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Shatapatha Brahmana 10.1.4

Śatapathabrāhmaṇa 10.1.4

Language
Sanskrit

10.1.4.1

ubhayaṃ haitadagre prajāpatirāsa martyaṃ caivāmṛtaṃ ca tasya prāṇā evāmṛtā āsuḥ śarīram martyaṃ sa etena karmaṇaitayāvṛtaikadhājaramamṛtamātmānamakuruta tathaivaitadyajamāna ubhayameva bhavati martyaṃ caivāmṛtaṃ ca tasya prāṇā evāmṛtā bhavanti śarīram martyaṃ sa etena karmaṇaitayāvṛtaikadhājaramamṛtamātmānaṃ kurute

Now, at the beginning, Pragâpati was (composed of) both these, the mortal and the immortal--his vital airs alone were immortal, his body mortal: by this sacrificial performance, and by this order of proceeding, he made his body uniformly undecaying and immortal. And in like manner is the Sacrificer (composed of) both the mortal and the immortal--his vital airs alone are immortal, his body mortal: by this sacrificial performance, and by this order of proceeding, he makes his body uniformly undecaying and immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.2

sa prathamāṃ citiṃ cinoti sā hāsyaiṣā prāṇa eva tadvai tadamṛtamṛtaṃ hi prāṇaḥ saiṣāmṛtacitiratha purīṣaṃ nivapati taddhāsyaitanmajjaiva tadvai tanmartyam martyo hi majjā tadetasminnamṛte pratiṣṭhāpayati tenāsyaitadamṛtam bhavati

He lays down the first layer,--this, doubtless, is his out- (and in-) breathing, and it is an immortal (element), for the out-breathing is something immortal: this, then, is an immortal layer. He then scatters loose soil thereon,--this, doubtless, is his marrow, and it is a mortal (element), for the marrow is mortal: he establishes it on that immortal (element), and thereby this part of him becomes immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.3

dvitīyāṃ citiṃ cinoti sā hāsyaiṣāpāna eva tadvai tadamṛtamamṛtaṃ hyapānaḥ saiṣāmṛtacitistadetanmartyamubhayato'mṛtena parigṛhṇāti tenāsyaitadamṛtam bhavatyatha purīṣaṃ nivapati taddhāsyaitadasthyeva tadvai tanmartyam martyaṃ hyasthi tadetasminnamṛte pratiṣṭhāpayati tenāsyaitadamṛtam bhavati

He lays down the second layer,--this, doubtless, is his downward breathing, and it is an immortal (element), for the downward breathing is something immortal: this, then, is an immortal layer. He thus encompasses that mortal (element) on both sides by an immortal one, and thereby that part of him becomes immortal. He then scatters loose soil thereon,--this, doubtless, is his bones, and it is a mortal (element), for the bone is mortal: he establishes it on that immortal (element), and thereby this part of him becomes immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.4

tṛtīyāṃ citiṃ cinoti sā hāsyaiṣā vyāna eva tadvai tadamṛtamamṛtaṃ hi vyānaḥ saiṣāmṛtacitistadetanmartyamubhayato'mṛtena parigṛhṇāti tenāsyaitadamṛtam bhavatyatha purīṣaṃ nivapati taddhāsyaitatsnāvaiva tadvai tanmartyaṃ hi snāva tadetasminnamṛte pratiṣṭhāpayati tenāsyaitadamṛtam bhavati

He lays down the third layer,--this, doubtless, is his through-breathing, and it is an immortal (element), for the through-breathing is something immortal: this, then, is an immortal layer. He thus encompasses that mortal (element) on both sides by an immortal one, and thereby that part of him becomes immortal. He then scatters loose soil thereon,--this, doubtless, is his sinews, and it is a mortal (element), for the sinew is mortal: he establishes it on that immortal (element), and thereby this part of him becomes immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.5

caturthīṃ citiṃ cinoti sā hāsyaiṣodāna eva tadvai tadamṛtamamṛtam hyudānaḥ saiṣāmṛtacitistadetanmartyamubhayato'mṛtena parigṛhṇāti tenāsyaitadamṛtam bhavatyatha purīṣaṃ nivapati taddhāsyaitanmāṃsameva tadvai tanmartyam martyaṃ hi māṃsaṃ tadetasminnamṛte pratiṣṭhāpayati tenāsyaitadamṛtam bhavati

He lays down the fourth layer,--this, doubtless, is his upward breathing, and it is an immortal (element), for the upward breathing is something immortal: this, then, is an immortal layer. He thus encompasses that mortal (element) on both sides by an immortal one, and thereby that part of him becomes immortal. He then scatters loose soil thereon,--this, doubtless, is his flesh, and it is a mortal (element), for flesh is mortal: he establishes it on that immortal (element), and thereby this part of him becomes immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.6

pañcamīṃ citiṃ cinoti sā hāsyaiṣā samāna eva tadvai tadamṛtamamṛtaṃ hi samānaḥ saiṣāmṛtacitistadetanmartyamubhayato'mṛtena parigṛhṇāti tenāsyaitadamṛtam bhavatyatha purīṣaṃ nivapati taddhāsyaitanmeda eva tadvai tanmartyam martyaṃ hi medastadetasminnamṛte pratiṣṭhāpayati tenāsyaitadamṛtam bhavati

He lays down the fifth layer,--this, doubtless, is his central (or pervading) breathing, and it is an immortal (element), for the central breathing is something immortal: this, then, is an immortal layer. He thus encompasses that mortal (element) on both sides by an immortal one, and thereby that part of him becomes immortal. He then scatters loose soil thereon,--this, doubtless, is his fat, and it is a mortal (element), for the fat is mortal: he establishes it on that immortal (element), and thereby this part of him becomes immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.7

ṣaṣṭhīṃ citiṃ cinoti sā hāsyaiṣā vāgevatadvai tadamṛ tamamṛtaṃ hi vākṣaiṣāmṛtacitistadetanmartyamubhayato'mṛtena parigṛhṇāti tenāsyaitadamṛtam bhavatyatha puriṣaṃ nivapati taddhāsyaitadasṛgeva tvageva tadvai tanmartyam martyaṃ hyasṛṅmartyā tvaktadetasminnamṛte pratiṣṭhāpayati tenāsyaitadamṛtam bhavati

He lays down the sixth layer,--this, doubtless, is his voice, and it is an immortal (element), for the voice is something immortal: this, then, is an immortal layer. He thus encompasses that mortal (element) on both sides by an immortal one, and thereby that part of him becomes immortal. He then scatters loose soil thereon,--this, doubtless, is his blood and his skin, and it is a mortal (element), for blood is mortal, and skin is mortal: he establishes it on that immortal (element), and thereby this part of him becomes immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.8

tā vā etāḥ ṣaḍiṣṭakācitayaḥ ṣaṭ purīṣacitayastaddvādaśa dvādaśa māsāḥ saṃvatsaraḥ saṃvatsaro'gniryāvānagniryāvatyasya mātrā tāvataiva tatprajāpatirekadhājaramamṛtamātmānamakuruta tathaivaitadyajamāna ekadhājaramamṛtamātmānaṃ kurute

These, then, are six layers of bricks, and six layers of earth, that makes twelve,--the year (consists of) twelve months, and Agni is the year: as great as Agni is, as great as is his measure, with so much did Pragâpati then make his body uniformly undecaying and immortal; and in like manner does the Sacrificer now make his body uniformly undecaying and immortal.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.9

atha vikarṇīṃ ca svayamātṛṇāṃ copadhāya hiraṇyaśakalaiḥ prokṣatyagnimabhyādadhāti rūpameva tatprajāpatirhiraṇmayamantata ātmano'kuruta tadyadantatastasmādidamantyamātmano rūpaṃ tasmādāhurhiraṇmayaḥ prajāpatiriti tathaivaitadyajamāno rūpameva hiraṇmayamantata ātmanaḥ kurute tadyadantatastasmādidamantyamātmano rūpaṃ tasmādye caitadvidurye ca na hiraṇmayo'gnicidamuṣmiṃloke sambhavatītyevāhuḥ

Having then laid down the Vikarnî and Svayamâtrinnâ, he scatters chips of gold, and places the fire thereon: Pragâpati then finally made a golden form for his body; and inasmuch as (he did so) finally, this was the final form of his body; whence people speak of 'the golden Pragâpati.' And in like manner does the Sacrificer now finally make a golden form for his body; and inasmuch as (he does so) finally, this is the final form of his body; and hence, whether they know this or not, people say that the Agnikit (he who has built an altar) is born in yonder world as one made of gold.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.10

taddhaitacāṇḍilyaśca sāptarathavāhaniśca ācāryāntevāsibau vyūdāte rūpamevāsyaitaditi ha smāha śāṇḍilyo lomānīti sāptarathavāhaniḥ

Now, on this point, Sândilya and Sâptarathavâhani, teacher and pupil, were once disputing with one another: 'This is his form,' said Sândilya; 'his hair,' said Sâptarathavâhani.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.11

sa hovāca śāṇḍilyaḥ rūpaṃ vāva lomavadrūpamalomakaṃ rūpamevāsyaitaditi tadvai tattathā yathā tacāṇḍilya uvāca saṃcite'gniḥ praṇīyate praṇītādūrdhvaṃ samidha āhutaya iti hūyante

Sândilya said, 'Surely, there is a hairy form (as well as) a hairless form: his form it certainly is;' and this, indeed, is as Sândilya has said: when it (the altar) is completely built, Agni is led forward; and after he has been led forward, logs of wood are offered as 'oblations.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.12

prāṇena vai devā annamadanti agniru devānām prāṇastasmātprāgdevebhyo juhvati prāṇena hi devā annamadantyapānena manuṣyā annamadanti tasmātpratyaṅmanuṣyeṣvannaṃ dhīyate'pānena hi manuṣyā annamadanti

By means of (the channel of) the out- (and in-) breathing the gods eat food, and Agni (the sacrificial fire) is the out-breathing of the gods; whence it is in front (of the sacrificial ground) that offering is made to the gods, for by means of the (channel of the) out-breathing the gods eat food. By means of the down-breathing men eat food, whence food is introduced into men (from the front) towards the back, for by their down-breathing men eat food.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.13

tadāhuḥ na vayaso'gnicidaśnīyādvayo vā eṣa rūpam bhavati yo'gniṃ cinuta īśvara ārtimātostasmānna vayaso'gnicidaśnīyāditi tadvai kāmamevaivaṃvidaśnīyādagnervā eṣa rūpam bhavati yo'gniṃ cinute sarvaṃ vā idamagnerannaṃ sarvam ma idamannamityevaivaṃvidvidyāditi

Here, now, they say, 'He who has built an altar must not eat of any bird, for he who builds a fire-altar becomes of a bird's form; he would be apt to incur sickness: the Agnikit therefore must not eat of any bird.' Nevertheless, one who knows this may safely eat thereof; for he who builds an altar becomes of Agni's form, and, indeed, all food here belongs to Agni: whosoever knows this will know that all food belongs to him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.1.4.14

tadāhuḥ kiṃ tadagnau kriyate yena yajamānaḥ punarmṛtyumapajayatītyagnirvā eṣa devatā bhavati yo'gniṃ cinute'mṛtamu vā agniḥ śrīrdevāḥ śriyaṃ gacati yaśo devā yaśo ha bhavati ya evaṃ veda

Here, now, they say, 'What is done here in (the building of) the altar, whereby the Sacrificer conquers recurring death?' Well, he who builds an altar becomes the deity Agni; and Agni (the fire), indeed, is the immortal (element);--the gods are splendour: he enters splendour; the gods are glory: he becomes glorious whosoever knows this.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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