Simhasanadvatrimshika f3b.6

f3b.6

aṅgair antarnihitavacanaiḥ sūcitaḥ samyag arthaḥ,
pādanyāso layam anugatas, tanmayatvaṃ raseṣu;
śākhāyonir mṛdur abhinayas tadvikalpānuvṛttau,
bhāvo bhāvaṃ nudati viṣayād, rāgabandhaḥ sa eva. || 6 ||

The meaning was fully indicated by limbs in which speech was embedded; / the footwork followed the tempo, and there was complete absorption in the aesthetic emotions; / the delicate pantomime originated from the branch movements in following its variations; / one emotion drives out another emotion from its object, yet the continuity of passion remains unbroken.”