辯正論 2.11
English (machine translation) 2.11
- Language
- English
2.11
The Confucian scholar said: "The Five Thousand Characters probe the profundity of the Dao and its virtue, following antiquity to return to simplicity and bringing things to Great Harmony. It values emptiness and stillness to preserve truth, and takes ultimate words as a standard to honor the root. Its text is expansive and far-reaching; its teaching is placid and supple. It discards fame and profit to conceal itself from the world; its holy wisdom leaves behind the mind, and its success does not lie within itself. Yet it investigates the depths of the myriad things, harboring the spirit of a sage. For this reason, Ban Gu and Yang Xiong did not criticize or disparage it; Sima Qian even placed it before the Six Classics and crowned it above the Confucians. Ban Biao and Huan Tan considered its words concise, easy to maintain, and its utility surpassing Confucian methods. This is because they knew the crux of words and the subtlety of the Dao, making it an indelible admonition for a hundred kings. Yet you, bodhisattva, disparage it as worldly admonitions, equating it with mundane texts. Can this be right?" The bodhisattva said: "Those of great wisdom tower like mountains; those of small capacity fly about like tumbleweed and drift like duckweed. I have heard that if one does what can be done in an era where it can be done, the whole world acts together, and this is what 'can be done'. Now I shall show you that what can be done can also be not done. That 'the five colors cause blindness' means that lusting after sights damages the essence and loses sight. Is this not what the Vimalakīrti says: 'The forms seen are equal to blindness'? That 'the five sounds cause deafness' means indulging in licentious sounds damages harmonious qi, so that the mind cannot hear the soundless music. Is this not what the Vimalakīrti says: 'The sounds heard are equal to an echo'? That 'the five flavors cause the palate to be spoiled' means that if a person relishes the five flavors, the tongue is damaged and revulsion arises. Is this not what the Vimalakīrti says: 'In the flavors consumed, one does not make distinctions'? Not valuing goods hard to obtain brings an end to thievery—is this not contemplating that feeling is impermanent? Not looking at what is desirable leads to natural calmness—is this not contemplating that the body is impure? Dispelling turmoil makes the mind empty; cherishing essence and blood makes the bones strong; thus there is a mind that can be emptied and bones that can be strengthened. When qi disperses and the body withers, that is not an empty mind; when the spirit departs and the body rots, that is not strong bones. 'Blunting sharpness' is dismissing thoughts; 'untangling knots' is not fighting. This merely reins in cleverness and halts strife, maintaining purity and frugality within oneself without friction with things. This is only a single aim for a gentleman, not the magnanimity of a man of penetration. 'Harmonizing one's light' is not confusing others; 'becoming one with their dust' is not distinguishing oneself. It is simply churning the waves and stirring the mud to avoid disaster; it cannot benefit others through common endeavors to transform living beings. This is having saṃskṛta affairs and having concerns; it is not wuwei or being without affairs. Using oneself to harmonize without knowing how things harmonize themselves means one harmonizes what cannot be harmonized. Wandering amid bodily forms and hastening into the realm of discrimination—the rest may be inferred by analogy."
Linked texts (1)
- 辯正論 — Classical Chinese