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Śatapatha Brāhmaṇa ("of a hundred paths") 10.4.1

Śatapathabrāhmaṇa 10.4.1

Language
Sanskrit

10.4.1.1

prajāpatiṃ visrastam yatra devāḥ samaskurvaṃstamukhāyāṃ yonau reto bhūtamasiñcanyonirvā ukhā tasmā etatsaṃvatsare'nnaṃ samaskurvanyo'yamagniścitastadātmanā paryadadhustadātmanā parihitamātmaivābhavattasmādannamātmanā parihitamātmaiva bhavati

When the gods restored the relaxed Pragâpati, they poured him, as seed, into the fire-pan (ukhâ) as the womb, for the fire-pan is a womb. In the course of a year they prepared for him this food, to wit, the fire-altar built here, and enclosed it in a body; and, being enclosed in a body, it became the body itself; whence food, when enclosed in a body, becomes the body itself.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.2

tathaivaitadyajamānaḥ ātmānamukhāyāṃ yonau reto bhūtaṃ siñcati yonirvā ukhā tasmā etatsaṃvatsare'nnaṃ saṃskaroti yo'yamagniścitastadātmanā paridadhāti tadātmanā parihitamātmaiva bhavati tasmādannamātmanā parihitamātmaiva bhavati

In like manner does the Sacrificer now pour his own self (or body), as seed, into the fire-pan as the womb, for the fire-pan is a womb. In the course of a year he prepares for it (his self) this food, to wit, the fire-altar here built, and encloses it in a body, and, being enclosed in a body, it becomes the body itself; whence food, when enclosed in a body, becomes the body itself.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.3

taṃ nidadhāti vauṣaḍiti vaugiti vā eṣa ṣaḍitīdaṃ ṣaṭcitikamannaṃ kṛtvāsmā apidadhātyātmasammitaṃ yadu vā ātmasammitamannaṃ tadavati tanna hinasti yadbhūyo hinasti tadyatkanīyo na tadavati

He places him (the Ukhya Agni, on the fire-altar) with 'Vaushat!' for 'vauk' is he (Agni), and 'shat (six)' is this six-layered food: having prepared it, he offers it to him as proportionate to this body, for food which is proportionate to the body satisfies, and does not injure it; but when there is too much, it does injure it, and when there is too little, it does not satisfy it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.4

sa eṣa evārkaḥ yametamatrāgnimāharanti tasyaitadannaṃkyaṃ yo'yamagniścitastadarkyaṃ yajuṣṭa eṣa eva mahāṃstasyaitadannaṃ vrataṃ tanmahāvrataṃ sāmata eṣa u evoktasyaitadannaṃ thaṃ tadukthamṛktastadetadekaṃ satredhākhyāyate

Now that Arka (flame) is this very fire which they bring here; and the Kya is this his food, to wit, the fire-altar built here: that (combined) makes the Arkya in respect of the Yagus. And the Great one (mahân) is this (Agni), and this vrata (rite) is his food: that makes the Mahâvrata (sâman) in respect of the Sâman. And 'uk' is this (Agni), and 'tha' his food,--that (combined) makes the Uktha (sastra, recitation) in respect of the Rik. Thus, whilst being only one, this is accounted threefold.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.5

athendrāgnī vā asṛjyetām brahma ca kṣatraṃ cāgnireva brahmendraḥ kṣatraṃ tau sṛṣṭau nānaivāstāṃ tāvabrūtāṃ na vā itthaṃ santau śakṣyāvaḥ prajāḥ prajanayitumekaṃ rūpamubhāvasāveti tāvekaṃ rūpamubhāvabhavatām

Now Indra and Agni were created as the Brahman (priesthood) and the Kshatra (nobility): the Brahman was Agni and the Kshatra Indra. When created, the two were separate. They spake, 'Whilst being thus, we shall be unable to produce creatures (people): let us both become one form!' The two became one form.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.6

tau yau tāvindrāgnī etau tau rukmaśca puruṣaśca rukma evendraḥ puruṣo'gnistau hiraṇmayau bhavato jyotirvai hiraṇyaṃ jyotirindrāgni! amṛtaṃ hiraṇvamamṛtamindrāgnī

Now those two, Indra and Agni, are the same as these two, to wit, the gold plate and the (gold) man: Indra is the gold plate, and Agni the man. They are made of gold: gold means light, and Indra and Agni are the light; gold means immortal life, and Indra and Agni mean immortal life.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.7

tāvetāvindrāgnī eva cinvanti yaddhi kiṃ caiṣṭakamagnireva tattasmāttadagninā pacanti yaddhi kiṃ cāgninā pacantyagnireva tadatha yatpurīṣaṃ sa indrastasmāttadagninā na pacanti nedagnirevāsannendra iti tasmādetāvindrāgnī eva citau

It is these two, Indra and Agni, that they build up. Whatever is of brick that is Agni: whence they bake that (part) by fire, and all that is baked by fire is Agni. And what filling of earth there is (in the altar) that. is Indra: whence they do not bake that (part) by fire, lest it should be Agni, and not Indra. Thus it is these two, Indra and Agni, that are built up.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.8

atha yaścite'gnirnidhīyate tadekaṃ rūpamubhau bhavatastasmāttāvetenaiva rūpeṇemāḥ prajāḥ prajanayataḥ saiṣaikaiveṣṭakāgnireva tāmeṣa sarvo'gnirabhisampadyate saiveṣṭakāsampattadetadekamevākṣaraṃ vaugiti tadeṣa sarvo'gnirabhisampadyate saivākṣarasampat

And the two become that one form, to wit, the fire which is placed on the built (altar), and hence those two, by means of that form, produce creatures. Now Agni, indeed, is this single brick, and into this the whole Agni passes: this, indeed, is the perfection of bricks,--it is that one syllable (akshara) 'vauk,' it is this into which the whole Agni passes, and which is the perfection of syllables.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.9

taddhaitatpaśyannṛṣirabhyanūvāda bhūtam bhaviṣyatprastaumi mahadbrahmaikamakṣaram bahu brahmaikamakṣaramityetaddhyevākṣaraṃ sarve devāḥ sarvāṇi bhūtānyabhisampadyante tadetadbrahma ca kṣatraṃ cāgnireva brahmendraḥ kṣatramindrāgnī vai viśve devā viḍu viśve devāstadetadbrahma kṣatraṃ viṭ

It is this that the Rishi saw when he said, 'I praise what hath been and what will be, the Great Brahman, the one Akshara,--the manifold Brahman, the one Akshara; for, indeed, all the gods, all beings pass into that Akshara (imperishable element): it is both the Brahman and the Kshatra; and the Brahman is Agni, and the Kshatra Indra; and the Visve Devâh (all the gods) are Indra and Agni.' But the Visve Devâh (the All-gods) are also the peasantry: hence it is Priesthood, Nobility, and Peasantry.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.10

etaddha sma vai tadvidvāñcyāparṇaḥ sāyakāyana āha yadvai ma idaṃ karma samāpsyata mamaiva prajā salvānāṃ rājāno'bhaviṣyanmama brāhmaṇā mama vaiśyā yattu ma etāvatkarmaṇaḥ samāpi tena ma ubhayathā salvānprajātirekṣyata iti sa eṣa eva śrīreṣa yaśa eṣo'nnādaḥ

And, indeed, Syâparna Sâyakâyana, knowing this, once said, 'If this my sacrificial performance were complete, my own race would become the kings (nobles), Brâhmanas, and peasants of the Salvas; but even by that much of my work which has been completed my race will surpass the Salvas in both ways;'--for this (Agni, the fire-altar), indeed, is (social) eminence and fame, and an eater of food.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.11

etaddha vai tacāṇḍilyaḥ vāmakakṣāyaṇāya procyovāca śrīmānyaśasvyannādo bhaviṣyasīti śrīmānha vai yaśasvyannādo bhavati ya evaṃ veda

And regarding this, Sândilya, having instructed Vâmakakshâyana, said, 'Thou wilt become eminent, famous, and an eater of food (rich);' and, indeed, he who knows this becomes eminent, famous, and an eater of food.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.12

sa eṣo'gniḥ prajāpatireva ta devā etamagnim prajāpatiṃ saṃskṛtyāthāsmā etatsaṃvatsare'nnaṃ samaskurvanya eṣa mahāvratīyo grahaḥ

And this Agni is no other than Pragâpati. The gods, having restored this Agni-Pragâpati, in the course of a year prepared this food for him, to wit, this Mahâvratîya cup of Soma.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.13

tamadhvaryurgraheṇa gṛhṇāti yadgṛhṇāti tasmādgrahastasminnudgātā mahāvratena rasaṃ dadhāti sarvāṇi haitāni sāmāni yanmahāvrataṃ tadasmintsarvaiḥ sāmabhī rasaṃ dadhāti tasminhotā mahatokthena rasaṃ dadhāti sarvā haitā ṛco yanmahadukthaṃ tadasmintsarvābhirṛgbhī rasaṃ dadhāti

The Adhvaryu draws it by means of a cup, and inasmuch as he draws (grah) it, it is (called) a draught (graha, cup of Soma). The Udgâtri (chanter), by the Mahâvrata (sâman), puts flavour (vital sap) into it; and the Mahâvrata (sâman) being (composed of) all those (five) sâmans, he thus puts flavour into it by means of all sâmans (hymn-tunes). The Hotri puts flavour into it by means of the Great Recitation; and the Great Recitation being (composed of) all those Rik-verses: he thus puts flavour into it by all the Rik-verses.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.14

te yadā stuvate yadānuśaṃsati athāsminnetaṃ vaṣaṭkṛte juhoti vaugiti vā eṣa ṣaḍitīdaṃ ṣaḍvidhamannaṃ kṛtvāsmā apidadhātyātmasammitaṃ yadu vā ātmasammitamannaṃ tadavati tanna hinasti yadbhūyo hinasti tadyatkanīyo na tadavati

And when they chant the hymn, and he (the Hotri) afterwards recites (the sastra), he (the Adhvaryu) offers that (cup of Soma) to him (Agni-Pragâpati) as the Vashat-call is uttered. Now 'vauk' is this (Agni), and 'shat' this sixfold food: having prepared it, he offers it to him as proportionate to his body; for food which is proportionate to the body satisfies, and does not injure it; but when there is too much, it does injure it, and when there is too little, it does not satisfy it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.15

sa eṣa evārkaḥ yo'yamagniścitastasyaitadannaṃ kyameṣa mahāvratīyo grahastadarkyaṃ yajuṣṭa eṣa eva mahāṃstasyaitadannaṃ vrataṃ tanmahāvrataṃ sāmata eṣa u evoktadannaṃ thaṃ tadukthamṛktastadetadekaṃ sattredhākhyāyate

Now that Arka (flame) is this very fire-altar built here; and the Kya is this his food, to wit, the Mahâvratîya-graha: that (combined) makes the Arkya in respect of the Yagus. And the Great one (mahân) is this (Agni), and this rite (vrata) is his food: that makes the Mahâvrata in respect of the Sâman. And 'uk' is this (Agni), and 'tha' his food: that makes the (Mahad) Uktha in respect of the Rik. Thus, whilst being only one, this is accounted threefold.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.16

sa eṣa saṃvatsaraḥ prājāpatiragniḥ tasyārdhameva sāvitrāṇyardhaṃ vaiśvakarmaṇānyaṣṭāvevāsya kalāḥ sāvitrāṇyaṣṭau vaiśvakarmaṇānyatha yadetadantareṇa karma kriyate sa eva saptadaśaḥ prajāpatiryo vai kalā manuṣyāṇāmakṣaraṃ taddevānām

And this Agni is Pragâpati, the year: the Sâvitra (oblations) are one half thereof, and the Vaisva-karmana (oblations) the (other) half; the Sâvitra are eight digits (kalâ) thereof, and the Vaisvakarmana (the other) eight; and that which is performed between them is the seventeenfold Pragâpati. Now what a digit is to men that a syllable (akshara) is to the gods.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.17

tadvai lometi dve akṣare tvagiti dve asṛgiti dve meda iti dve māṃsamiti dve snāveti dve asthīti dve majjeti dve tāḥ ṣoḍaśa kalā atha ya etadantareṇa prāṇaḥ saṃcarati sa eva saptadaśaḥ prajāpatiḥ

And 'loma (hair)' is two syllables, 'tvak (skin)' two, 'asrik (blood)' two, 'medas (fat)' two, 'mâmsam (flesh)' two, 'snâva (sinew)' two, 'asthi (bone)' two, 'maggâ (marrow) ' two,--that makes sixteen digits; and the vital air which circulates therein, is the seventeenfold Pragâpati.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.18

tasmā etasmai prāṇāya etāḥ ṣoḍaśa kalā annamabhiharanti tā yadānabhihartuṃ dhriyante'thaitā eva jagdhvotkrāmati tasmādu haitadaśiśiṣatastṛpramiva bhavati prāṇairadyamānasya tasmādu haitadupatāpī kṛśa-iva bhavati prāṇairhi jagdho bhavati

These sixteen digits convey the food to that vital air; and when they take to conveying no food to it, then it consumes them and departs (from the body): hence he who is hungry here, feels very restless, consumed as he is by his vital airs; and hence he who suffers from fever becomes very thin, for he is consumed by his vital airs.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.19

tasmā etasmai saptadaśāya prajāpataye etatsaptadaśamannaṃ samaskurvanya eṣa saumyo'dhvaro'tha yā asya tāḥ ṣoḍaśa kalā ete te ṣoḍaśartvijastasmānna saptadaśamṛtvijaṃ kurvīta nedatirecayānītyatha ya evātra raso yā āhutayo hūyante tadeva saptadaśamannam

Now for that seventeenfold Pragâpati they prepared this seventeenfold food, the Soma-sacrifice: those sixteen digits of his are these sixteen officiating priests,--one should not, therefore, take a seventeenth priest lest one should do what is excessive;--and what vital sap there is here--the oblations that are offered--that is the seventeenfold food.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.20

te yadā stuvate yadānuśaṃsati athāsminnetaṃ vaṣaṭkṛte juhoti vaugiti vā eṣa ṣaḍitīdaṃ ṣaḍvidhamannaṃ kṛtvāsmā apidadhātyātmasammitaṃ yadu vā ātmasammitamannaṃ tadavati tanna hinasti yadbhūyo hinasti tadyatkanīyo na tadavati

And when they chant the hymn, and when he (the Hotri) afterwards recites (the sastra), he (the Adhvaryu) offers to him that food as the Vashat-call is uttered. Now 'vauk' is this (Agni), and 'shat' this sixfold food: having prepared it, he offers it to him as proportionate to his body; for food which is proportionate to the body satisfies, and does not injure it; but when there is too much it does injure it, and when there is too little, it does not satisfy it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.21

sa eṣa evārkaḥ yo'yamagniścitastasyaitadannaṃ kyameṣa saumyo'dhvarastadarkyaṃ yajuṣṭa eṣa eva mahāṃstasyaitadannaṃ vrataṃ tanmahāvrataṃ sāmata eṣa u evoktasyaitadannaṃ thaṃ tadukthamṛktastadetadekaṃ sattredhākhyāyate sa etenānnena sahordhva udakrāmatsa yaḥ sa udakrāmadasau sa ādityo'tha yena tenānnena sahodakrāmadeṣa sa candramāḥ

Now that Arka (flame) is this very fire-altar built here; and the Kya is this his food, to wit, the Soma-sacrifice: that (combined) makes the Arkya in respect of the Yagus. And the Great one (mahân) is this (Agni), and this rite (vrata) is his food: that makes the Mahâvrata in respect of the Sâman. And 'uk' is this (Agni), and 'tha' his food: that makes the (Mahad) Uktha in respect of the Rik. Thus, whilst being only one, this is accounted threefold. With this food he went upwards; and he who went upwards is yonder sun, and that food wherewith he went up is that moon.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.22

sa eṣa evārko ya eṣa tapati tasyaitadannaṃ kyameṣa candramāstadarkyaṃ yajuṣṭa eṣa eva mahāṃstasyaitadannaṃ vrataṃ tanmahāvrataṃ sāmata eṣa u evoktasyaitadannaṃ thaṃ tadukthamṛktastadetadekaṃ sattredhākhyāyata ityadhidevatam

He who shines yonder is indeed that Arka (flame), and that moon is his food, the Kya: that (combined) makes the Arkya in respect of the Yagus. And the Great one (mahân) is this (Agni), and this rite (vrata) is his food: that makes the Mahâvrata in respect of the Sâman. And 'uk' is this (Agni), and 'tha' his food: that makes the (Mahad) Uktha in respect of the Rik. Thus, whilst being only one, this is accounted threefold. Thus much as to the deity.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

10.4.1.23

athādhyātmam prāṇo vā arkastasyānnameva kyaṃ tadarkyaṃ yajuṣṭaḥ prāṇa eva māhāṃstasyānnameva vrataṃ tanmahāvrataṃ sāmataḥ prāṇa u evoktasyānnameva thaṃ tadukthamṛktastadetadekaṃ sattredhākhyāyate sa eṣa evaiṣo'dhidevatamayamadhyātmam

Now as to the body. The Arka (flame), doubtless, is the breath (vital air), and the Kya is its food: that makes the Arkya in respect of the Yagus. And the Great one (mahân) is this (Agni), and this rite (vrata) is his food: that makes the Mahâvrata in respect of the Sâman. And 'uk' is this (Agni), and 'tha' his food: that makes the (Mahad) Uktha in respect of the Rik. Thus, whilst being only one, this is accounted threefold. And, indeed, that (Agni) is that (sun) as to the deity, and this (breath) as to the body.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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