འཕགས་པ་དགངས་པ་ངས་པར་འགྲལ་པ་ཞས་བྱ་བ་ཐག་པ་ཆན་པའ་མད notes.125

notes.125

125. Regarding the choice of terminology for pariniṣpanna, Edgerton mentions two possible meanings (see Edgerton 1953, p. 325): (1) “completely perfected” in the sense of “accomplished/attained,” which corresponds to the second clause in the present definition (6.6) in which the yong su grub pa is glossed in the sense of yang dag par ’grub pa (D) and yang dag par bsgrub pa (F). (2) The second meaning of pariniṣpanna according to Edgerton is “absolute.” The term is also translated into English as meaning “real.” Understanding pariniṣpanna as “established” or “perfected” is indeed problematic. Reality in the sense of tathatā cannot be referred to as “perfected,” because it is not perfectible. If it were, it would be conditioned (see Saṃdh. chapter 3). Likewise, tathatā cannot be termed “established” because if it were, it would be impermanent, but it is said to be the only permanent reality (see Saṃdh. chapter 4). As a consequence, it appears clearly from the context of the definition given above and Edgerton’s explanations that pari­niṣpanna­lakṣaṇa refers to both the “character accomplished [by bodhisattvas]” in the sense of the accomplishment of the defining characteristic of the ultimate as the ultimate attainment of the bodhisattva’s spiritual path, and the “absolute or real character” in the sense of reality itself (tathatā). As emphasized throughout Saṃdh., pari­niṣpanna­lakṣaṇa is indeed none other than the defining characteristic of the ultimate (don dam pa’i mtshan nyid; paramārthalakṣaṇa), the object conducive to purification, (rnam par dag pa’i dmigs pa; *viśuddhyālambana). In the present translation, I opt for “actual,” a term that fits well with the metaphors found in Saṃdh. chapter 6, to explain the three natures (Lamotte chose “absolu,” and Frauwallner “vollkommen”). The term “actual” obviously induces a clear dichotomy between what is imaginary and what is real, which was most probably at the origin of these terminological choices in the source language. On the opposition between the imaginary and the actual by equating the imaginary with the unreal through the usage of the same terminology (i.e., pariniṣpanna and parikalpa/parikalpita), see .