Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c13.s2.3
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c13.s2.3
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v2.c13.s2.3
The plan of the city of Ayodhyā is strikingly similar to the town-plan given in the *Mānasāra* and other architectural treatises.¹ “The temples (*devāyatana*) in this city (Ayodhyā) were as resplendent as the sky. Its assembly-halls, gardens, and alms-houses (*prapā*) were most elegant; and everywhere were arranged extensive buildings crowded with men and women........... The houses were as mines of gems, and the abodes of the goddess of fortune. The steeples (*śikhara*) of the houses were as resplendent as the crests of mountains and bore hundreds of pavilions (*vimāna*) like the celestial palace of the chief among the Devas. The rooms were full of riches and corn, exquisitely gilt and decorated, and seemed as charming as pictures; and they were so arranged that men could pass from one room to another without perceiving any inequality (in the floor).” ²