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Śatapatha Brāhmaṇa ("of a hundred paths") 4.1.1

Śatapathabrāhmaṇa 4.1.1

Language
Sanskrit

4.1.1.1

prāṇo ha vā asyopāṃśuḥ | vyāna upāṃśusavana udāna evāntaryāmaḥ

The Upâmsu (graha), forsooth, is the out-breathing of the Sacrifice, the Upâmsu-savana (press-stone) the through-breathing, and the Antaryâma (graha) the in-breathing.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.2

atha yasmādupāṃśurnāma | aṃśurvai nāma grahaḥ sa prajāpatistasyaiṣa prāṇastadyadasyaiṣa prāṇastasmādupāṃśurnāma

Now as to why it is called Upâmsu. There is a graha called Amsu, that is Pragâpati: his out-breathing is this (graha); and because it is his out-breathing, therefore it is called Upâmsu.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.3

tam bahiṣpavitrādgṛhṇāti | parāñcamevāsminnetatprāṇaṃ dadhāti so 'syāyam parāṅeva prāṇo nirardati tamaṃśubhiḥ pāvayati pūto 'saditi ṣaḍbhiḥ pāvayati ṣaḍvā ṛtava ṛtubhirevainametatpāvayati

This (graha) he draws without a strainer: whereby he puts the out-breathing into him as one tending away from him, and thus this forward-tending out-breathing of his streams forth from him. He purifies it with sprigs of Soma, thinking 'it shall be pure.' He purifies it with six (sprigs), for there are six seasons: it is by means of the seasons that he thus purifies it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.4

tadāhuḥ | yadāṃśubhirupāṃśu punāti sarve somāḥ pavitrapūtā atha kenāsyāṃśavaḥ pūtā bhavantīti

As to this they say, 'When he purifies the Upâmsu by means of sprigs, and all (other) Soma-draughts are purified by means of a strainer, whereby, then, do its sprigs become pure?'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.5

tānupanivapati | yatte somādābhyaṃ nāma jāgṛvi tasmai te soma somāya svāheti tadasya svāhākāreṇaivāṃśavaḥ pūtā bhavanti sarvaṃ vā eṣa grahaḥ sarveṣāṃ hi savanānāṃ rūpam

He throws them down again (on the unpressed plants) with (Vâg. S. VII, 2), 'What inviolable, quickening name is thine, to that Soma of thine, O Soma, be Hail!' Thus his sprigs become purified by means of the Svâhâ ('Hail!'). But this graha means everything, for it is the type of all the pressings.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.6

devā ha vai yajñaṃ tanvānāḥ | te 'surarakṣasebhya āsaṅgādbibhayāṃ cakruste hocuḥ saṃsthāpayāma yajñaṃ yadi no 'surarakṣakānyāsajeyuḥ saṃsthita eva no yajñaḥ syāditi

Now, once on a time, the gods, while performing sacrifice, were afraid of an attack from the Asura-Rakshas. They said, 'Let us completely establish the sacrifice: if the Asura-Rakshas should then attack us, our sacrifice will at least be completely established.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.7

te prātaḥsavana eva | sarvaṃ yajñaṃ samasthāpayannetasminneva grahe yajuṣṭaḥ prathame stotre sāmataḥ prathame śastra ṛktastena saṃsthitenaivāta ūrdhvaṃ yajñenācarantsa eṣo 'pyetarhi tathaiva yajñaḥ saṃtiṣṭhata etasminneva grahe yajuṣṭaḥ prathame stotre sāmataḥ prathame śastra ṛktastena saṃsthitenaivāta ūrdhvaṃ yajñena carati

Even at the morning Soma-feast they then completely established the entire sacrifice,--at this same (upâmsu) graha by means of the Yagus; at the first chant (stotra) by means of the Sâman; and at the first recitation (sastra) by means of the Rik: with that sacrifice thus completely established they subsequently worshipped. And in like manner does this sacrifice now become completely established,--by means of the Yagus at this same graha; by means of the Sâman at the first chant; and by means of the Rik at the first recitation; and with this sacrifice thus completely established he subsequently worships.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.8

sa vā aṣṭau kṛtvo 'bhiṣuṇoti | aṣṭākṣarā vai gāyatrī ghāyatram prātaḥ savanam prātaḥsavanamevaitatkriyate

He presses (the Soma) eight times; for of eight syllables consists the Gâyatrî, and the morning Soma-feast belongs to the Gâyatrî; thus this (first turn of pressing) is made to be the morning Soma-feast.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.9

sa gṛhṇāti | vācaspataye pavasveti prāṇo vai vācaspatiḥ prāṇa eṣa grahastasmādāha vācaspataye pavasveti vṛṣṇo aṃśubhyāṃ gabhastipūta iti somāṃśubhyāṃ hyenam pāvayati tasmādāha vṛṣṇo aṃśubhyāmiti gabhastipūta iti pāṇī vai gabhastī pāṇibhyāṃ hyenam pāvayati

He draws (the juice of the first turn of pressing into the cup) with (Vâg. S. VII, 1), 'Grow thou pure for Vâkaspati!' for Vâkaspati (lord of speech) is the out-breathing, and this (Upâmsu) graha is the out-breathing: hence he says, 'Grow thou pure for Vâkaspati!'--'purified by the hands with the sprigs of the bull;' for he purifies it with sprigs of Soma: hence he says, 'with the sprigs of the bull;' and 'purified by the hands (gabhasti-pûta),' he says; for--'gabhasti' being the same as 'pâni' (hand)--he indeed purifies it with his hands.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.10

athaikādaśa kṛtvo 'bhiṣuṇoti | ekādaśākṣarā vai triṣṭuptraiṣṭubham mādhyandinaṃ savanam mādhyandinamevaitatsavanaṃ kriyate

He then presses eleven times; for of eleven syllables consists the Trishtubh, and the midday Soma-feast belongs to the Trishtubh: thus this (second turn of pressing) is made to be the midday Soma-feast.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.11

sa gṛhṇāti | devo devebhyaḥ pavasveti devo hyeṣa devebhyaḥ pavate yeṣām bhāgo 'sīti teṣāmu hyeṣa bhāgaḥ

He draws (the juice into the cup) with, 'Grow thou pure, a god, for the gods--;' for he (Soma) is indeed a god, and for the gods he becomes pure;--'whose portion thou art;' for he indeed is their portion.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.12

atha dvādaśa kṛtvo 'bhiṣuṇoti | dvādaśākṣarā vai jagatī jāgataṃ tṛtīyasavanaṃ tṛtīyasavanamevaitatkriyate

He then presses twelve times; for of twelve syllables consists the Gagatî, and the evening Soma-feast belongs to the Gagatî: thus this (third turn of pressing) is made to be the evening Soma-feast.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.13

sa gṛhṇāti | madhumatīrna iṣaṣkṛdhīti rasamevāsminnetaddadhāti svadayatyevainametaddevebhyastasmādeṣa hato na pūyatyatha yajjuhoti saṃsthāpayatyevainametat

He draws (the juice) with, 'Make thou our draughts sweet!' whereby he imbues him (Soma) with sap, and renders him palatable for the gods: hence, when slain, he does not become putrid. And when he offers (that graha) he thereby completely establishes him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.14

aṣṭāvaṣṭau kṛtvaḥ | brahmavarcasakāmasyābhiṣuṇuyādityāhuraṣṭākṣarā vai gāyatrī brahma gāyatrī brahmavarcasī haiva bhavati

'For one desirous of spiritual lustre (brahmavarkasa) he should press eight times at each (turn),' so they say;--for of eight syllables consists the Gâyatrî, and the Gâyatrî is the Brahman: he indeed becomes endowed with spiritual lustre.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.15

taccaturviṃśatiṃ kṛtvo 'bhiṣutam bhavati | caturviṃśatirvai saṃvatsarasyārdhamāsāḥ saṃvatsaraḥ prajāpatiḥ prajāpatiryajñaḥ sa yāvāneva yajño yāvatyasya mātrā tāvantamevaitatsaṃ sthāpayati

Thus the pressing amounts to twenty-four times (of beating). Now there are twenty-four half-moons in the year; and Pragâpati (the lord of creatures) is the year, and the sacrifice is Pragâpati: thus as great as the sacrifice is, as great as is its measure, so great he thereby establishes it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.16

pañcapañca kṛtvaḥ | paśukāma syābhiṣuṇuyādityāhuḥ pāṅktā paśavaḥ paśūnhaivāvarunddhe pañca vā ṛtavaḥ saṃvatsarasya saṃvatsaraḥ prajāpatiḥ prajāpatiryajñaḥ sa yāvāneva yajño yāvatyasya mātrā tāvantamevaitatsaṃsthāpayati so eṣā mīmāṃsaivetaraṃ tveva kriyate

'For one desirous of cattle he should press five times at each (turn),' so they say;--the cattle (animal victims) consist of five parts: he indeed gains cattle; and there are five seasons in the year; and Pragâpati is the year, and the sacrifice is Pragâpati thus as great as the sacrifice is, as great as is its measure, so great he thereby establishes it. This, however, is mere speculation: it is the other (manner) which is practised.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.17

taṃ gṛhītvā parimārṣṭi | nedvyavaścotaditi taṃ na sādayati prāṇo hyasyaiṣa tasmādayamasannaḥ prāṇaḥ saṃcarati yadīttvabhicaredathainaṃ sādayedamuṣya tvā prāṇaṃ sādayāmīti tathāha tasminna punarasti yannānusṛjati teno adhvaryuśca yajamānaśca jyogjīvataḥ

Having drawn the graha, he wipes (the vessel) all round, lest any (Soma-juice) should trickle down. He does not deposit it; for this is his out-breathing, whence this out-breathing passes unceasingly. Should he, however, desire to exorcise, he may deposit it with, 'I put thee down, the out-breathing of N.N.!' Thus, forsooth, inasmuch as he (the Adhvaryu) does not quit his hold of it, it is not again in that (enemy); and thus both the Adhvaryu and the Sacrificer live long.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.18

atho apyevainaṃ dadhyāt | amuṣya tvā prāṇamapidadhāmīti tathāha tasminna punarasti yanna sādayati teno prāṇānna lobhayati

Or he may merely cover (the vessel by his hand) with, 'I shut thee off, the out-breathing of N.N.!' Thus, forsooth, inasmuch as he does not deposit it, it is not again in that enemy; and thus he does not disorder the vital airs.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.19

sa vā antareva santsvāheti karoti | devā ha vai bibhayāṃ cakruryadvai naḥ puraivāsya grahasya homādasurarakṣasānīmaṃ grahaṃ na hanyuriti tamantareva santaḥ svāhākāreṇājuhavustaṃ hutameva santamagnāvajuhavustatho evainameṣa etadantareva santsvāhākāreṇa juhoti taṃ hutameva santamagnau juhoti

While he is still inside (the Havirdhâna) he utters 'Hail!' For the gods were afraid lest the Asura-Rakshas should destroy what part of this graha was previous to the offering. They offered it (symbolically) by means of the Svâhâ, while they were still inside (the cart-shed), and what was thus offered they afterwards offered up in the fire. And in like manner does he now offer it up by means of the Svâhâ, while he is still inside, and what has thus been offered he afterwards offers up in the fire.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.20

athopaniṣkrāmati | urvantarikṣamanvemītyantarikṣaṃ vā anu rakṣaścaratyamūlamubhayataḥ paricinnaṃ yathāyam puruṣo 'mūla ubhayataḥ paricinno 'ntarikṣamanucaratyetadvai yajurbrahma rakṣohā sa etena brahmaṇāntarikṣamabhayamanāṣṭraṃ kurute

He then walks out (of the Havirdhâna) with, 'I walk along the wide air.' For along the air the Rakshas roams rootless and unfettered on both sides, even as man here roams along the air, rootless and unfettered on both sides; and, that formula being the Brahman (prayer), a slayer of the Rakshas, he, by means of that Brahman, renders the air free from danger and injury.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.21

atha varaṃ vṛṇīte | balavaddha vai devā etasya grahasya homam prepsanti te 'smā etaṃ varaṃ samardhayanti kṣipre na imaṃ grahaṃ juhavaditi tasmādvaraṃ vṛṇīte

Thereupon he (the Sacrificer) asks a boon. For the gods, forsooth, greatly desire to obtain the offering of that graha, and they grant to him that boon, in order that he may forthwith offer that graha to them: this is why he asks a boon.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.22

sa juhoti | svāṃkṛto 'sīti prāṇo vā asyaiṣa grahaḥ sa svayameva kṛtaḥ svayaṃ jātastasmādāha svāṃkṛto 'sīti viśvebhya indriyebhyo divyebhyaḥ pārthivebhya iti sarvābhyo hyeṣa prajābhyaḥ svayaṃ jāto manastvāṣṭviti prajāpatirvai manaḥ prajāpatiṣṭvāśnutāmityevaitadāha svāhā tvā subhava sūryāyeti tadavaraṃ svāhākāraṃ karoti parāṃ devatām

He (the Adhvaryu) offers with (Vâg. S. VII, 3), 'Self-made thou art,' for, this graha being his (Yagña's) out-breathing, it is indeed made by itself, born of itself: hence he says, 'Self-made thou art;'--'for all powers, divine and earthly,'--for it is born of itself for all creatures;--'May the mind obtain thee!'--the mind being Pragâpati, he thereby means to say, 'may Pragâpati obtain thee!' 'Hail! thee, O well-born, for Sûrya!' thus he utters the second (or inferior) 'Hail!' with regard to a subsequent (or higher; the highest) deity.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.23

amuṣminvā etamahauṣīt | ya eṣa tapati sarvaṃ vā eṣa tadenaṃ sarvasyaiva parārdhyaṃ karotyatha yadavarāṃ devatāṃ kuryātparaṃ svāhākāraṃ syādu haivāmuṣmādādityātparaṃ tasmādavaraṃ svāhākāraṃ karoti parāṃ devatām

Now it is in him that burns yonder (the sun) that he has just offered that (libation); and the latter is the All: hence he makes that (sun) the highest of the All. But were he to utter the second (or higher) 'Hail!' with regard to a preceding (or lower) deity, then it would be even higher than yonder sun: therefore he utters the second 'Hail!' with regard to a subsequent deity.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.24

atha hutvordhvaṃ grahamunmārṣṭi | parāñcamevāsminnetatprāṇaṃ dadhātyathottānena pāṇinā madhyame paridhau prāgupamārṣṭi parāñcamevāsminnetatprāṇaṃ dadhāti devebhyastvā marīcipebhya iti

And, having offered, he wipes the (vessel of the) graha upwards; whereby he puts that out-breathing into him as one tending away from him. Thereupon he rubs (the wiped-off Soma) upon the middle enclosing stick from west to east with the palm of his hand turned upwards --whereby he puts that out-breathing into him as one tending away from him--with, 'Thee to the gods sipping motes of light!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.25

amuṣminvā etam maṇḍale 'hauṣīt | ya eṣa tapati tasya ye raśmayaste devā marīcipāstānevaitatprīṇāti ta enaṃ devāḥ prītāḥ svargaṃ lokamabhivahanti

For in that orb which burns yonder he has just offered this (libation), and those rays thereof are the gods sipping motes of light: it is these he thereby gratifies; and thus gratified those gods convey him to the heavenly world.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.26

tasya vā etasya grahasya | nānuvākyāsti na yājyā tam mantreṇa juhotyeteno hāsyaiṣo 'nuvākyavānbhavatyetena yājyavānatha yadyabhicaredyo 'syāṃśurāśliṣṭaḥ syādbāhvorvorasi vā vāsasi vā taṃ juhuyāddevāṃśo yasmai tveḍe tatsatyamupariprutā bhaṅgena hato 'sau phaḍiti yathā ha vai hanyamānānāmapadhāvedevameṣo 'bhiṣūyamāṇānāṃ skandati tathā ha tasya naiva dhāvannāpadhāvatpariśiṣyate yasmā evaṃ karoti taṃ sādayati prāṇāya tveti prāṇo hyasyaiṣaḥ

For this same graha there is neither an invitatory prayer nor an offering prayer: he offers it with a (Yagus) formula, and thereby it becomes for him supplied with both an invitatory and an offering prayer. And if he desire to exorcise, let him offer some spray (of Soma) which may adhere either to his arm, or to his breast, or to his garment, with, 'O divine plant, let that be true wherefore I pray thee: let N.N. be struck down by destruction falling from above, crash!' Even as one of (enemies) that are being slain might escape, so does this (sprig) fly away from those that are being pressed: thus nothing (hostile)--either running thither or running away --remains to him for whom he performs this. He deposits that (cup) with, 'Thee for the out-breathing!' for this (graha) indeed is his out-breathing.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.27

dakṣiṇārdhe haike sādayanti | etāṃ hyeṣa diśamanu saṃcaratīti tadu tathā na kuryāduttarārdha evainaṃ sādayenno hyetasyā āhuteḥ kā cana parāsti taṃ sādayati prāṇāya tveti prāṇo hyasyaiṣaḥ

Now some deposit it on the south part (of the khara), for, they say, it is in that direction that yonder (sun) moves. Let him, however, not do this, but let him deposit it on the north (uttara) part (of the khara), because there is not any higher (uttara) graha than this. He deposits it with, 'Thee for the out-breathing!' for this (graha) is indeed his out-breathing.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.1.28

athopāṃśusavanamādatte | taṃ na daśābhirna vivitreṇopaspṛśati yathā hyadbhiḥ praṇiktamevaṃ tadyadyaṃśurāśliṣṭaḥ syātpāṇinaiva pradhvaṃsyodañcamupanipādayedvyānāya tveti vyāno hyasyaiṣaḥ

He then takes the Upâmsu-savana (pressing-stone). He neither touches it with the fringe nor with the straining-cloth, for that would be like rinsing it in water. If there be any spray adhering to it, let him remove it with his hand, and then lay down (the stone) beside (the Upâmsu cup), with the face towards the north, with, 'Thee for the through-breathing!' for this (stone) is indeed his (Yagña's) through-breathing.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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