大唐內典錄 3.7.5

3.7.5

Great Dhāraṇī Sūtra on Subduing Demons and Affixing Seals (Fumo fengyin da shenzhou jing)
Great Dhāraṇī Sūtra of Maṇiratna (Moni luotan da shenzhou jing)
Great Dhāraṇī Sūtra on Summoning the Dragon Kings of the Five Directions to Subdue Epidemic Poisons (Zhao wufang longwang she yidu da shenzhou jing) (from the seventy-three thousand spirit kings down to this, all have the word "abhiṣeka" [guanding]; they are now collectively referred to as the Mahā-abhiṣeka-sūtra)
Sūtra on the Divine Lots of Brahmā (Fantian shentce jing)
Samantavistara Sūtra (Puguang jing) (the above two fascicles, combined with the Bhaiṣajyaguru-sūtra, form one work, which together with the preceding makes twelve fascicles of the Abhiṣeka-sūtra)
Sesame-Oil Magic Dhāraṇī Established by the Seven Buddhas (Qifo suojie mayou shu zhou) (from a different translation)
Divine Dhāraṇī of the Seven Buddhas (Qifo shenzhou) (with the method of tying knots, from a different translation)
Sūtra of Verses and Sentences of Dhāraṇī (Tuoluoni zhangju jing)
Dhāraṇī Massage Sūtra of the Spirit King Maṇiratna (Moni luotan shenwang zhou anmo jing) (or without the character "wang")
Five Dragons' Poison-Dispelling Dhāraṇī Sūtra (Wulong zhoudu jing)
Toothache-Curing Dhāraṇī Sūtra (Quchi zhou jing) (also called Sūtra for Curing Toothache or Sūtra for Curing Teeth)
Seven Buddhas' House-Pacifying Divine Dhāraṇī Sūtra (Qifo anzhai shenzhou jing)
House-Pacifying Sūtra (Anzhai jing)
Names of the Spirit Kings of the Three Refuges and Five Precepts (Sangui wujie shenwang ming) in one fascicle (Dao'an and Dharmarakṣa's catalogues have three fascicles of divine dhāraṇīs; since these spirit king names are included therein, it is not of lost translator attribution)
The above fifty-three sūtras, totaling fifty-seven fascicles, are all those whose text is extant as recorded in the new catalogue of lost translator attributions compiled in Tripiṭaka Master Sengyou's collection. The 846 works, totaling 895 fascicles, beyond these have been scattered among the catalogues of various dynasties. The remainder are appended here as works of lost origin under the Jin.