The Development of Hindu Iconography c6.4

c6.4

| PLATE | XXXIV. | 1. Śiva on Nandi (Pearse Collection; pp. 468-69) |
| | | 2. Śarabheśa (Darasuram; p. 488) |
| | | 3. Vṛṣavāhana Śiva (Aihole; p. 468) |
| | | 4. Śiva Dancing (Gangaikondacholapuram; p. 473) |
| ,, | XXXV. | 1. Vaṭuka Bhairava (Banaras; p. 482) |
| | | 2. Vīrabhadra (Puri; pp. 472, 482-83) |
| | | 3. Bhairava (Khiching; p. 481) |
| | | 4. Bhairava (Asutosh Museum; p. 482) |
| | | 5. Caṇḍeśānugrahamūrti (Gangaikondacholapuram; p. 485) |
| ,, | XXXVI. | 1. Rāvaṇānugrahamūrti (Kailāsa, Ellora; pp. 484-85). |
| | | 2. Śiva Dancing (Badami; p. 474) |
| ,, | XXXVII. | 1. Śiva Dancing (Ellora; pp. 474) |
| | | 2. Śiva Dancing (Hampi; pp. 474-75) |
| | | 3. Śiva Dancing (Sankarbandha; p. 475) |
| ,, | XXXVIII. | 1. Kalyāṇasundaramūrti (Ellora; pp. 485-86) |
| | | 2. Hara-Pārvatī (Kosam; pp. 467-68) |
| | | 3. Aliṅgana-Candraśekhara (Tanjore; p. 468) |
| | | 4. Ardhanārīśvara (Tanjore; pp. 553-54) |
| ,, | XXXIX. | 1. Lakulīśa (Mukhaliṅgam; pp. 480-81) |
| | | 2. Hara-Pārvatī (Khiching; pp. 469-70) |
| | | 3. So-called Trimūrti (Gwalior Museum; p. 477) |
| | | 4. Ardhanārīśvara (Darasuram; p. 554) |
| ,, | XL. | 1. So-called Trimūrti (Elephanta; pp. 476-77) |
| | | 2. Gaṅgādharamūrti (Gangaikondacholapuram; p. 486) |
| | | 3. Sadāśiva (Rajshahi Museum; p. 478) |
| | | 4. Lakulīśa (Asutosh Museum; p. 480) |
| ,, | XLI. | 1. Śaiva relief (Parel; pp. 479-80) |
| | | 2. Mahiṣamardinī (Ellora; p. 499) |
| | | 3. Stone Ring (Taxila; p. 170) |
| | | 4. Mahiṣamardinī (Udayagiri, Bhilsa; p. 498) |
| ,, | XLII. | 1. Mahiṣamardinī (from a mould, Peshawar; p. 500) |
| | | 2. Mahiṣamardinī (Haripur, Mayurbhanj; p. 499) |
| | | 3. Mahiṣamardinī (Aihole; p. 499) |
| | | 4. Siṃhavāhinī with Child (Indian Museum; p. 501) |
| ,, | XLIII. | 1. Brahmāṇī (Puri; pp. 505-06) |
| | | 2. Pārvatī (Nalanda; p. 501) |
| | | 3. Kaumārī (Puri; p. 506) |
| | | 4. Durgā Siṃhavāhinī (Bihar; p. 501) |
| | | 5. Māheśvarī (Puri; p. 506) |