The Indian Buddhist Iconography, Mainly Based on the Sadhanamala and Other Cognate Tantric Texts of Rituals c15.t5.4
The Indian Buddhist Iconography, Mainly Based on the Sādhanamālā and Other Cognate Tāntric Texts of Rituals c15.t5.4
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c15.t5.4
“Or, he may be four-armed and appear similar to the two-armed form. In the two other hands he embraces his Śakti Vajravārāhī of his own creation. This is the only difference”.