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Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c30.s4.56

Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c30.s4.56

Language
English

v4.c30.s4.56

78-83. The images of Yakshas, Vidyādharas, and others, of Gaṇas Bhūtas, Rākshas, and others, of Kārtikeya, who had from his birth seven mothers consisting of Rohiṇī and other ladies, and of the goddesses of Viśvakarmā and others, of Agastya and others, and of Nārada and others who were the chanters of the Vedas, and of the Salokya and other (classes of) devotees with their characteristic features stated before, of the innumerable gods represented by thirty-three beginning with those of Brahmā and all others should be made in all the regions, (namely), the base of the edifice, its (different) storeys and at the top, all over.

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