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Śatapatha Brāhmaṇa ("of a hundred paths") 3.8.2.29

Śatapathabrāhmaṇa 3.8.2.29

Language
Sanskrit

3.8.2.29

tadyadvapayā caranti | yasyai vai devatāyai paśumālabhante tāmevaitaddevatāmetena medhena prīṇāti saiṣā devataitena medhena prītā śāntottarāṇi havīṃṣi śrapyamāṇānyuparamati tasmādvapayā caranti

The reason why they perform with the omen-tum is this. For whatever deity the victim is seized, that same deity he pleases by means of that fat (part); and that same deity, thus pleased with that fat, waits patiently for the other sacrificial dishes being cooked; this is why they perform with the omentum.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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