供養儀式 1.12
English (machine translation) 1.12
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1.12
For all offering utensils whatsoever, according to the previous layout, they move downward following the sun. Furthermore, for wrathful images, joy and wrath accompany each other. When reciting, [it is done] from the first watch of the night until the third, or from the fourth watch until midnight, adding the syllables hūṃ, phaṭ, and oṃ at the beginning and end, or adding hūṃ and phaṭ at the end. When reciting, the squatting posture is called the bhadra-seat; if at the beginning of the mantra, it is used to empower the locus of one's own heart. For subjugation, one additionally empowers the region of the white curl (ūrṇā); for summoning, it is at the syllable-door raṃ, with a colour like firelight; for haṃ, this syllable-door haṃ, its colour adds blue-black in the wind; for a, this syllable-door a, its colour adds yellow-gold; adding this syllable-door vaṃ, its colour is like the light of the white moon, held at the lower body (it is called the yoga-seat; holding it above one's own navel); for prosperity, the auspicious seat; for pacification, the lotus seat. If at the beginning and end of the mantra, namaḥ.
Linked texts (1)
- 供養儀式 — Classical Chinese