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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c14.s33.3

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c14.s33.3

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v2.c14.s33.3

The various ornaments of arches are then described in detail. The top of the *toraṇa* should be decorated with figures of the heavenly musicians, Tumburu and Nārada, while *makaras* (crocodiles) are placed at the sides. The arch is supported by leogryphs (*vyāli*) which are placed on both sides of the pillars. For the rest the *patra-toraṇa*, as the name indicates, is mainly adorned with foliated ornament the *pushpa-toraṇa* with flowers, and the *ratna toraṇa* with jewels. Among the other decorative devices mentioned we find the effigies of different classes of semi-divine beings, such as *yakshas*, *vidyādharas*, *kinnaras* and *kinnarīs*. At the end of the chapter it is said that arches may also be made without any ornamentation (*chitra-hīna*).