Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c41.s15.36
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c41.s15.36
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v6.c41.s15.36
‘Of some of these structures many examples would be found in the same enclosure. Thus in the Vāt Jai at Sukhodaya, the most important temple illustrated by Fournereau, there was one great *phra-chedi* and its annexes, two *bots*, six *vihāns*, three *kamburiens*, one *maṇḍapa*, ten small pavilions, five *phra-prang*, and over a hundred *phra-chedi*, most of these being erected by private persons as funeral monuments and memorials—altogether nearly two hundred structures.’²