Manasara Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Manasara-Shilpashastra; III. Manasara on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Manasara: Translation; V. Architecture of Manasara: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c41.s25.259
Mānasāra Series (I. A Dictionary of Hindu Architecture; II. Indian Architecture according to Mānasāra-Śilpaśāstra; III. Mānasāra on Architecture and Sculpture: Sanskrit Text; IV. Architecture of Mānasāra: Translation; V. Architecture of Mānasāra: Illustrations; VI. Hindu Architecture in India and Abroad; VII. An Encyclopaedia of Hindu Architecture) v6.c41.s25.259
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v6.c41.s25.259
The essence of architecture proper, however, lies in the 'fine art of designing and constructing ornamental buildings,' both externally and internally. The mere engineering buildings are not necessarily devoid of all ornaments and do not always look like godowns. However plain a builder may be, he is instinctively artistic in nature, and whatever is built by him must have some sort of art in it. But the real difference lies in the fact that, in architectural buildings like the Christian churches and the Hindu temples, the primary object is to exhibit an artistic design and a symbolic idea throughout; while in office buildings, railway station structures, and godowns, the engineering skill lies in providing required accommodation and facilities at the minimum cost. The question of utility is neither entirely ignored in temples, churches and mosques; nor are the beautifying measure, proportion, roof, ceiling, door, window, balcony, verandah, arch, porch, pillars and their mouldings deliberately turned out of the prison houses and barracks.