Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c14.s58.12
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c14.s58.12
- Language
- English
v2.c14.s58.12
Sculpture is said to be the hand-maid of architecture. This statement, in its restricted sense, is however appropriate only to religious architecture, that is, temple-building. But in a treatise which is concerned with all sorts of buildings—religious, residential, military—undue space and preference for sculpture have been economically avoided in the *Mayamata*. In this treatise, as has already been pointed out, sculpture dealing with the Phallus, Pīṭha, images and minor matters, is described in four chapters, while in the *Mānasāra* nearly two-thirds of the whole book, comprising twenty chapters, is given to these subjects; and in the *Aṁśumad-bheda* of Kāśyapa to be discussed presently, which is avowedly a sculptural treatise, nearly half the space, comprising chapters 46 to 84, is devoted to matters of sculptural detail.
Linked texts (1)
- Kāśyapaśilpa — Sanskrit