Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c41.s22.6
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c41.s22.6
- Language
- English
v6.c41.s22.6
During the sovereignty of this unnamed prince and his two immediate successors, ‘the country advanced in fame and prosperity. The city of Mendang Kamulan, since called Prambānan, increased in size and splendour; artists, particularly in stone and metals arrived from distant countries, and temples, the ruins of which are still extant, were constructed both at this place and at Boro-Budur, in Kedu, during this period by artists invited from India.’¹