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Śatapatha Brāhmaṇa ("of a hundred paths") 4.1.2

Śatapathabrāhmaṇa 4.1.2

Language
Sanskrit

4.1.2.1

prāṇo ha vā asyopāṃśu | vyāna upāṃśusavana udāna evāntaryāmaḥ

The Upâmsu (graha), forsooth, is his out-breathing, the Upâmsu-savana (stone) his through-breathing, and the Antaryâma (graha) his in-breathing.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.2

atha yasmādantaryāmo nāma | yo vai prāṇaḥ sa udānaḥ sa vyānastamevāsminnetatparāñcam prāṇaṃ dadhāti yadupāṃśu gṛhṇāti tamevāsminnetatpratyañcamudānaṃ dadhāti yadantaryāmaṃ gṛhṇāti so 'syāyamudāno 'ntarātmanyatastadyadasyaiṣo 'ntarātmanyato yadvainenemāḥ prajā yatāstasmādantaryāmo nāma

Now as to why it is called Antaryâma. That which is the out-breathing is also the in-breathing and the through-breathing. Now, in drawing the Upâmsu (graha), he puts into him that out-breathing which tends away from him; and in drawing the Antaryâma, he puts into him that in-breathing which tends towards him. But this same in-breathing is confined within his self; and because it is confined (yam) within (antar) his self, or because these creatures are sustained (yam) by it, therefore it is called Antaryâma.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.3

tamantaḥpavitrādgṛhṇāti | pratyañcamevāsminnetadudānaṃ dadhāti so 'syāyamudāno 'ntarātmanhita eteno hāsyāpyupāṃśurantaḥpavitrādgṛhīto bhavati samānaṃ hyetadyadupāṃśvantaryāmau prāṇodānau hyeteno haivāsyaiṣo 'pītareṣu graheṣvanākṣidbhavati

He draws it from inside the strainer, whereby he puts that in-breathing into him as one tending towards him, and that in-breathing of his is placed (or beneficial) within his self. And thereby also that Upâmsu (libation) of his comes to be drawn from inside the strainer (i.e. from the pure Soma), for one and the same are the Upâmsu and Antaryâma, since they are the out-breathing and in-breathing. And thereby, moreover, that (vital air) of his comes to be unceasing also at the other grahas.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.4

atha yasmātsomam pavitreṇa pāvayati | yatra vai somaḥ svam purohitam bṛhaspatiṃ jijyau tasmai punardadau tena saṃśaśāma tasminpunardaduṣyāsaivātiśiṣṭameno yadīnnūnam brahma jyānāyābhidadhyau

Now as to why he purifies the Soma by means of a strainer (pavitra). When Soma had oppressed his own family-priest Brihaspati, he restored to him (his property); and on his restoring it, he (Brihaspati) became reconciled to him. Still there was guilt remaining, if only for having contemplated oppressing the priesthood.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.5

taṃ devāḥ pavitreṇāpāvayan | sa medhyaḥ pūto devānāṃ havirabhavattatho evainameṣa etatpavitreṇa pāvayati sa medhyaḥ pūto devānāṃ havirbhavati

The gods purified him by some means of purification (or a strainer, pavitra), and, being cleansed and pure, he became the (sacrificial) food of the gods. And in like manner does he now purify him by means of that strainer, and, being cleansed and pure, he becomes the food of the gods.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.6

tadyadupayāmena grahā gṛhyante | iyaṃ vā aditistasyā adaḥ prāyaṇīyaṃ havirasāvādityaścarustadvai tatpureva sutyāyai sā heyaṃ deveṣu sutyāyāmapitvamīṣe 'stveva me 'pi prasute bhāga iti

Then as to why the grahas are drawn with the Upayâma. Now Aditi is this (earth), and hers was that prâyanîya oblation, that Âditya rice-pap. But that was, as it were, previous to the Soma feast: she desired to have a share along with the gods in the Soma feast, and said, 'Let there be for me also a share of the pressed Soma!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.7

te ha devā ūcuḥ | vyādiṣṭo 'yaṃ devatābhyo yajñastvayaiva grahā gṛhyantāṃ devatābhyo hūyantāmiti tatheti so 'syā eṣa prasute bhāgaḥ

The gods said, 'This sacrifice has already been distributed among the deities: by means of thee the grahas shall be taken and offered to the deities!'-- 'So be it!' This, then, is her share of the pressed Soma.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.8

tadyadupayāmena grahā gṛhyante | iyaṃ vā upayāma iyaṃ vā idamannādyamupayacati paśubhyo manuṣyebhyo vanaspatibhya ito vā ūrdhvā devā divi hi devāḥ

And, again, why the grahas are drawn with the Upayâma. The Upayâma indeed is this (earth), since it is this (earth) that bears (upa-yam) food here for cattle and men and trees; and the gods are above this, for the gods are in heaven.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.9

tadyadupayāmena grahā gṛhyante | anayaiva tadgṛhyante 'tha yadyonau sādayatīyaṃ vā asya sarvasya yonirasyai vā imāḥ prajāḥ prajātāḥ

The reason, then, why the grahas are drawn with the Upayâma, is that they are drawn by means of this (earth); and why he deposits them in the womb, is that this earth is the womb of everything, that it is from her that these creatures have sprung.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.10

taṃ vā etam | reto bhūtaṃ somamṛtvijo bibhrati yadvā ayonau retaḥ sicyate pra vai tanmīyate 'tha yadyonau sādayatyasyāmeva tatsādayati

That same Soma the priests carry about as seed. And seed which is cast outside the womb is lost; but that which he deposits in the womb is indeed deposited in this earth.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.11

prāṇodānau ha vā asyaitau grahau | tayorudite 'nyataraṃ juhotyanudite 'nyataram prāṇodānayorvyākṛtyai prāṇodānāvevaitadvyākaroti tasmādetau samānāveva santau nānevācakṣate prāṇa iti codāna iti ca

Now these two grahas are his out-breathing and in-breathing; one of them he offers after sunrise and the other before sunrise, in order to keep the out-breathing and in-breathing distinct from each other. He thus keeps the out-breathing and in-breathing distinct from each other: hence these two, even while being one and the same, are yet called differently 'out-breathing' and 'in-breathing.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.12

ahorātre ha vā asyaitau grahau | tayorudite 'nyataraṃ juhotyanudite 'nyataramahorātrayorvyākṛtyā ahorātre evaitadvyākaroti

Now those two grahas are for him day and night; one of them he offers after sunrise and the other before sunrise, in order to keep day and night distinct from each other: he thus keeps day and night distinct. from each other.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.13

ahaḥ santamupāśum | taṃ rātrau juhotyaharevaitadrātrau dadhāti tasmādapi sutamiśrāyāmupaiva kiṃcitkhyāyate

The Upâmsu, being the day, he offers in the night; and thus he puts the day into the night: whence even in the deepest darkness one distinguishes something.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.14

rātriṃ santamantaryāmam | tamudite juhoti rātrimevaitadahandadhāti teno hāsāvāditya udyannevemāḥ prajā na pradahati tenemāḥ prajāstrātāḥ

The Antaryâma, being the night, he offers after sunrise, and thus he puts the night into the day: whence that sun, on rising, does not burn up these creatures; whence these creatures are preserved.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.15

athāto gṛhṇātyeva | upayāmagṛhīto 'sītyukta upayāmasya bandhurantaryaca maghavanpāhi somamitīndro vai maghavānindro yajñasya netā tasmādāha maghavanniti pāhi somamiti gopāya somamityevaitadāhoruṣya rāya eṣo yajasveti paśavo vai rāyo gopāya paśūnityevaitadāheṣo yajasveti prajā vā iṣastā evaitadyāyajūkāḥ karoti tā imāḥ prajā yajamānā arcantyaḥ śrāmyantyaścaranti

He draws (the Antaryâma graha) therefrom with (Vâg. S. VII, 4), 'Thou art taken with a support!'--The significance of the Upayâma has been told.--'Restrain thou, O mighty (Indra), guard Soma!' the mighty, forsooth, is Indra; and Indra is the leader of the sacrifice: wherefore he says 'O mighty!' and by 'guard Soma' he means to say 'protect Soma!' 'Preserve the riches! gain thee food in the sacrifice!'--riches mean cattle: 'Protect the cattle' he thereby means to say. 'Gain thee food in the sacrifice!'--food means creatures: he thus makes these eager to sacrifice, and these creatures go on sacrificing and praising and toiling.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.16

antaste dyāvāpṛthivī dadhāmi | antardadhāmyurvantarikṣam sajūrdevebhiravaraiḥ paraiśceti tadenaṃ vaiśvadevaṃ karoti tadyadenenemāḥ prajāḥ prāṇatyaścodanatyaścāntarikṣamanucaranti tena vaiśvadevo 'ntaryāme maghavanmādayasvetīndro vai maghavānindro yajñasya netā tasmādāha maghavannityatha yadantarantariti gṛhṇātyantastvātmandadha ityevaitadāha

'Into thee I lay day and night; into thee I lay the wide air: allied with the gods, the lower and the higher,'--thereby he makes this (graha) one belonging to all the gods: because by means of it these creatures move about in the air breathing out and breathing in, therefore it belongs to all the gods.--'Delight thyself in the Antaryâma, O mighty one!' the mighty one is Indra, and Indra is the leader of the sacrifice, wherefore he says 'O mighty one!' and in that he draws it with 'into--into,' thereby he means to say 'I lay thee into his (Indra's) self.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.17

taṃ gṛhītvā parimārṣṭi | nedvyavaścotaditi taṃ na sādayatyudāno hyasyaiṣa tasmādayamasanna udānaḥ saṃcarati yadīttvabhicaredathainaṃ sādayedamuṣya tvodānaṃ sādayāmīti

Having drawn it, he wipes (the vessel) all round, lest (any Soma-juice) should trickle down. He does not deposit it; for this is the in-breathing: hence this in-breathing passes unceasingly. But should he desire to exorcise, let him deposit it with 'I put thee down, the in-breathing of N.N.!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.18

sa yadyupāṃśuṃ sādayet | athainaṃ sādayedyadyupāṃśuṃ na sādayennainaṃ sādayedyadyupāṃśumapidadhyādapyenaṃ dadhyādyadyupāṃśu nāpidadhyānnainamapidadhyādyathopāṃśoḥ karma tathaitasya samānaṃ hyetadyadupāṃśvantaryāmau prāṇodānau hi

If he deposits the Upâmsu, let him also deposit this (Antaryâma cup); and if he does not deposit the Upâmsu, let him also not deposit this. And if he covers the Upâmsu (with his hand), let him also cover this; and if he does not cover the Upâmsu, let him also not cover this: as the performance regarding the Upâmsu, so regarding this (graha); for one and the same are these two, the Upâmsu and Antaryâma, since they are the out-breathing and in-breathing.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.19

tā u ha carakāḥ | nānaiva mantrābhyāṃ juhvati prāṇodānau vā asyaitau nānāvīryau prāṇodānau kurma iti vadantastadu tathā na kuryānmohayanti ha te yajamānasya prāṇodānāvapīdvā enaṃ tūṣṇīṃ juhuyāt

Now the Karakas, forsooth, offer these two (libations) with two different formulas, saying, 'These two are his out-breathing and in-breathing: we make the out-breathing and in-breathing of varied vigour.' But let him not do this, for they disorder the sacrificer's out-breathing and in-breathing. Now, one might also offer this one silently:--

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.20

sa yadvā upāṃśu mantreṇa juhoti | tadevāsyaiṣo 'pi mantreṇa huto bhavati kimu tattūṣṇīṃ juhuyātsamānaṃ hyetadyadupāṃśvantaryāmau prāṇodānau hi

But, as he offers the Upâmsu with a formula, even thereby this (libation) also comes to be offered with a formula. How then could one offer it silently, for these two, the Upâmsu and Antaryâma, are one and the same, since they are the out-breathing and in-breathing?

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.21

sa yenaivopāṃśum mantreṇa juhoti | tenaivaitam mantreṇa juhoti svāṃkṛto 'si viśvebhya indriyebhyo divyebhyaḥ pārthivebhyo manastvāṣṭu svāhā subhava sūryāyetyukto yajuṣo bandhuḥ

With the very same formula with which he offers the Upâmsu, he offers this (libation),--'Self-made thou art: for all powers divine and earthly: may the mind obtain thee! Hail!--thee, O well-born, for Sûrya!' The significance of this formula has been told.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.22

atha hutvāvāñcaṃ grahamavamārṣṭi | idaṃ vā upāṃśuṃ hutvordhvamunmārṣṭyathātrāvāñcamavamārṣṭi pratyañcamevāsminnetadudānaṃ dadhāti

And, having offered, he wipes the cup clean downwards. For even now, after offering the Upâmsu, he wiped (the cup) upwards; but here he wipes it downwards; whereby he puts the in-breathing into him as one tending towards him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.23

atha nīcā pāṇinā | madhyame paridhau pratyagupamārṣṭīdaṃ vā upāṃśu hutvottānena pāṇinā madhyame paridhau prāgupamārṣṭyathātra nīcā pāṇinā madhyame paridhau pratyagupamārṣṭi pratyañcamevāsminnetadudānaṃ dadhāti devebhyastvā marīcipebhya iti so 'sāveva bandhuḥ

He then rubs (the wiped-off Soma) upon the middle enclosing stick from east to west with the palm of his hand turned downwards. For even now, after offering the Upâmsu, he rubbed it upon the middle enclosing stick from west to east with the palm of his hand turned upwards; but here he does so from east to west with the palm of his hand turned downwards--whereby he puts the in-breathing into him as one tending towards him--with, 'Thee for the gods sipping motes of light!' The significance is the same as before.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.24

tam pratyākramya sādayati | udānāya tvetyudāno hyasyaiṣa tāni vai saṃspṛṣṭāni sādayati prāṇodānāvevaitatsaṃsparśayati prāṇodānāntsaṃdadhāti

Having returned (to the cart-shed), he deposits that (cup) with, 'Thee for the in-breathing!' for this is indeed his in-breathing. He deposits them so as to touch one another; whereby he makes out-breathing and in-breathing touch one another, joins the out-breathings and in-breathings together.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.25

tāni vā aniṅgyamānāni śere | ā tṛtīyasavanāttasmādime manuṣyāḥ svapanti tāni punastṛtīyasavane prajujyante tasmādime manuṣyāḥ suptvā prabudhyante te 'niśitāścarācarā yajñasyaivaitadvidhāmanu vaya iva ha vai yajño vidhīyate tasyopāṃśvantaryāmāveva pakṣāvātmopāṃśusavanaḥ

Now these (cups and stone) repose without being moved until the evening Soma feast, whence men sleep here on earth; and at the evening Soma feast they are used again, whence these men, having slept, awake and are bustling and restless;--this, forsooth, is after the manner of the sacrifice, for the sacrifice is fashioned like a bird: the Upâmsu and Antaryâma (grahas) are its wings, and the Upâmsusavana (stone) its body.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.26

tāni vā aniṅgyamānāni śere | ā tṛtīyasavanāttāyate yajña eti vai tadyattāyate tasmādimāni vayāṃsi vigṛhya pakṣāvanāyuvānāni patanti tāni punastṛtīyasavane prayujyante tasmādimāni vayāṃsi samāsam pakṣāvāyuvānāni patanti yajñasyaivaitadvidhāmanu

They repose without being moved until the evening Soma feast. The sacrifice is spread along; but what is spread along moves, whence those birds fly spreading their wings, not drawing them in. At the evening Soma feast they are again used; whence these birds fly drawing in their wings to fold them: this indeed is after the manner of the sacrifice.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.1.2.27

iyaṃ ha vā upāṃśuḥ | prāṇo hyupāṃśurimāṃ hyeva prāṇannabhiprāṇityasāvevāntaryāma udāno hyantaryāmo 'muṃ hyeva lokamudanannabhyudanityantarikṣamevopāṃśusavano vyāno hyupāṃśusavano 'ntarikṣaṃ hyeva vyanannabhivyaniti

The Upâmsu, forsooth, is this (earth), for the Upâmsu is the out-breathing, and breathing out one breathes upon this (earth). And the Antaryâma is yonder (sky), for the Upâmsu is the in-breathing (up-breathing), and in breathing up one breathes towards yonder world. And the Upâmsu-savana (stone) is the air, for the Upâmsu-savana is the through-breathing, and he who breathes through (in and out), breathes through this air.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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