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Vishnupurana 1.7

Viṣṇupurāṇa (vulgate) 1.7

Language
Sanskrit

Contents

1.7.1

śrīparāśara uvāca
tatobhidhyāyatastasya jajñire mānasāḥ prajāḥ /
taccharīrasamutpannaiḥ kāryais taiḥ karaṇaiḥ saha /
kṣetrajñāḥ samavartanta gātrebhyasya syaḥ dhīmataḥ //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.2

te sarve samāvartanta ye mayā prāgudāhatāḥ /
devādyāḥ sthāvarāntāś ca traiguṇyaviṣaye sthitāḥ //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.3

evaṃbhūtāni sṛṣṭāni carāṇi sthāvarāṇi ca //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.4

yadāsya tāḥ prajāḥ sarvā na vyavardhanta dhīmataḥ /
athānyānmānasānputrānsadṛśānātmano 'sṛjat //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.5

bhṛguṃ pulastyaṃ pulahaṃ kratumaṅgirasaṃ tathā /
marīciṃ dabhamatriṃ ca vasiṣṭhaṃ caiva mānasān //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.6

nava brahmāṇa ityete purāṇe niścayaṃ gatāḥ //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.7

khyātiṃ bhūtiṃ ca saṃbhūtiṃ kṣamāṃ prītiṃ tathaiva ca /
sannatiṃ ca tathaivorjamanasūyāṃ tathaiva ca //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.8

prasūtiṃ ca tataḥ sṛṣṭvā dadau teṣāṃ mahātmanām /
patnyo bhavadhva mityuktvā teṣāmeva tu dattavān //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.9

sanandanādayo ye ca pūrvasṛṣṭāstu vedhasā /
na te lokeṣvasajjanta nirapekṣāḥ prajāsu te //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.10

sarve te 'bhyā gatajñānā vītarāgā vimatsarāḥ /
teṣvevaṃ nirapekṣeṣu lokasṛṣṭau mahātmanāḥ //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.11

brahmaṇobhūnmahān krodhastrailokyadahanakṣamaḥ /
tasya krodhātsa mudbhūtajvālāmālātidīpitam /
brahmaṇobhūttadā sarvaṃ trailokyamakhilaṃ mune //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.12

bhrakuṭīkuṭilāttasya lalāṭāt krodhadīpitāt /
samutpanna stadā rudro madhyāhnārkasamaprabhaḥ //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.13

ardhanārīnaravapuḥ pracaṇḍo 'tiśarīravān /
vibhajātmānamityuktvā taṃ brahmāntardadhe tataḥ //

PARÁŚARA.--From Brahmá, continuing to meditate, were born mind-engendered progeny, with forms and faculties derived from his corporeal nature; embodied spirits, produced from the person of that all-wise deity. All these beings, front the gods to inanimate things, appeared as I have related to you, being the abode of the three qualities: but as they did not multiply themselves, Brahmá created other mind-born sons, like himself; namely, Bhrigu, Pulastya, Pulaha, Kratu, Angiras, Maríchi, Daksha, Atri, and Vaśisht́ha: these are the nine Brahmas (or Brahma rishis) celebrated in the Puráńas. Sanandana and the other sons of Brahmá were previously created by him, but they were without desire or passion, inspired with holy wisdom, estranged from the universe, and undesirous of progeny. This when Brahmá perceived, he was filled with wrath capable of consuming the three worlds, the flame of which invested, like a garland, heaven, earth, and hell. Then from his forehead, darkened with angry frowns, sprang Rudra, radiant as the noon-tide sun, fierce, and of vast bulk, and of a figure which was half male, half female. Separate yourself, Brahmá said to him; and having so spoken, disappeared. Obedient to which command, Rudra became twofold, disjoining his male and female natures. His male being he again divided into eleven persons, of whom some were agreeable, some hideous, some fierce, some mild; and he multiplied his female nature manifold, of complexions black or white.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.14

tathoktosau dvidhā strītvaṃ puruṣatvaṃ tathākarot /
vibhedapuruṣatvaṃ ca daśadhā caikadhā punaḥ //

Then Brahmá created himself the Manu Swáyambhuva, born of, and identical with, his original self, for the protection of created beings; and the female portion of himself he constituted Śatarúpá, whom austerity purified from the sin (of forbidden nuptials), and whom the divine Manu Swáyambhuva took to wife. From these two were born two sons, Priyavrata and Uttánapáda, and two daughters, named Prasúti and Ákúti, graced with loveliness and exalted merit. Prasúti he gave to Daksha, after giving Ákúti to the patriarch Ruchi, who espoused her. Ákúti bore to Ruchi twins, Yajna and Dakshiná, who afterwards became husband and wife, and had twelve sons, the deities called Yámas, in the Manwantara of Swáyambhuva.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.15

saumyāsaumyostadāśāntāśāntaiḥ strītvaṃ ca sa prabhuḥ /
vibheda bahudhā devāḥ svarūpair asitaiḥ sitaiḥ //

Then Brahmá created himself the Manu Swáyambhuva, born of, and identical with, his original self, for the protection of created beings; and the female portion of himself he constituted Śatarúpá, whom austerity purified from the sin (of forbidden nuptials), and whom the divine Manu Swáyambhuva took to wife. From these two were born two sons, Priyavrata and Uttánapáda, and two daughters, named Prasúti and Ákúti, graced with loveliness and exalted merit. Prasúti he gave to Daksha, after giving Ákúti to the patriarch Ruchi, who espoused her. Ákúti bore to Ruchi twins, Yajna and Dakshiná, who afterwards became husband and wife, and had twelve sons, the deities called Yámas, in the Manwantara of Swáyambhuva.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.16

tato brahmātmasaṃbhūtaṃ pūrvaṃ svāyaṃbhuvaṃ prabhu /
ātmānameva kṛta vānprajāpālye manuṃ dvija //

Then Brahmá created himself the Manu Swáyambhuva, born of, and identical with, his original self, for the protection of created beings; and the female portion of himself he constituted Śatarúpá, whom austerity purified from the sin (of forbidden nuptials), and whom the divine Manu Swáyambhuva took to wife. From these two were born two sons, Priyavrata and Uttánapáda, and two daughters, named Prasúti and Ákúti, graced with loveliness and exalted merit. Prasúti he gave to Daksha, after giving Ákúti to the patriarch Ruchi, who espoused her. Ákúti bore to Ruchi twins, Yajna and Dakshiná, who afterwards became husband and wife, and had twelve sons, the deities called Yámas, in the Manwantara of Swáyambhuva.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.17

śatarūpāṃ ca tāṃ nārīṃ taponirdhūtakalpaṣām /
svāyaṃbhuvo manurdevaḥ patnītve jagṛhe prabhuḥ //

Then Brahmá created himself the Manu Swáyambhuva, born of, and identical with, his original self, for the protection of created beings; and the female portion of himself he constituted Śatarúpá, whom austerity purified from the sin (of forbidden nuptials), and whom the divine Manu Swáyambhuva took to wife. From these two were born two sons, Priyavrata and Uttánapáda, and two daughters, named Prasúti and Ákúti, graced with loveliness and exalted merit. Prasúti he gave to Daksha, after giving Ákúti to the patriarch Ruchi, who espoused her. Ákúti bore to Ruchi twins, Yajna and Dakshiná, who afterwards became husband and wife, and had twelve sons, the deities called Yámas, in the Manwantara of Swáyambhuva.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.18

tasmāttu puruṣāddevī śatarūpā vyajāyata /
priyavratottānapādau prasūtyākūtisaṃjñitam //

Then Brahmá created himself the Manu Swáyambhuva, born of, and identical with, his original self, for the protection of created beings; and the female portion of himself he constituted Śatarúpá, whom austerity purified from the sin (of forbidden nuptials), and whom the divine Manu Swáyambhuva took to wife. From these two were born two sons, Priyavrata and Uttánapáda, and two daughters, named Prasúti and Ákúti, graced with loveliness and exalted merit. Prasúti he gave to Daksha, after giving Ákúti to the patriarch Ruchi, who espoused her. Ákúti bore to Ruchi twins, Yajna and Dakshiná, who afterwards became husband and wife, and had twelve sons, the deities called Yámas, in the Manwantara of Swáyambhuva.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.19

kanyādvayaṃ ca dharmajña rūpaudāryaguṇānvitam /
dadau prasūtiṃ dakṣāya ākūtiṃ rucaye purā //

The patriarch Daksha had by Prasúti twenty-four daughters: hear from me their names: Sraddhá (faith), Lakshmí (prosperity), Dhriti (steadiness), Tusht́i (resignation), Pusht́i (thriving), Medhá (intelligence), Kríyá (action, devotion), Buddhi (intellect), Lajjá (modesty), Vapu (body), Sánti (expiation), Siddhi (perfection), Kírtti (fame): these thirteen daughters of Daksha, Dharma (righteousness) took to wife. The other eleven bright-eyed and younger daughters of the patriarch were, Khyáti (celebrity), Sati (truth), Sambhúti (fitness), Smriti (memory), Príti (affection), Kshamá (patience), Sannati (humility), Anasúyá (charity), Úrjjá (energy), with Swáhá (offering), and Swadhá (oblation). These maidens were respectively wedded to the Munis, Bhrigu, Bhava, Maríchi, Angiras, Pulastya, Pulaha, Kratu, Atri, and Vaśisht́ha; to Fire (Vahni), and to the Pitris (progenitors).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.20

prajāpatiḥ sa jagrāha tayorjajñe sadakṣiṇaḥ /
putro yajñe mahābhāga dampatyormithunaṃ tataḥ //

The patriarch Daksha had by Prasúti twenty-four daughters: hear from me their names: Sraddhá (faith), Lakshmí (prosperity), Dhriti (steadiness), Tusht́i (resignation), Pusht́i (thriving), Medhá (intelligence), Kríyá (action, devotion), Buddhi (intellect), Lajjá (modesty), Vapu (body), Sánti (expiation), Siddhi (perfection), Kírtti (fame): these thirteen daughters of Daksha, Dharma (righteousness) took to wife. The other eleven bright-eyed and younger daughters of the patriarch were, Khyáti (celebrity), Sati (truth), Sambhúti (fitness), Smriti (memory), Príti (affection), Kshamá (patience), Sannati (humility), Anasúyá (charity), Úrjjá (energy), with Swáhá (offering), and Swadhá (oblation). These maidens were respectively wedded to the Munis, Bhrigu, Bhava, Maríchi, Angiras, Pulastya, Pulaha, Kratu, Atri, and Vaśisht́ha; to Fire (Vahni), and to the Pitris (progenitors).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.21

yajñasya dakṣiṇāyāṃ tu putrā dvādaśa jajñire /
yāmā iti samākhyātā devāḥ svāyaṃbhuve manau //

The patriarch Daksha had by Prasúti twenty-four daughters: hear from me their names: Sraddhá (faith), Lakshmí (prosperity), Dhriti (steadiness), Tusht́i (resignation), Pusht́i (thriving), Medhá (intelligence), Kríyá (action, devotion), Buddhi (intellect), Lajjá (modesty), Vapu (body), Sánti (expiation), Siddhi (perfection), Kírtti (fame): these thirteen daughters of Daksha, Dharma (righteousness) took to wife. The other eleven bright-eyed and younger daughters of the patriarch were, Khyáti (celebrity), Sati (truth), Sambhúti (fitness), Smriti (memory), Príti (affection), Kshamá (patience), Sannati (humility), Anasúyá (charity), Úrjjá (energy), with Swáhá (offering), and Swadhá (oblation). These maidens were respectively wedded to the Munis, Bhrigu, Bhava, Maríchi, Angiras, Pulastya, Pulaha, Kratu, Atri, and Vaśisht́ha; to Fire (Vahni), and to the Pitris (progenitors).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.22

prasūtyāṃ ca tathā dakṣaścatastro viṃśatis tathā /
sasarja kanyāstāsāṃ ca samyaṅnāmāni me śṛṇu //

The patriarch Daksha had by Prasúti twenty-four daughters: hear from me their names: Sraddhá (faith), Lakshmí (prosperity), Dhriti (steadiness), Tusht́i (resignation), Pusht́i (thriving), Medhá (intelligence), Kríyá (action, devotion), Buddhi (intellect), Lajjá (modesty), Vapu (body), Sánti (expiation), Siddhi (perfection), Kírtti (fame): these thirteen daughters of Daksha, Dharma (righteousness) took to wife. The other eleven bright-eyed and younger daughters of the patriarch were, Khyáti (celebrity), Sati (truth), Sambhúti (fitness), Smriti (memory), Príti (affection), Kshamá (patience), Sannati (humility), Anasúyá (charity), Úrjjá (energy), with Swáhá (offering), and Swadhá (oblation). These maidens were respectively wedded to the Munis, Bhrigu, Bhava, Maríchi, Angiras, Pulastya, Pulaha, Kratu, Atri, and Vaśisht́ha; to Fire (Vahni), and to the Pitris (progenitors).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.23

śraddhā lakṣmīrdhṛtistuṣṭirmedhā puṣṭis tathā kriyā /
buddhirlajjā vapuḥ śāntiḥ siddhiḥ kīrtistrayodaśī //

The patriarch Daksha had by Prasúti twenty-four daughters: hear from me their names: Sraddhá (faith), Lakshmí (prosperity), Dhriti (steadiness), Tusht́i (resignation), Pusht́i (thriving), Medhá (intelligence), Kríyá (action, devotion), Buddhi (intellect), Lajjá (modesty), Vapu (body), Sánti (expiation), Siddhi (perfection), Kírtti (fame): these thirteen daughters of Daksha, Dharma (righteousness) took to wife. The other eleven bright-eyed and younger daughters of the patriarch were, Khyáti (celebrity), Sati (truth), Sambhúti (fitness), Smriti (memory), Príti (affection), Kshamá (patience), Sannati (humility), Anasúyá (charity), Úrjjá (energy), with Swáhá (offering), and Swadhá (oblation). These maidens were respectively wedded to the Munis, Bhrigu, Bhava, Maríchi, Angiras, Pulastya, Pulaha, Kratu, Atri, and Vaśisht́ha; to Fire (Vahni), and to the Pitris (progenitors).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.24

patnyarthaṃ pratijagrāha dharmo dākṣāyaṇīḥ prabhuḥ /
tābhyaḥ śiṣṭayavīyasya ekādaśa sulocanāḥ //

The patriarch Daksha had by Prasúti twenty-four daughters: hear from me their names: Sraddhá (faith), Lakshmí (prosperity), Dhriti (steadiness), Tusht́i (resignation), Pusht́i (thriving), Medhá (intelligence), Kríyá (action, devotion), Buddhi (intellect), Lajjá (modesty), Vapu (body), Sánti (expiation), Siddhi (perfection), Kírtti (fame): these thirteen daughters of Daksha, Dharma (righteousness) took to wife. The other eleven bright-eyed and younger daughters of the patriarch were, Khyáti (celebrity), Sati (truth), Sambhúti (fitness), Smriti (memory), Príti (affection), Kshamá (patience), Sannati (humility), Anasúyá (charity), Úrjjá (energy), with Swáhá (offering), and Swadhá (oblation). These maidens were respectively wedded to the Munis, Bhrigu, Bhava, Maríchi, Angiras, Pulastya, Pulaha, Kratu, Atri, and Vaśisht́ha; to Fire (Vahni), and to the Pitris (progenitors).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.25

khyātiḥ satyatha saṃbhūtiḥ smṛtiḥ pītiḥ kṣamā tathā /
santatiścānasūyā ca ūrjā svāhā svadhā tathā //

The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá he had Káma (desire); by Lakshmí, Darpa (pride); by Dhriti, Niyama (precept); by Tusht́i, Santosha (content); by Pusht́i, Lobha (cupidity); by Medhá, Sruta (sacred tradition); by Kriyá, Dańd́a, Naya, and Vinaya (correction, polity, and prudence); by Buddhi, Bodha (understanding); by Lajjá, Vinaya (good behaviour); by Vapu, Vyavasaya (perseverance). Sánti gave birth to Kshema (prosperity); Siddhi to Sukha (enjoyment); and Kírtti to Yasas (reputation). These were the sons of Dharma; one of whom, Káma, had Hersha (joy) by his wife Nandi (delight).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.26

bhṛturbhavo marīciś ca tathā caivāṅgirā muniḥ /
pulastyaḥ pulahaścaiva kratuścarṣivaras tathā //

The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá he had Káma (desire); by Lakshmí, Darpa (pride); by Dhriti, Niyama (precept); by Tusht́i, Santosha (content); by Pusht́i, Lobha (cupidity); by Medhá, Sruta (sacred tradition); by Kriyá, Dańd́a, Naya, and Vinaya (correction, polity, and prudence); by Buddhi, Bodha (understanding); by Lajjá, Vinaya (good behaviour); by Vapu, Vyavasaya (perseverance). Sánti gave birth to Kshema (prosperity); Siddhi to Sukha (enjoyment); and Kírtti to Yasas (reputation). These were the sons of Dharma; one of whom, Káma, had Hersha (joy) by his wife Nandi (delight).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.27

atrirvasiṣṭho vahniś ca pitaraś ca yathākramama /
khyātyādya jagṛhuḥ kanyā munayo muni sattama //

The progeny of Dharma by the daughters of Daksha were as follows: by Sraddhá he had Káma (desire); by Lakshmí, Darpa (pride); by Dhriti, Niyama (precept); by Tusht́i, Santosha (content); by Pusht́i, Lobha (cupidity); by Medhá, Sruta (sacred tradition); by Kriyá, Dańd́a, Naya, and Vinaya (correction, polity, and prudence); by Buddhi, Bodha (understanding); by Lajjá, Vinaya (good behaviour); by Vapu, Vyavasaya (perseverance). Sánti gave birth to Kshema (prosperity); Siddhi to Sukha (enjoyment); and Kírtti to Yasas (reputation). These were the sons of Dharma; one of whom, Káma, had Hersha (joy) by his wife Nandi (delight).

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.28

śraddhā kāmaṃ calā darpaṃ niyamaṃ dhṛtirātmajam /
santoṣaṃ ca tathā tuṣṭirlobhaṃ puṣṭirasūyata //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.29

medhā śrutaṃ kriyā daṇḍaṃ nayaṃ vinayameva ca //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.30

bodhaṃ buddhis tathā lajjā vinayaṃ vapurātmajam /
vyavasāyaṃ prajajñe vai kṣemaṃ śāntirasūyatā //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.31

sukhaṃ siddhiryaśaḥ kīrtirityete dharmasūnavaḥ /
kāmādratiḥ sutaṃ harṣaṃ dharmapautramasūyata //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.32

hiṃsā bhāryā tvadharmasya tato jajñe tathānṛtam /
kanyā ca nikṛtistābhyāṃ māyā jajñe ca vedanā //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.33

māyā ca vedanā caiva mithunaṃ tvidametayoḥ /
tayorjajñetha vai māyā mṛtyuṃ bhūtāpahāriṇam //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.34

vedanā svasūtaṃ cāpi duḥkhaṃ jajñe 'tha rauravāt /
mṛtyorvyādhijarāśokatṛṣṇakrodhāś ca jajñire //

The wife of Adharma (vice) was Hinsá (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Máyá (deceit) and Vedaná (torture), who became their wives. The son of Bhaya and Máyá was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedaná. The children of Mrityu were Vyádhi (disease), Jará (decay), Soka (sorrow), Trishńa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Vishńu, and perpetually operate as causes of the destruction of this world. On the contrary, Daksha and the other Rishis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.35

duḥkhottarāḥ smṛtā hyete sarve cādharmalakṣaṇāḥ /
naiṣāṃ putrosti vai bhāryā te sarve hyūrdhvaretasaḥ //

MAITREYA.--Tell me, Bráhman, what is the essential nature of these revolutions, perpetual preservation, perpetual creation, and perpetual destruction.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.36

raudrāṇyetānirūpāṇi viṣṇormunivarātmaja /
nityapralayahetutvaṃ jagatosya prayānti vai //

PARÁŚARA.--Madhusúdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prákritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual: The first, also termed the Bráhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prákrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Puráńas, constant creation. In this manner the mighty Vishńu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Vishńu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.37

dakṣo marīciratriś ca bhṛgvādyāś ca prajeśvarāḥ /
jagatyatra mahābhāga nityasargasya hetavaḥ //

PARÁŚARA.--Madhusúdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prákritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual: The first, also termed the Bráhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prákrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Puráńas, constant creation. In this manner the mighty Vishńu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Vishńu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.38

manavo manuputrāś ca bhūpā vīryadharāś ca ye /
sanmārganiratāḥ śūrāste sarve sthitikāriṇaḥ //

PARÁŚARA.--Madhusúdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prákritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual: The first, also termed the Bráhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prákrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Puráńas, constant creation. In this manner the mighty Vishńu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Vishńu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.39

śrīmaitreya uvāca
yeyaṃ nityā sthitirbrahmannityasargastatheritaḥ /
nityābhāvaś ca teṣāṃ vai svarūpaṃ mama kathyatām //

PARÁŚARA.--Madhusúdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prákritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual: The first, also termed the Bráhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prákrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Puráńas, constant creation. In this manner the mighty Vishńu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Vishńu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.40

śrīparāśara uvāca
sargasthitivināśāṃś ca bhagavānmadhusūdanaḥ /
tais tai rūpair acintyātmā karotyavyāhato vibhuḥ //

PARÁŚARA.--Madhusúdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prákritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual: The first, also termed the Bráhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prákrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Puráńas, constant creation. In this manner the mighty Vishńu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Vishńu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

1.7.41

naimittikaḥ prākṛtikastathaivātyantiko dvija /
nityaś ca sarvabhūtānāṃ pralayo 'yaṃ caturvidhaḥ //

PARÁŚARA.--Madhusúdana, whose essence is incomprehensible, in the forms of these (patriarchs and Manus), is the author of the uninterrupted vicissitudes of creation, preservation, and destruction. The dissolution of all things is of four kinds; Naimittika, 'occasional;' Prákritika, 'elemental;' Atyantika, 'absolute;' Nitya, 'perpetual: The first, also termed the Bráhma dissolution, occurs when the sovereign of the world reclines in sleep. In the second, the mundane egg resolves into the primary element, from whence it was derived. Absolute non-existence of the world is the absorption of the sage, through knowledge, into supreme spirit. Perpetual destruction is the constant disappearance, day and night, of all that are born. The productions of Prakriti form the creation that is termed the elemental (Prákrita). That which ensues after a (minor) dissolution is called ephemeral creation: and the daily generation of living things is termed, by those who are versed in the Puráńas, constant creation. In this manner the mighty Vishńu, whose essence is the elements, abides in all bodies, and brings about production, existence, and dissolution. The faculties of Vishńu to create, to preserve, and to destroy, operate successively, Maitreya, in all corporeal beings and at all seasons; and he who frees himself from the influence of these three faculties, which are essentially composed of the three qualities (goodness, foulness, and darkness), goes to the supreme sphere, from whence he never again returns.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

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