Jambuddivapannatti 3.60

3.60

appegaiyāo vaṃdanakalasahatthagayāo bhiṃgāra ādaṃsa thāla pāti supaiṭṭhaga bāyakaraga rayaṇakaraṃḍa pupphacaṃgerī malla vaṇṇa cuṇṇa gaṃdhahatthagayāo vattha ābharaṇa lomahatthayacaṃgerī pupphapaḍalahattha- gayāo jāva lomahatthagaḍalahatthagayāo appegaiyāo sīhāsanahatthagayāo chatta cāmara hattha-gayāo tellasamuggayahatthagayāo koṭṭhasamuggayahatthagayāo jāva sāsavasamuggahatthagayāo|
appegaiyāo tāliyaṃṭahatthagayāo dhūvakaḍucchuyahatthagayāo bharahaṃ rāyāṇaṃ piṭṭhao-piṭṭhao anugacchaṃti|
tae ṇaṃ se bharahe rāyā savviḍḍhīe savvajuīe savvabaleṇaṃ savvasamudaeṇaṃ savvāyareṇaṃ savvavibhūsāe savvavibhūīe savvavattha puppha gaṃdha mallālaṃkāravibhūsāe savvaturiya saddasannināeṇaṃ mahayā iḍḍhīe jāva mahayā varaturiya jamagasamagapavāieṇaṃ saṃkha-panava paḍaha bheri jhallari kharamuhi murava muiṃga duṃduhinigghoṣaṇāieṇaṃ jeṇeva āuhagharasālā teṇeva uvāgacchai, uvāgacchittā āloe cakkarayaṇassa paṇāmaṃ karei, karettā jeṇeva cakkarayaṇe teṇeva uvāgacchai, uvāgacchittā lomahatthayaṃ parāmusai, parāmusittā cakkarayaṇaṃ pamajjai, pamajjittā divvāe dagadhārāe abbhukkhei, ...
...abbhukkhettā saraseṇaṃ gosīsacaṃdaṇeṇaṃ anuliṃpai, anuliṃpittā aggehiṃ varehiṃ gaṃdhehiṃ mallehi ya acciṇai, pupphāruhaṇaṃ malla gaṃdha vaṇṇa cuṇṇa vatthāruhaṇaṃ ābharaṇāruhaṇaṃ karei, karettā acchehiṃ saṇhehiṃ setehiṃ rayayāmaehiṃ accharasātaṃḍulehiṃ cakkarayaṇassa purao aṭṭhaṭṭha maṃgalae ālihai, [taṃ jahā–sotthiya sirivaccha naṃdiyāvatta vaddhamāṇaga bhaddāsaṇa maccha kalasa dappaṇa aṭṭhamaṃgalae] ālihittā kāūṇaṃ karei uvayāraṃ, kiṃ te? pāḍala malliya caṃpaga asoga punnāga cūya-maṃjari navamāliya bakula tilaga kaṇavīra kuṃda kojjaya koraṃṭaya patta damaṇaya varasurahisugaṃdhagaṃdhiyassa kayaggahagahiya-karayalapabbhaṭṭhavippamukkassa dasaddhavaṇṇassa kusumanigarassa tattha cittaṃ jaṇṇussehappamāṇamettaṃ ohi-nigaraṃ karettā caṃdappabha vaira veruliyavimaladaṃḍaṃ kaṃcanamaṇirayaṇabhatticittaṃ kālāguru pavarakuṃdurukka turukka dhuvagaṃdhuttamāṇuviddhaṃ ca dhūmavaṭṭiṃ vinimmuyaṃtaṃ veruliyamayaṃ kaḍucchuyaṃ paggahettu payate dhūvaṃ dahai, dahittā sattaṭṭhapayāiṃ paccosakkai, paccosakkittā vāmaṃ jāṇuṃ aṃcei, ...
...aṃcettā dāhiṇaṃ jāṇuṃ dharaṇitalaṃsi sāhaṭṭu karayalapariggahiyaṃ sirasāvattaṃ matthae aṃjaliṃ kaṭṭu cakkarayaṇassa paṇāmaṃ karei, karettā āuhagharasālāo paḍinikkhamai, paḍinikkhamittā jeṇeva bāhiriyā uvaṭṭhāṇasālā jeṇeva sīhāsane teṇeva uvāgacchai, uvāgacchittā sīhāsanavaragae puratthā-bhimuhe sannisīyai, sannisīyittā aṭṭhārasa seṇipaseṇīo saddāvei, saddāvettā evaṃ vayāsī– khippāmeva bho devānuppiyā! ussukkaṃ ukkaraṃ ukkiṭṭhaṃ adijjaṃ amijjaṃ abhaḍappavesaṃ adaṃḍakodaṃḍimaṃ adharimaṃ gaṇiyāvaraṇāḍaijjakaliyaṃ anegatālāyarāṇucariyaṃ anuddhuyamuiṃgaṃ amilāyamalladāmaṃ pamuiya-pakkīliya sapurajaṇajānavayaṃ vijayavejaiyaṃ cakkarayaṇassa aṭṭhāhiyaṃ mahāmahimaṃ kareha, karettā mameyamāṇattiyaṃ khippāmeva paccappiṇaha|
tae ṇaṃ tāo aṭṭhārasa seṇippaseṇīo bharaheṇaṃ rannā evaṃ vuttāo samāṇīo haṭṭhāo jāva vinaeṇaṃ vayaṇaṃ paḍisuneṃti, paḍisuṇettā bharahassa ranno aṃtiyāo paḍinikkhameṃti, paḍinikkhamettā ussukkaṃ ukkaraṃ jāva aṭṭhāhiyaṃ mahāmahimaṃ kareṃti ya kāraveṃti ya, karettā ya kāravettā ya jeṇeva bharahe rāyā teṇeva uvāgacchaṃti, uvāgacchittā tamāṇattiyaṃ paccappiṇaṃti|

Some carrying auspicious water-pots in hand; holding pitchers, mirrors, platters, plates, well-placed vessels, fans, jewel-caskets, flower-baskets, garlands, paints, powders, and perfumes in hand; holding cloths, ornaments, hair-whisk baskets, and flower-clusters in hand, up to holding peacock-feather whisks in hand; some holding lion-thrones in hand; holding umbrellas and chowries in hand; holding oil-caskets in hand; holding chest-caskets in hand, up to holding mustard-seed caskets in hand;
some holding palm-leaf fans in hand; holding censers in hand—they followed behind King Bharata.
Then King Bharata—with all his splendor, with all his brilliance, with all his military force, with all his retinue, with all deference, with all decorations, with all magnificence, adorned with all varieties of garments, flowers, perfumes, garlands, and ornaments, amid the sounding music of all musical instruments, with great glory, up to the harmonious concert of magnificent musical instruments played together in rhythm, amid the resonant roar of conches, paṇava drums, paṭaha drums, bherī drums, jhallarīs, kharamukhīs, muravas, mṛdaṅgas, and dundubhi drums—approached the armory hall. Having approached, as soon as he saw it, he bowed to the jewel-wheel. Having bowed, he approached the jewel-wheel. Having approached, he took hold of the peacock-feather whisk; having taken hold of it, he wiped the jewel-wheel. Having wiped it, he sprinkled it with a divine stream of water; ...
...having sprinkled it, he anointed it with fragrant gośīrṣa sandalwood. Having anointed it, he worshipped it with premier, excellent perfumes and garlands; he made offerings of flowers, garlands, perfumes, colors, powders, garments, and ornaments. Having done so, with transparent, smooth, white, jewel-like unblemished rice grains, he drew the eight auspicious symbols before the jewel-wheel [namely: svastika, śrīvatsa, nandyāvarta, vardhamānaka, bhadrāsana, fish, vase, and mirror]. Having drawn the eight auspicious symbols, he made an offering: what was it? With pātala, jasmine, campaka, aśoka, punnāga, mango blossoms, navamālikā, bakula, tilaka, oleander, kunda, kubjaka, koraṇṭaka, leaves, and damanaka flowers, of excellent sweet-smelling fragrance, gathered by handfuls and showered down from the open palms of hands, he made a variegated pile of five-colored flowers the height of a knee as an offering. Then, taking up a censer made of lapis lazuli, with a shaft of spotless lapis lazuli shining like the moon and adamantine, inlaid with artistic patterns of gold, gems, and jewels, filled with supreme incense of black agallochum, excellent kundurukka, and Turkish frankincense, emitting curls of smoke, he diligently burned incense. Having burned [incense], he stepped back seven or eight paces. Having stepped back, he drew up his left knee; ...
...having drawn up his left knee, resting his right knee upon the ground, folding his hands upon his head in a respectful añjali, he bowed to the jewel-wheel. Having bowed, he exited the armory hall. Having exited, he went to the outer assembly hall where his lion-throne was. Having approached, he sat down facing east upon the excellent lion-throne. Having sat down, he summoned the eighteen guilds and sub-guilds, and having summoned them, spoke thus: “Quickly indeed, O beloved of the gods! Cause a great eight-day festival of victory for the jewel-wheel to be celebrated—exempt from duties, exempt from taxes, elevated, free from requisitions, unmeasured, closed to the entry of king’s soldiers, free from fines and archery levy, free from oppression, attended by the finest dramatic dances of courtesans, accompanied by numerous clappers and rhythm-keepers, echoing with vibrant mṛdaṅgas, adorned with unfading garlands of flowers, full of rejoiced and sporting townspeople and country-folk! Having done so, report this command back to me quickly!”
Then those eighteen guilds and sub-guilds, thus addressed by King Bharata, rejoicing, up to respectfully heeded his words. Having heeded them, they departed from the presence of King Bharata. Having departed, they performed and caused to be performed the great eight-day festival exempt from duties, exempt from taxes, and so on. Having performed and caused it to be performed, they went to where King Bharata was. Having approached, they reported back that command.