Chāndogya Upaniṣad 1.6
Chāndogyopaniṣad 1.6
- Language
- Sanskrit
1.6.1
iyam evark \
agniḥ sāma \
tad etad etasyām ṛcy adhyūḍhaṃ sāma \
tasmād ṛcy adhyūḍhaṃ sāma gīyate \
iyam eva sā \
agnir amaḥ \
tat sāma \\106.1\
1. The Ṛic is this [earth]; the Sāman is fire. This Sāman rests upon that Ṛic. Therefore the Sāman is sung as resting upon the Ṛic. *sā* is this [earth]; *ama* is fire. That makes *sāma*.
1.6.2
antarikṣam evark \
vāyuḥ sāma \
tad etad etasyām ṛcy adhyūḍhaṃ sāma \
tasmād ṛcy adhyūḍhaṃ sāma gīyate \
antarikṣam eva sā \
vāyur amaḥ \
tat sāma \\106.2\
2. The Ṛic is the atmosphere; the Sāman is the wind. This Sāman rests upon that Ṛic. Therefore the Sāman is sung as resting upon the Ṛic. *sā* is the atmosphere; *ama* is the wind. That makes *sāma*.
1.6.3
dyaur evark \
ādityaḥ sāma \
tad etad etasyām ṛcy adhyūḍhaṃ sāma \
tasmād ṛcy adhyūḍhaṃ sāma gīyate \
dyaur eva sā \
ādityo 'maḥ \
tat sāma \\106.3\
3. The Ṛic is heaven; the Sāman is the sun. This Sāman rests upon that Ṛic. Therefore the Sāman is sung as resting upon the Ṛic. *sā* is heaven; *ama* is the sun. That makes *sāma*.
1.6.4
nakṣatrāny evark \
candramāḥ sāma \
tad etad etasyām ṛcy adhyūḍhaṃ sāma \
tasmād ṛcy adhyūḍhaṃ sāma gīyate \
nakṣatrāṇy eva sā \
candramā amaḥ \
tat sāma \\106.4\
4. The Ṛic is the lunar mansions; the Sāman is the moon. This Sāman rests upon that Ṛic. Therefore the Sāman is sung as resting upon the Ṛic. *sā* is the lunar mansions; *ama* is the moon. That makes *sāma*.
1.6.5
atha yad etad ādityasya śuklaṃ bhāḥ saivark \
atha yan nīlaṃ paraḥkṛṣṇaṃ tat sāma \
tad etad etasyām ṛcy adhyūḍhaṃ sāma \
tasmad ṛcy adhyūḍhaṃ sāma gīyate \\106.5\
5. Now, the Ṛic is the white shining of the sun; the Sāman is the dark, the ultra-black. This Sāman rests upon that Ṛic. Therefore the Sāman is sung as resting upon the Ṛic.
1.6.6
atha yad evaitad ādityasya śuklaṃ bhāḥ saiva sā \
atha yan nīlaṃ paraḥkṛṣṇaṃ tad amaḥ \
tat sāma \
atha ya eṣo antarāditye hiraṇmayaḥ puruṣo dṛśyate hiraṇyaśmaśrur hiraṇyakeśa ā (S ) sarva eva suvarnaḥ \\106.6\
6. Now, *sā* is the white shining of the sun; *ama* is the dark, the ultra-black. That makes *sāma*.
Now, that golden Person who is seen within the sun has a golden beard and golden hair. He is exceedingly brilliant, all, even to the finger-nail tips.
1.6.7
tasya yathā kapyāsaṃ puṇḍarīkam evam akṣiṇī \
tasyod iti nāma \
sa eṣa sarvebhyaḥ pāpmabhya uditaḥ \
udeti ha vai sarvebhyaḥ pāpmabhyo ya evaṃ veda \\106.7\
7. His eyes are even as a Kapyāsa lotus-flower. His name is High (*ud*). He is raised high above all evils. Verily, he who knows this rises high above all evils.
1.6.8
tasyark ca sāma ca geṣṇau \
tasmād udgīthaḥ \
tasmāt tv eva udgātā \
etasya hi gātā \
sa eṣa ye cāmuṣmāt parāñco lokās teṣāṃ ceṣṭa devakāmānāṃ ca \
ity adhi(S ) \\106.8\
8. His songs (*gēṣṇau*) are the Ṛic and the Sāman. Therefore [they are called] the Udgītha. Therefore also the Udgātṛi priest [is so called], for he is the singer (*gātṛ*) of this [High (*ud*)]. He is lord of the worlds which are beyond yonder sun, and also of the gods' desires. —Thus with reference to the divinities.
Translations (2)
- The Thirteen Principal Upanishads — Robert Ernest Hume 1921, English
- The Upanishads, Part I (SBE 1) — Friedrich Max Müller 1879, English
Commentaries (7)
- Chāndogyopaniṣadbhāṣya — Śaṅkara, Sanskrit
- Padapāṭha (sandhi-resolved text, TITUS) — Sanskrit
- Chāndogyaprakāśikā (Raṅgarāmānuja) — Raṅgarāmānuja Muni 1500, Sanskrit
- Bhāṣya of Śiva Śaṃkara Kāvyatīrtha — Śiva Śaṃkara Kāvyatīrtha, Sanskrit
- Khaṇḍārtha — Rāghavendra Tīrtha 1615, Sanskrit
- Chāndogyabhāṣya (Madhva) — Madhva, Sanskrit
- Commentary of Upaniṣadbrahmayogin — Upaniṣadbrahmayogin 1700, Sanskrit
Linked texts (20)
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- Altindische Grammatik — Jacob Wackernagel & Albert Debrunner, German
- The Philosophy of the Upanishads — Paul Deussen & A. S. Geden, English
- A History of Indian Philosophy — Surendranath Dasgupta, English
- The System of the Vedânta according to Bâdarâyana's Brahma-Sûtras and Çankara's Commentary — Paul Deussen & Charles Johnston, English
- History of Dharmaśāstra (Ancient and Mediaeval Religious and Civil Law in India) — P. V. Kane, English
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- Studies in the Origins of Buddhism — Govind Chandra Pande, English
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- Aṣṭāviṃśatyupaniṣad — Sanskrit
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- Different Upaniṣads — Sanskrit
- A Constructive Survey of Upanishadic Philosophy — R. D. Ranade, English
- Chāndogyopaniṣatkhaṇḍārtha — Sanskrit
- Chāndogyopaniṣad C — Rāmānuja Yatirāj, Sanskrit