Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c30.s8.316
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v4.c30.s8.316
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v4.c30.s8.316
172-174. The same (throne) with this difference that the projection of the circle within the cavetto (*vapra*) should be two parts, and the rest of the paintings should be (painted) as before, is known as the *Śrībandha* (throne): this is fit for the kings, the *Pārshṇika* and the *Paṭṭadhara*, for the purposes (i.e., four stages of coronation) mentioned before².