佛祖統紀 15.63
佛祖統紀 15.63
- Language
- Classical Chinese
15.63
法師神煥。湖之安吉人。早學慧覺時稱出類。紹興中主思溪覺悟。自昔教門諸師立義未盡者。悉辨論之得百篇。世號煥百章。嘗論諸天位次不正。乃考尋藏典。撰為天傳。其序云。案百錄。安功德天座在佛左。道場若寬。更安大辯及四天王在右。則知世人。或十二。或十六。或十八。皆準鬼神品。增減無拘也。今欲定尊卑亦良為難。如鬼子母羅剎也。豈當與大梵同列。有女名功德。男名散脂。今以功德居上。梵釋次之。後列散脂鬼母。豈非失序。因檢討大藏作諸天傳。隨位釋之。蓋天有主客。有男女。有本迹。有顯晦。大梵為三界主。帝釋為忉利主。四王為八部主。若功德大辯。但客寄耳。功德寄北天。大辯寄山澤。初無主領。茲所謂主客也。功德大辯樹神地神鬼母並女質。餘則男身。所謂男女也。金剛密迹五百徒黨。皆大菩薩本也。現居神像迹也。所謂本迹也。大辯對佛宣揚正法。雖位處密寄身示女質。而言行則顯。或但作影響不事敷揚。縱權有統王現丈夫形。而言行則晦。所謂顯晦也。知此四端可與言天矣。竹菴見之曰。大略數百字。囊括殆盡(天傳未見其本。志磐嘗撰諸天禮讚文。正用煥師立說。詳見法門光顯志)嘗著圓覺疏二卷。安樂記一卷。
Dharma Master Shenhuan was a native of Anji in Hu[zhou]. Early on he studied under Huijue and was praised at the time as outstanding. During the Shaoxing reign era, he presided over Jiewu in Sixi. Where previous masters of the doctrinal school had left doctrinal points incomplete, he debated and clarified them all, producing one hundred treatises; the world called them 'Huan's Hundred Treatises'. He once argued that the ranks of the various deities were not correct, so he searched the canon and composed *Biographies of the Deities*. His preface states: 'According to the *Hundred Records*, the seat of the Deva of Merit (Puṇyā / Lakṣmī) is placed to the left of the Buddha. If the bodhimaṇḍa is spacious, the Great Eloquent One (Mahāsarasvatī) and the Four Heavenly Kings are also placed on the right. From this we know that worldly people arranging either twelve, sixteen, or eighteen are all guided by the chapter on ghosts and spirits; increases or decreases are unrestricted. Now, determining the noble and base is indeed difficult. Take Hārītī, who is a rākṣasī: how could she stand in the same rank with Mahābrahmā? There is a daughter named Puṇyā and a son named Saṃjñeya. Today, placing Puṇyā at the top, followed by Brahmā and Śakra, and afterwards listing Saṃjñeya and Hārītī—is this not an inversion of order? Therefore, examining the Great Canon, I have composed the *Biographies of the Deities*, explaining them according to their ranks. For deities have host and guest, male and female, fundamental and trace, overt and concealed. Mahābrahmā is the host of the three realms; Śakra is the host of Trāyastriṃśa; the Four Heavenly Kings are the hosts of the eight classes. As for Puṇyā and Mahāsarasvatī, they are merely guests residing there. Puṇyā resides in the northern heavens; Mahāsarasvatī resides in mountains and waters; originally neither possesses dominion. This is what is meant by host and guest. Puṇyā, Mahāsarasvatī, the tree spirits, the earth spirits, and Hārītī are all female; the rest are male bodies. This is what is meant by male and female. The Vajradhara Guhyakapada and his five hundred followers are all fundamentally great bodhisattvas; their current manifestations in divine forms are traces. This is what is meant by fundamental and trace. Mahāsarasvatī, facing the Buddha, expounds the true Dharma; though her rank is that of a secret guest and her body is displayed as female, her words and deeds are overt. Or some merely serve as shadow-attendants without engaging in expounding; though their expedient authority rules as king and they manifest a male form, their words and deeds are concealed. This is what is meant by overt and concealed. Knowing these four principles, one may speak with others about deities.' When Zhu'an saw this, he remarked: 'In roughly a few hundred words, it encompasses practically everything.' (The original text of the *Biographies of the Deities* has not been seen; Zhipan once composed a ritual hymn of praise for the various deities that precisely adopted Master Huan's theories; see the *Treatise on Glorifying the Dharma Gate* for details.) He once composed a two-scroll commentary on the *Sūtra of Complete Enlightenment* and a one-scroll *Record of Peace and Bliss*.
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