Mimamsasutra 42.2.12-2
Jaiminīyanyāyamālā 42.2.12-2
- Language
- Sanskrit
42.2.12-2
saptamādhikaraṇamāracayati-
samucceyā vikalpyā vā vibhinnā gītihetavaḥ |
ādyaḥ prayogagrahaṇādarthaikatvādvikalpanam ||
He composes the seventh topical section: / Are the different causes of singing to be combined or opted between? / The first, because of their adoption in performance. An option, because the purpose is one.
42.2.12-2.p1
chāndogye talavakārādiśākhābhedeṣu vilakṣaṇā gītihetavo'kṣaravikārādaya āmnāyante| te sarve karmānuṣṭhāne samuccetavyāḥ| kutaḥ| prayogavacanena sarveṣāṃ parigṛhītatvāt|
In the Chāndogya, Talavakāra, and other distinct branches, diverse modifications of syllables and the like, which are causes of melody, are handed down. In the performance of a rite, are all of them to be combined? Why? Because all are encompassed by the performance injunction.
42.2.12-2.p2
maivam| ekaikaśākhoktairevākṣaravikārādibhiradhyayanakāla iva gītisvarūpaniṣpatteḥ| tanniṣpattilakṣaṇasya
It is not so; for the nature of the melody is accomplished by the modifications of syllables and the like taught in each single branch, just as at the time of recitation. Because the purpose,
Translations (1)
- English (machine translation) — English, machine translation
Linked texts (1)
- Mīmāṃsāsūtra — Jaimini, Sanskrit