Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c39.185

v6.c39.185

So far as the main list is concerned, it should be noticed, only the last twenty may be considered as exclusively feminine arts, the others from vocal music down to physical exercise being equally practised both by males and females. Even cookery, which includes the scientific preparation of all kinds of dishes and beverages, is a proper subject for the theoretical and practical study for man and woman alike. In fact, dietary is a section of the medical science. Another fact to which attention should be drawn is that barely one-fourth of the whole list can be called fine arts, which are meant only for mere culture or amusement, while others are really useful and productive arts both materially and culturally. This point is beautifully illustrated by Vātsyāyana in his *Kāma-sūtra*: ‘Even an ordinary dancing girl possessing beauty and youth when trained in these arts rises to the status of a courtesan, is welcomed in respectable society, and is respected by kings and learned people. She becomes an object of notice and is desired by everybody. As regards princesses and daughters of high officials, they can keep captivated their husbands possessing a thousand other wives. And when they become widows and deprived of their wealth they can honourably earn their livelihood even in another country. A man who is a skilful artist can command a hearing and proves a pleasant companion everywhere. Even being a stranger he can captivate the heart of young ladies in no time. Prosperity follows him in all places and at all times.’¹