佛說觀佛三昧海經 3.9

3.9

「云何名觀如來鼻相？如來鼻高脩而且直，當于面門，如來鼻端如鷹王𭉨，鼻孔流光，上下灌注。上者上入眼、眉、白毫相、髮際，如是直入頂肉髻骨，譬如金幢，從枕骨出變成眾華，華上皆有天諸樂神手執樂器，遍入一切諸化佛間，以為導從，遶光十匝。下者直至入佛髭中，圍遶髭毛，令髭毛根有華開敷，如稊米粒，流入脣腭至諸齒間映飾咽喉，下至佛胸成光明雲，表裏清淨無諸塵翳，如琉璃器成金光焰，是名如來真淨鼻相。

“What is called contemplating the mark of the Tathāgata’s nose? The Tathāgata’s nose is high, long, and straight, situated in the center of the face; the tip of the Tathāgata’s nose is like the beak of a falcon king. From the nostrils light flows, pouring upward and downward. The upward light ascends into the eyes, eyebrows, the mark of the white hair-tuft, and the hairline, directly entering the bone of the crown uṣṇīṣa like a golden banner, emerging from the occipital bone to transform into various flowers. Atop the flowers there are celestial musicians (gandharvas) holding musical instruments in their hands, everywhere entering among all the transformation Buddhas to serve as an escort, circling the light ten times. The downward light descends directly into the Buddha’s moustache, surrounding the hairs of the moustache, causing flowers to blossom at their roots like grains of panic grass, flowing into the lips and palate, and between the teeth, illuminating and adorning the throat, descending to the Buddha’s chest to form clouds of light, pure within and without, free from all dust and obscuration, like a vaiḍūrya vessel forming golden flames of light. This is called the mark of the Tathāgata’s truly pure nose.”