaro dvitīyāsaptamīdvādaśīṣu dakṣiṇasyāṃ diśyuditaḥ | tatpañcamīdikpūrvā tena sā na gantavyā | tatra matasvarasyākārasyoditatvāt | madhyedik kathaṃ vyavaharttavyamiti saṃśaye pratipatpaṣṭayekādaśīṣu akārodayaḥ pūrvadiśi tatpañcama pradeśo madhyaṃ
"East", etc. is clear. "In which", etc.: On whichever lunar day whatever sound rises in whichever direction, beginning with the east, one should avoid the fifth direction from it in all undertakings. Especially at the time of a military march, one should not go there. Regarding "one should avoid the fifth direction", among the eight sounds beginning with the mātrā, by virtue of which of them one should avoid the fifth called "dead"—nothing is stated. Here the intention of the poet is understood in this way: precisely from the phoneme-sound. That is, whichever phoneme-sound belongs to someone, that is his direction; one should avoid the fifth from it. Thus has the commentator on the Jayalakṣmī explained. The example there: As for Devadatta, the fifth direction is the north, therefore Devadatta should always avoid the north in travel, battle, and dispute. In battle, in the midst of an army, he should not take resort in that direction. But Narahari [explains] thus: as the sound i rises in the southern direction on the second, seventh, and twelfth [lunar days], the fifth direction from it is the east, so one must not go there, because the sound a, which is the dead sound, rises there. In the doubt as to how the central direction is to be applied: on the first, sixth, and eleventh [lunar days], the rising of a is in the eastern direction; the fifth place from that is the center.
Translations (1)
- English (machine translation) — English, machine translation
Commentaries (5)
- Jayalakṣmī — Mahādeva Harivaṃśa Pāṭhaka, Sanskrit
- Jayalakṣmī — Harivaṃśa Bhaṭṭa, Sanskrit
- Jayalakṣmī — Harivañśa Pāṭhaka, Sanskrit
- Jayalakṣmī — Mahādeva, Sanskrit
- Narapatijayacaryāṭīkā — Jayalakṣmī, Sanskrit