妙法蓮華經玄義 1.6
妙法蓮華經玄義 1.6
- Language
- Classical Chinese
1.6
所言「妙」者,「妙」名不可思議也。所言「法」者,十界、十如、權實之法也。「蓮華」者,譬權實法也。良以妙法難解,假喻易彰!況意乃多,略擬前後,合成六也。一、為蓮故華,譬為實施權。文云「知第一寂滅,以方便力故,雖示種種道,其實為佛乘。」二、華敷譬開權,蓮現譬顯實。文云「開方便門,示真實相。」三、華落譬廢權,蓮成譬立實。文云「正直捨方便,但說無上道。」又蓮譬於本,華譬於迹,從本垂迹,迹依於本。文云「我實成佛來,久遠若斯。但教化眾生,作如是說:『我少出家,得三菩提。』」二、華敷譬開迹,蓮現譬顯本。文云「一切世間皆謂今始得道;我成佛來,無量無邊那由他劫。」三、華落譬廢迹,蓮成譬立本。文云「諸佛如來,法皆如是。為度眾生,皆實不虛。」
What is called 'subtle' (miao): 'subtle' means inconceivable. What is called 'dharma': the dharmas of the ten realms, the ten suchnesses, the provisional, and the real. 'Lotus flower' (puṇḍarīka) is a metaphor for the provisional and real dharmas. Because the subtle dharma is difficult to understand, borrowing a metaphor makes it easy to reveal! Since its meanings are manifold, when summarized sequentially, they combine into six. First, there is a flower for the sake of the lotus, which is a metaphor for deploying the provisional for the sake of the real. The text states: 'Knowing the foremost quiescence and extinction, by the power of expedient means, although displaying various paths, they are in truth for the buddha-yāna.' Second, the opening of the flower is a metaphor for opening the provisional, and the appearance of the lotus is a metaphor for revealing the real. The text states: 'Opening the gate of expedient means, displaying the mark of the real.' Third, the falling of the flower is a metaphor for abolishing the provisional, and the maturing of the lotus is a metaphor for establishing the real. The text states: 'Frankly setting aside expedient means, speaking only of the unexcelled path.' Furthermore, the lotus is a metaphor for the original source, and the flower is a metaphor for the traces: projecting the traces from the original source, the traces depend on the original source. The text states: 'Since I truly attained Buddhahood, it has been as long ago as this. But to teach and transform sentient beings, I made such a statement: "I left home when young, and attained sambodhi."' Second, the opening of the flower is a metaphor for opening the traces, and the appearance of the lotus is a metaphor for revealing the original source. The text states: 'All the world considers that I have only now attained the path; since I attained Buddhahood, it has been immeasurable, boundless nayutas of kalpas.' Third, the falling of the flower is a metaphor for abolishing the traces, and the maturing of the lotus is a metaphor for establishing the original source. The text states: 'The Dharma of all Buddha Tathāgatas is entirely like this. For the purpose of delivering sentient beings, all is real and not false.'
Translations (1)
- English (machine translation) — English, machine translation