Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c14.s60.24
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v2.c14.s60.24
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¹ In Rājā Dr. Rājendralāla Mitra's "Notices of sanskrit Mss." (Vol. II, no 731, p. 142). Of the other version, Viśvakarmiya Śilpa-Śāstra, the Madras Ms noted above, which was copied by Niṭla Sūrappa on Saturday, the 5th day of the bright fortnight of the Aśvija month in the year Jaya, contains a statement referring to Viśvakarmā's debt to Brahmā, Indra, Maya, Bhārgava, Aṅgirasa, Dhruva, Gautama, Gārgeya, Manu, Vyāsa, and Bhṛigu. Agastya is also referred to. It is stated to have been founded on the revelation of Viśvakarman and traced back successively to Bṛihadratha, Parāśara and Śambhu. In the Mānasāra the origin of the science is attributed to Śiva, Brahmā and Vishṇu, and through Indra, Bṛihaspati, Nārada and others it was revealed to Mānasāra; Viśvakarman, Maya, Tvashtar, and Manu represent the heavenly architects, and Sthapati, Sūtragrāhin, Vardhaki and Takshaka form the guild of modern architects; but there are thiry-two other architectural authorities mentioned in the Mānasāra.