Gopalacampu 1.35.182

1.35.182

[64] tad evam eva ramya-keli-sukhenaiva ity anena, bahu-prema-rasena ity anena cātra vraje tat-keli-sukhasya sarva-manorathatvaṃ nānā-prema-rasadatvaṃ ca darśitaṃ syāt | tad evam eva ca pūrvaṃ yad asūyā-rāhityaṃ teṣu māyayā sampāditam, tac ca mahā-viraheṇa vyakta-rahasyāsv apy etāsu nirvyūḍhaṃ syāt | kiṃ ca yā śrī-bhagavataḥ pratikalpam avaśyambhāvi-tādṛśatā-svabhāvāvatāra-līlāt
preyasī-prema-prabhāva-vyañjanāya tat-priya-jana-rañjanāya ca khelantī janaka-kanyāyām iva gopa-kanyā-śreṇyāṃ tasya nitya-kāntāsmīti jñānaṃ yadyapy āvṛtavatī, tathāpi premāṇām avarītuṃ na śaktavatī |

[64] 'Thus, through the phrase "solely for the pleasure of charming play" and through "with abundant rasa of love", here in Vraja the fact that the pleasure of his play is the fulfillment of all desires and that it bestows various rasas of love would be shown. And in this very way, the absence of jealousy among them that was previously effected by māyā would also be fully sustained among these [women], even though the secret had been made manifest through their great separation. Moreover, though the divine play of the descent—whose nature is such as must necessarily occur in every kalpa of the Lord—playing to reveal the power of the love of his beloveds and to delight his dear ones, covered in the assembly of cowherd maidens the awareness: "I am his eternal beloved," as in the daughter of Janaka, nevertheless it was not able to veil their love.'