The Indian Buddhist Iconography, Mainly Based on the Sadhanamala and Other Cognate Tantric Texts of Rituals c15.t7.3
The Indian Buddhist Iconography, Mainly Based on the Sādhanamālā and Other Cognate Tāntric Texts of Rituals c15.t7.3
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c15.t7.3
‘Caturtho Hevajraḥ ṣoḍaśabhujo Akṣobhyamudrito Nairātmāsamāpannaḥ. Kintvasya catvāro mārāḥ prāguktaśavasthāne. Tatra Skandhamāro rūpato Brahmā pitaḥ, Kleśamāro Viṣṇuḥ kṛṣṇo, Mṛtyumāro Maheśvaraḥ śubhro, Devaputramāro Śakraḥ gauraḥ. Tesu Bhagavān dvābhyāṃ Ardhaparyaṅkavān aparābhyāṃ Ālīḍhastha iti catuścaraṇaḥ kṛṣṇo......aṣṭāsyaḥ. Mukhantu mūlaṃ kṛṣṇaṃ hasat savyaṃ śuklam, vāmaṃ raktam, ūrdhvaṃ vikaṭadaṃṣṭraṃ śeṣāṇi kṛṣṇāni. Dakṣiṇa-bhujeṣu vajraṃ khaḍgaṃ bāṇaṃ cakraṃ caṣakaṃ triśūlaṃ-aṅkuśaṃ ca; vāmeṣu ghaṇṭām, padmam, dhanur-uḍyatakhaṭvāṅgam, kapālam, tarjanīpāśaṃ ca.” (NSP, pp. 14-15).
Cites (1)
- Niṣpannayogāvalī — Abhayākaragupta, Sanskrit