Mimamsasutra 42.2.10-2
Jaiminīyanyāyamālā 42.2.10-2
- Language
- Sanskrit
42.2.10-2
(anuṣṭuṣgāyatryoḥ pragrathanena śyāvāśvāndhīgavayorgānasādhakaṃ)
tṛtīyaṃ varṇakamāracayati-
śyāvāśvāndhīgave'nuṣṭubāneyā grathyate'thavā |
pureva liṅgaṃ jagatīcaturviṃśatikīrtanam ||
He composes the third formulation (establishing the singing of the Śyāvāśva and the Āndhīgava by interweaving an Anuṣṭubh and a Gāyatrī):
Is an Anuṣṭubh to be brought in for the Śyāvāśva and the Āndhīgava, or is it interwoven?
As before, the indicatory mark is the mention of twenty-four Jagatīs.
42.2.10-2.p1
idamāmnāyate- ’pañcacchandā āvāpaḥ, ārbhavaḥ pavamānaḥ saptasāmā | gāthatrasaṃhite gāyatre tṛce bhavataḥ| śyāvāśvāndhīgave ānuṣṭubhe tṛce bhavataḥ| uṣṇihi sa.m| kakubhi pauṣkalam| kāvamantyaṃ jagatīṣu’ iti| ayamarthaḥ- ’asti tṛtīyasavane- pavamāna ārbhavasaṃjñakaḥ| tasmin- pañca sūktāni, sapta sāmāni| ’svādiṣṭhayā
This is handed down in the text: 'The insertion has five metres; the Ārbhava Pavamāna has seven Sāmans. The Gāyatra and the Samhita are on a Gāyatra triplet. The Śyāvāśva and the Āndhīgava are on an Anuṣṭubh triplet. On the Uṣṇih is the Safa. On the Kakubh is the Pauṣkala. The final Kāva is on Jagatīs.' The meaning is this: 'In the third soma pressing, there is a Pavamāna named Ārbhava. In it, there are five hymns and seven Sāmans. [The one beginning with] svādiṣṭhayā...
Translations (1)
- English (machine translation) — English, machine translation